Mark W. Stearnes v. Baur's Opera House, Incorporated, Doing Business as Baur's Opera House, a Delaware Corporation

3 F.3d 1142
CourtCourt of Appeals for the Seventh Circuit
DecidedNovember 15, 1993
Docket92-2196
StatusPublished
Cited by48 cases

This text of 3 F.3d 1142 (Mark W. Stearnes v. Baur's Opera House, Incorporated, Doing Business as Baur's Opera House, a Delaware Corporation) is published on Counsel Stack Legal Research, covering Court of Appeals for the Seventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Mark W. Stearnes v. Baur's Opera House, Incorporated, Doing Business as Baur's Opera House, a Delaware Corporation, 3 F.3d 1142 (7th Cir. 1993).

Opinion

BAUER, Chief Judge.

Does the Civil Rights Act of 1964, 42 U.S.C. § 2000a, guarantee a particular type or, better yet, “color” of music? Mark Stearnes asks us to answer this question. Specifically, Stearnes sued Baur’s Opera House for alleged violations of his federal civil rights and Illinois law. Stearnes claims that Baur’s engaged in a pattern or practice of racial discrimination by playing music that he and other black persons would not find appealing with the deliberate purpose of driving black customers from the premises. The district court granted Baur’s motion for summary judgment, and dismissed the case with prejudice. 788 F.Supp. 375 Because Stearnes failed to notify the appropriate state agency as required by 42 U.S.C. § 2000a-3(c) before he filed his case in federal court, we remand the case to the district court and order the case dismissed for lack of jurisdiction.

I.

Baur’s Opera House is a bar located in Springfield, Illinois. Baur’s patrons dance to tunes spun by a disc jockey. On February 4, 1990, at about 1:00 a.m., Stearnes entered Baur’s, paid a two dollar cover charge, and joined Barbara Curry and other friends. 1 About an hour later, five to ten people, all of them black, went to the dance floor area. A few minutes after they started dancing, the disc jockey began playing music that “wasn’t very danceable.” Ex. A to R. Doe. 69. Curry, a black woman, described the music as “hard rock.” Ex. B to R. Doc. 69. Curry approached Baur’s manager and asked him why the music had changed. Curry told the manager that “it was mostly blacks in there from one o’clock until three o’clock till they close, so we would like to hear some of our songs.” Id. Curry stated that the manager informed her that Baur’s changed the music because it wanted to keep blacks out. Id. Curry then returned to her table and told Stearnes what the manager had said. Later, near closing time, one of Baur’s bouncers came to Curry’s table and told her, Stearnes, and those sitting with them to leave. Ex. A to R. Doc. 69; Ex. 7 to R. Doc. 68. The bouncer also called them “niggers.” Ex. B to R. Doc. 69. Curry and her friends refused to leave, giving as a reason that they were not “niggers” and therefore must not have been the parties the bouncer addressed. At this, the bouncer left, returned with another bouncer, and again told them to leave. They continued to object and refused to leave. After more words were exchanged, they decided to leave. As they were leaving, one of the bouncers shoved Stearnes from behind. More racial slurs followed before Stearnes turned around and took a swing at one of the bouncers. The punch did not connect; Stearnes and the bouncer were too far apart. The bouncers then jumped Stearnes, wrestled him to the ground, and held him there. Twenty minutes later, the police arrived and arrested Stearnes.

*1144 According to former Baur’s disc jockey Brad Schroeder, Baur’s owner George Baur had become concerned that Baur’s was becoming a “nigger bar.” Ex. F to R. Doc. 69. George Baur apparently could tolerate up to ten percent blacks, but no more. Id. Accordingly, when an unacceptably high number of blacks came to Baur’s, manager Kim Koratsky would tell disc jockeys that it was getting “too dark in here.” Id. Koratsky used this phrase to instruct the disc jockeys to stop playing rap music and start playing hard rock. The music switch effectively emptied the dance floor, which Koratsky had nicknamed “Zimbabwe West.” Ex. G to R. Doc. 69. The switch in music was intended to drive blacks from the bar. Ex. B to R. Doc. 69. Apparently, rap music was considered “black music.” Correspondingly, hard rock music was considered “white music.” This happened every weekend at Baur’s “just like clockwork.” Ex. G to R. Doc. 69. 2

Stearnes sued Baur’s for alleged violations of the Civil Rights Act of 1964, 42 U.S.C. § 2000a (“the Act” or “Title II”). Specifically, Stearnes alleged that Baur’s engaged in a pattern or practice of discrimination with the intent, purpose, and effect of denying blacks the ability to use and enjoy Baur’s on the same basis as whites. 3 Stearnes did not, however, notify the Illinois Department of Human Rights before he filed his lawsuit.

II.

We are required to satisfy ourselves not only of our own jurisdiction, but also the jurisdiction of the district court. Mitchell v. Maurer, 293 U.S. 237, 244, 55 S.Ct. 162, 165, 79 L.Ed. 338 (1934); Krueger v. Cartwright, 996 F.2d 928 (7th Cir.1993). It is our duty to raise and consider the issue of jurisdiction sua sponte when it appears from the record that jurisdiction is lacking. Id. The requirements of Section 2000a-3(c) are jurisdictional and, unless those requirements are met, the federal courts do not have jurisdiction to decide the dispute.

Section 2000a-3(c) requires that Title II plaintiffs give notice to state or local authorities when a state or local law prohibits such discrimination and the state or local authority is authorized to grant or seek relief from such discrimination. 4 We therefore examine Illinois law to see if Illinois has a state or local authority authorized to grant or seek relief for an alleged violation of Title II.

The Illinois Human Rights Act (“the Act”) provides that it is Illinois public policy “[t]o secure for all individuals within Illinois the freedom from discrimination because of race [or] color ... in connection with ... the *1145 availability of public accommodations.” 775 I.L.C.S. 5/1-102(A). To achieve this end, Illinois has established a Department of Human Rights which has the power to file complaints with the Illinois Human Rights Commission in conformity with the Act. 775 I.L.C.S. 5/7-101(D). See also 775 I.L.C.S. 5/8-101, 5/8-102 (establishing the Illinois Human Rights Commission and enumerating its powers and duties). Further, Illinois law makes it illegal to “[d]eny or refuse to another the full and equal enjoyment of the faculties and services of any public place of accommodation.” 5 775 I.L.C.S. 5/5-102(A). A party alleging violations of the Act must notify the Department of Human Rights “[wjithin 180 days after the date that a civil rights violation allegedly has been committed.” 775 I.L.C.S. 5/7A-102(A)(1).

In this case, Stearnes admits that he did not notify the Department of Human Rights or any other state or local authority before he filed this suit in federal court. Stearnes filed his complaint on January 21,1991, more than 180 days after the alleged discriminatory acts occurred.

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Bluebook (online)
3 F.3d 1142, Counsel Stack Legal Research, https://law.counselstack.com/opinion/mark-w-stearnes-v-baurs-opera-house-incorporated-doing-business-as-ca7-1993.