Martinez Lebron v. Reyes Rosado

CourtDistrict Court, D. Puerto Rico
DecidedJanuary 14, 2025
Docket3:24-cv-01045
StatusUnknown

This text of Martinez Lebron v. Reyes Rosado (Martinez Lebron v. Reyes Rosado) is published on Counsel Stack Legal Research, covering District Court, D. Puerto Rico primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

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Martinez Lebron v. Reyes Rosado, (prd 2025).

Opinion

IN THE UNITED STATES COURT FOR THE DISTRICT OF PUERTO RICO

ROBERTO MARTINEZ LEBRON

AND UPDATE MUSIC, CORP.,

Plaintiffs,

CIV. NO.: 24-1045 (SCC) v.

CARLOS EFREN REYES ROSADO,

ET AL.,

Defendants.

OPINION AND ORDER Pending before the Court is a Motion to Dismiss by Defendants Carlos Efren Reyes Rosado, including as representative of the Reyes-Lopez conjugal partnership, and Carbon Fiber Music, Inc. (collectively, “Defendants”). Docket No. 28. For the reasons set forth below, the Motion to Dismiss is GRANTED. I. BACKGROUND Plaintiffs Update Music, Corp. (“Update Music”) and Roberto Martinez Lebron, known professionally as Revol (“Revol”), allege that they, Reyes Rosado, known professionally as Farruko (“Farruko”), and a Hector Delgado (“Delgado”), who is not party to this case, “negotiated the Roberto Martinez Lebron, et al. v. Carlos Efren Page 2 Reyes Rosado, et al.

terms and executed an agreement for the distribution of musical [sic] master recording titled ‘SOLA.’” Docket No. 25, ¶ 11.1 According to Update Music and Revol (collectively, “Plaintiffs”), “[t]he basic terms of the agreement stated that Update Music, [Revol’s] production company, would own and commercially exploit” the master recording and that Farruko, Revol, and Delgado would each receive a third “of the mechanical royalties it generated.” Id. at ¶ 12. Plaintiffs contend that “’Sola’ was intended to be recorded and included on an album that Plaintiffs recorded with” Delgado “called ‘Remember Me’” and that “Update Music paid $30,000 to Mr. Delgado for his services in recording his participation in ‘Remember Me.’” Id. at ¶¶ 13, 16.

1 Plaintiffs cite “Exhibit 1,” which they describe as the “Songwriter/Performer Royalty Agreement.” Docket No. 25, ¶ 11. There is nothing attached to the Amended Complaint at Docket No. 25. Approximately six weeks following the filing of the original complaint, Plaintiffs’ counsel submitted a motion stating that “Plaintiffs inadvertently omitted the exhibit to which they referred in the [original complaint]” and that “[t]hey submit that exhibit with th[e] motion.” Docket No. 6, pg. 1. The Court will consider the exhibit at Docket No. 6-1 for the purpose of disposing of the Motion to Dismiss since both parties treat it as the relevant document. See Docket Nos. 25, 28. Roberto Martinez Lebron, et al. v. Carlos Efren Page 3 Reyes Rosado, et al.

Plaintiffs further state that, “[r]elying on the existence of the contract with Farruko for the delivery of a master for the ‘Remember Me’ album,” Update Music “executed an agreement with WK Records, a distributor, for the distribution and commercial exploitation of the master recordings on the ‘Remember Me’ album and other content, on digital platforms for public consumption throughout the world.” Id. at ¶ 18. Plaintiffs state that they “have recorded and had distributed master recordings that produce more than $100,000 per sound recording, and, given the quality of the artists on the ‘Remember Me’ album, [they] anticipated netting an average of at least $50,000 per sound recording.” Id. at ¶ 19. “Because of Defendants’ breach of the contract,” Plaintiffs allege they “have not been able to recoup the $30,000 investment [or] received the expected profits from the recordings on ‘Remember Me’ of not less than $250,000.” Id. at ¶ 21. Plaintiffs state that “despite executing the contract for Sola with Plaintiffs, and then entering into a verbal contract to substitute ‘Rumor de Guerra’ for ‘Sola,’ and finally Roberto Martinez Lebron, et al. v. Carlos Efren Page 4 Reyes Rosado, et al.

