Malletier v. DONKEY & BOURKE, INC.

340 F. Supp. 2d 415, 2004 U.S. Dist. LEXIS 17295, 2004 WL 1924792
CourtDistrict Court, S.D. New York
DecidedAugust 27, 2004
Docket04 Civ. 2990(SAS)
StatusPublished
Cited by25 cases

This text of 340 F. Supp. 2d 415 (Malletier v. DONKEY & BOURKE, INC.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Malletier v. DONKEY & BOURKE, INC., 340 F. Supp. 2d 415, 2004 U.S. Dist. LEXIS 17295, 2004 WL 1924792 (S.D.N.Y. 2004).

Opinion

OPINION AND ORDER

SCHEINDLIN, District Judge.

This case involves the Court in the world of haute couture, where Louis Vuitton Malletier (“Louis Vuitton”), armed with state and federal trademark law, 1 *420 seeks to prevent Dooney & Bourke, Ine. (“Dooney & Bourke”)—and all others— from trespassing in what it perceives as its fashion “territory.”

The trouble began in October 2002, when Louis Vuitton, an industry leader, premiered a fresh, exciting concept—printing its famous “LV” and geometric shapes in an array of bright, crisp colors on white and black handbags (“Monogram Multico-lore” marks). As often happens in -the fashion world, this multicolored monogram “look” was instantly and wildly popular. Dooney & Bourke, one of many handbag manufacturers to follow in the trend, launched a line of its own bags featuring its “DB” monogram (without geometric ornamentation) in a multicolored array.

Objecting to its legion of imitators, 2 Louis Vuitton has sued Dooney & Bouke, seeking refuge under both federal and state law governing intellectual property rights. The problem is that Dooney ,& Bourke did not use Louis Vuitton’s logo (an intertwined “LV”) or famous Toile Monogram on its bags. Rather, Dooney & Bourke used a multicolored “DB” monogram on both a white and black background. This emulation of the certáin features of the Louis Vuitton bags, however, does not reflect Dooney & Bourke’s intention to deceive customers into concluding that the product derives from Louis Vuitton. 3

Louis Vuitton created a new look and now seeks to preclude others from following its lead. If Louis Vuitton succeeds, then it will have used the law to achieve an unwarranted anticompetitive result. It is well established that the objective of trademark law. is not to harm competition. To the contrary, the Supreme Court has noted that trademark law “seeks to promote competition by protecting a firm’s reputation” but does not permit legitimate competition to be inhibited by “allowing a producer to control a useful product feature.” 4 Put another way, “[a] trademark is not a property right, but an identifier; so, provided no one is likely to be confused by the alleged infringer, there is no' impairment of the interest that the trademark statute protects.” 5 Distilling the voluminous submissions to their essence, it is quite clear that Louis Vuitton cannot prevail on its plea for injunctive relief. To hold otherwise would not only contravene settled law, it would grant *421 Louis Vuitton monopoly rights over a “look”—a multicolored monogram against a white or black background. 6 In connection with this motion, the parties have collectively submitted close to 20,000 pages of material. But no amount of expert opinion, legal analysis, or demonstrative evidence can overcome the clarity that comes from direct observation. The following pictures of the competing products demonstrate the point. 7

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I. BACKGROUND 8

A. The Parties

*424 Louis Vuitton, which has its principal place of business in Paris, France, manufactures, imports, sells, and distributes high fashion apparel, designer luggage, handbags, and leather accessories throughout the world, including New York. Doo-ney & Bourke makes and sells quality handbags and other fashion accessories, and maintains its principal place of business in Connecticut. 9

B. Facts

1. Genesis of the Louis Vuitton Monogram Multicolore Marks

Louis Vuitton owns various trademarks, including three that protect the individual elements of its celebrated “Toile Monogram.” 10 Created in 1896, the Toile Monogram features “entwined LV initials with three motifs—a curved diamond with a four-point star inset, its negative, and a circle with a four-leafed flower inset.” 11 These elements appear on apparel and accessories sold worldwide in “Louis Vuitton freestanding boutiques and in-store boutiques in the finest department stores, including Saks Fifth Avenue, Bloomingdale’s, Nieman Marcus, and Macy’s.” 12 The Toile Monogram is traditionally printed in gold against a dark chestnut background. 13

In 1997, Louis Vuitton hired fashion designer Marc Jacobs, who now serves as the “Artistic Director for its Louis Vuitton fashion apparel and accessory design lines, as well as his own signature lines.” 14 In 2002, Jacobs contacted Japanese artist Ta-kashi Murakami to collaborate in the “revitalization” for the new millennium of the traditional Louis Vuitton monogram. 15 To that end, on July 16, 2002, Murakami, Ja *425 cobs, and other Louis Yuitton and Kaikai Kiki, LLC (Murakami’s New York-based company) employees met at Louis Vuitton’s Paris offices. 16 The resulting relationship resulted in the creation of four handbag and accessory collections premised on the Toile Monogram Trademarks:

[ (1) ] the Monogram Cherry Blossom, featuring a pattern of the Louis Yuitton Toile Monogram with cherry blossoms; [ (2) ] the Eye Love Monogram, featuring a colorful pattern of the Louis Vuitton Toile Monogram with a Murakami eye symbol; [ (3) ] the Monogram Multi-colore, offering a visionary and avant-garde version of the [Toile Monogram] in thirty-three colors; and [ (4) ] a collection of Murakami characters featured on the Louis Vuitton Toile Monogram pattern. 17

These patterns are printed through a process of silk-screening onto the treated canvases of handbags with “straps and handles- made out of natural calf s hide leather and hand-applied colored trim ... finished with [yellow] double-stitched edging and shiny gold hardware.” 18 Thirty-three “very specific” colors, selected by Muraka-mi from his palette, are used in connection with the Monogram Multicolore marks. 19

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Bluebook (online)
340 F. Supp. 2d 415, 2004 U.S. Dist. LEXIS 17295, 2004 WL 1924792, Counsel Stack Legal Research, https://law.counselstack.com/opinion/malletier-v-donkey-bourke-inc-nysd-2004.