Main Line Theatres, Inc. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Rko Radio Pictures, Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, and Allied Artists Distributing Corp. 309 Drive-In Corp. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, Buena Vista Film Distributing Corp., Allied Artists Distributing Corp

298 F.2d 801
CourtCourt of Appeals for the Third Circuit
DecidedFebruary 14, 1962
Docket13509
StatusPublished

This text of 298 F.2d 801 (Main Line Theatres, Inc. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Rko Radio Pictures, Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, and Allied Artists Distributing Corp. 309 Drive-In Corp. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, Buena Vista Film Distributing Corp., Allied Artists Distributing Corp) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Main Line Theatres, Inc. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Rko Radio Pictures, Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, and Allied Artists Distributing Corp. 309 Drive-In Corp. v. Paramount Film Distributing Corporation, Warner Bros. Pictures Distributing Corp., Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, Buena Vista Film Distributing Corp., Allied Artists Distributing Corp, 298 F.2d 801 (3d Cir. 1962).

Opinion

298 F.2d 801

MAIN LINE THEATRES, INC., Appellant,
v.
PARAMOUNT FILM DISTRIBUTING CORPORATION, Warner Bros. Pictures Distributing Corp., RKO Radio Pictures, Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, and Allied Artists Distributing Corp.
309 DRIVE-IN CORP., Appellant,
v.
PARAMOUNT FILM DISTRIBUTING CORPORATION, Warner Bros. Pictures Distributing Corp., Universal Film Exchanges, Inc., Twentieth Century-Fox Film Corporation, Columbia Pictures Corporation, Loew's Incorporated, United Artists Corporation, Buena Vista Film Distributing Corp., Allied Artists Distributing Corp.

No. 13508.

No. 13509.

United States Court of Appeals Third Circuit.

Argued September 18, 1961.

Decided January 16, 1962.

Rehearing Denied February 14, 1962.

Harry Norman Ball, Philadelphia, Pa. (W. Wilson White, White and Williams, Philadelphia, Pa., on the brief), for appellants.

W. Bradley Ward, Philadelphia, Pa. (Samuel D. Slade, Abraham L. Freedman, Louis J. Goffman, Schnader, Harrison, Segal & Lewis, Wolf, Block, Schorr and Solis-Cohen, Philadelphia, Pa., on the brief), for appellees.

Before GOODRICH, McLAUGHLIN and HASTIE, Circuit Judges.

HASTIE, Circuit Judge.

In these civil antitrust suits under Sections 1 and 2 of the Sherman Act, 15 U.S.C.A. §§ 1, 2, the appellants, two corporations controlled by a single family, have complained of certain practices of the defendants in the commercial distribution of motion pictures and have asked for treble damages and injunctive relief. In the court below the cases were decided on the defendants' pretrial motions, asserting that the parties had entered into a binding settlement agreement and asking the court to dismiss the complaints with prejudice. After a hearing, at which testimony was introduced, the district court concluded that "these cases were settled by [oral] agreement of the parties in May 1960, providing for payment of $10,000 by defendants and the giving of releases by plaintiffs". The court directed the defendants to pay $10,000 into the registry of the court and the plaintiffs to tender releases. Thereafter, the court entered the orders of dismissal with prejudice from which these appeals have been taken.

Most of the significant facts are stated or necessarily implied in the memorandum opinion of the court below. Others are clear and not disputed in the record. These two suits and eleven others like them were instituted at about the same time in the District Court for the Eastern District of Pennsylvania by several motion picture exhibitors, all of whom expressed similar complaints against the same defendants. Ten cases involved Pennsylvania theaters and three involved New Jersey theaters. One of the Pennsylvania cases, Colonial Amusement Co. v. Columbia Pictures, Civil Action No. 19,288, was the first of the group listed for trial. At this stage, pretrial conferences were featured by extensive negotiations for settlement of all ten cases involving Pennsylvania theaters. Negotiations were facilitated by the fact that counsel for the plaintiffs in the Colonial Amusement case was also counsel for the plaintiffs in the companion cases.

In these negotiations counsel, acting within their authority, expressed the willingness of the parties to settle these suits for a total sum of $10,000.1 Defense counsel then prepared and submitted to appellants' counsel a form of release to be executed by appellants.

Appellants refused to sign the release because the release contained, in addition to the usual language releasing all claims up to the time of the release, a provision that the plaintiff exhibitor "agrees that its present availability and the present procedure pursuant to which it licenses motion pictures is reasonable". The parties construed this language as a relinquishment of the right to complain of the continuation of the licensing procedures which had been challenged in this suit. While this dispute as to what should be included in the release remained unresolved, appellants sold their theaters and advised the defendants that they would not settle the pending litigation.

At the hearing on their motion to dismiss, the defendants offered to accept releases without the controversial provision and the order of the court below required no more than that. Moreover, because of this concession by the defendants, the district court reviewed the controversy over the terms of a release as immaterial to the decision of this case. We do not agree with this position because, if the parties had not entered into a binding agreement before the dispute over the terms of the release led the plaintiffs to reject the settlement, no future modification of the defendants' position could impose any obligation on the plaintiffs. Therefore it must be decided whether there was an expression of mutual assent between the parties sufficient to create a binding settlement agreement before controversy arose about the inclusion of a particular provision in a formal release.

Had this been an action for damages only, without a prayer that the defendants be restrained from continuing or repeating the licensing practices of which the plaintiff complained, the essential feature of any undertaking to settle the suit for a stated sum would have been the plaintiffs' promise to forego a money claim, the only matter in controversy. Here the suit contained a demand for injunctive prohibition of future wrongful conduct as well as a claim for money damages for alleged past misconduct. In such circumstances a reasonable person agreeing, without any expression of limitation, to accept a sum in settlement of the litigation should and reasonably would understand that both aspects of the suit were covered by the settlement. Certainly, a defendant offering a sum in settlement of a suit asking, among other things, for an injunction against certain conduct, would not understand that a similar demand could be asserted the day after settlement. This reasonable understanding determines the meaning of the assent expressed by the parties here. Accordingly, the defendants were entitled to such a release as they proposed and their insistence upon it afforded the appellants no justification for repudiation of or withdrawal from their bargain. It is immaterial that, yielding to appellants' insistence, the defendants subsequently eliminated from the release a term upon which they might have insisted.

What has already been said also disposes of appellants' argument that counsel had no authority to negotiate a settlement permitting continuation of the conduct of which appellants had complained. It is not disputed that counsel was authorized to settle the litigation for $10,000. It follows that authority in general terms to settle the litigation would reasonably be understood as including authority to dispose of a claim for relief against continuation of the alleged wrong.

An altogether different problem is created by another fact not heretofore mentioned.

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Bluebook (online)
298 F.2d 801, Counsel Stack Legal Research, https://law.counselstack.com/opinion/main-line-theatres-inc-v-paramount-film-distributing-corporation-warner-ca3-1962.