Plaintiffs agreeing to amend the contract again to switch back to ‘Sola’ because the [sic] strong language in ‘Rumor de Guerra,’ Defendants breached and refused to authorize the release of the album ‘Remember Me.’” Id. at ¶ 20. Plaintiffs contend that “[d]espite multiple and repeated requests by [Revol] for the delivery of the ‘Sola’ master recording, Defendants have has [sic] never delivered to [Revol] or Update Music, and, as a result, [Revol] and Update Music have not been able to distribute it or the rest of the album through WK Records.” Id. at ¶ 25. Plaintiffs finally allege that Carbon Fiber Music, Inc., “through its attorney, Frank Martinez, stated that” it “will not agree to the release” of the two songs. Id. at ¶ 26 (emphasis in original). In all, Plaintiffs contend that “[a]s a result of the aforementioned breaches,” they “suffered severe damages, in the form of tarnishment [sic] to their reputation and credibility before WK Records, loss of monies, expenses, profits and production costs which are estimated at an amount not less of [sic] Five Hundred Thousand Dollars ($500,000.00).” Id. at ¶ 27. Roberto Martinez Lebron, et al. v. Carlos Efren Page 5 Reyes Rosado, et al.

Plaintiffs list two causes of action. First, they allege breach of contract and that “[a]s a direct and proximate result of defendant’s [sic] material breach,” they “suffered damages in the form of reasonable expenses in reliance on defendant’s [sic] performance and subsequent breach of the contract, loss of profits, incurred in substantial expenses, and costs which are estimated at an amount not less than Two Hundred Fifty Thousand Dollars ($250,000.00).” Id. at ¶¶ 28–29.2 Second, Plaintiffs allege tort and that “Defendants’ refusal to allow the release of the album , [sic] and the loss of credibility and tarnishing of Plaintiffs’ reputation in the music industry caused substantial damages in an amount of not less than two hundred fifty thousand dollars $250,000 [sic].” Id. at ¶¶ 30– 32. Defendants moved to dismiss. Docket No. 28. Plaintiffs filed an opposition. Docket No. 31. The Motion to Dismiss is now ripe for disposition.

2 Two paras. 29 are listed one after another and following para. 28. See Docket No. 25, pg. 6. The Court is citing both. Roberto Martinez Lebron, et al. v. Carlos Efren Page 6 Reyes Rosado, et al.

II. ANALYSIS “Federal courts are courts of limited jurisdiction” and can thus “hear cases only if and to the extent that they are authorized to do so by statute.” Rhode Island v. EPA, 378 F.3d 19, 22 (1st Cir. 2004) (citing Am. Fiber & Finishing, Inc. v. Tyco Healthcare Group, 362 F.3d 136, 138 (1st Cir. 2004); Bell v. New Jersey, 461 U.S. 773, 777 (1983)). “Federal courts are obliged to resolve questions pertaining to subject-matter jurisdiction before addressing the merits of a case.” Acosta-Ramirez v. Banco Popular de Puerto Rico, 712 F.3d 14, 18 (1st Cir. 2013) (citing Donahue v. City of Boston, 304 F.3d 110, 117 (1st Cir. 2002)).3 Therefore, while Defendants raise several defenses, the Court begins—and ends—with subject-matter jurisdiction. A. Standard of Review Defendants argue lack of subject-matter jurisdiction but mention only Rule 12(b)(6) of the Federal Rules of Civil

3 See also Deniz v. Municipality of Guaynabo, 285 F.3d 142, 149 (1st Cir. 2002) (“When a court is confronted with motions to dismiss under both Rules 12(b)(1) and 12(b)(6), it ordinarily ought to decide the former before broaching the latter.”) (citing NE Erectors Ass’n v. Sec’y of Labor, 62 F.3d 37, 39 (1st Cir. 1995); Bell v. Hood, 327 U.S. 678, 682 (1946)). Roberto Martinez Lebron, et al. v. Carlos Efren Page 7 Reyes Rosado, et al.

Procedure in the standard-of-review section of their motion. Docket No. 28, pg. 3–7.

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