Lukasz Gottwald v. Kesha Rose Sebert

CourtNew York Court of Appeals
DecidedJune 13, 2023
Docket32-33
StatusPublished

This text of Lukasz Gottwald v. Kesha Rose Sebert (Lukasz Gottwald v. Kesha Rose Sebert) is published on Counsel Stack Legal Research, covering New York Court of Appeals primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Lukasz Gottwald v. Kesha Rose Sebert, (N.Y. 2023).

Opinion

State of New York OPINION Court of Appeals This opinion is uncorrected and subject to revision before publication in the New York Reports.

Nos. 32 & 33 Lukasz Gottwald, &c., et al., Respondents, v. Kesha Rose Sebert, &c., Appellant, et al., Defendants.

Case No. 32:

Anton Metlitsky, for appellant. Christine Lepera, for respondents. Legal Momentum et al.; Samuel D. Isaly; Advance Publications, Inc. et al.; and Maria Kim Grand, amici curiae.

Case No. 33: Anton Metlitsky, for appellant. David A. Steinberg, for respondents. Samuel D. Isaly; National Women's Law Center et al.; and The Reporters Committee for Freedom of the Press et al., amici curiae. GARCIA, J.:

Plaintiff in this defamation suit, Lukasz Gottwald (“Gottwald”), is a music producer

known as “Dr. Luke.” Defendant Kesha Rose Sebert (“Sebert”) is a singer and songwriter

known as “Kesha.” Sebert signed a recording contract with one of Gottwald’s companies

in 2005 and the arrangement produced several successful albums. However, in 2014,

Sebert sought to void her contractual arrangement with Gottwald by filing an action in

California, alleging that Gottwald raped her shortly after she signed the original recording

deal. In response, Gottwald brought this action in New York alleging that statements made

-1- -2- Nos. 32 & 33

by Sebert and her agents with respect to the alleged sexual assault were defamatory. We

hold that Gottwald is a limited public figure who must prove by clear and convincing

evidence that Sebert acted with actual malice; that five of the allegedly defamatory

statements are privileged as a matter of law while the issue of privilege as to the remaining

20 statements must be resolved by a jury; and that certain provisions of the 2020

amendments to Civil Rights Law §§ 76-a and 70-a apply to this action.

I.

Gottwald, in addition to being a music producer, also owns several companies,

including plaintiffs Kasz Money, Inc. (“KMI”) and Prescription Songs, LLC. In 2005,

Gottwald signed Sebert, an aspiring singer and songwriter, to a record deal through KMI.

Sebert alleges that a short time later Gottwald raped her—an allegation he has denied.

Through her representatives, Sebert subsequently attempted to gain her release from the

KMI agreement based on the alleged sexual assault. Those efforts were unsuccessful.

Instead, in 2008, the parties amended the KMI agreement and entered into separate

publishing and recording agreements. In 2010, Gottwald and KMI released two

commercially successful albums with Sebert, and in 2012, Gottwald and Sebert released a

third album through another of Gottwald’s record labels.

By 2012, however, Sebert sought to renegotiate the terms of her agreements with

Gottwald but attempts to settle the dispute were once more unsuccessful. Sebert then

commenced an action against Gottwald and his various companies in California, alleging

that Gottwald had raped her in 2005 and seeking damages as well as an injunction voiding

-2- -3- Nos. 32 & 33

her contracts with plaintiffs. Gottwald filed this action in Supreme Court, New York

County, that same day. The operative complaint pleads two counts of defamation against

Sebert. The first asserts that she acted with malice in making false statements regarding

the alleged rape. The second count is based on a statement made by Sebert alleging

Gottwald raped another female recording artist.1

The California court granted Gottwald’s motion for a stay of that action, while

Sebert filed counterclaims here based on the same allegations contained in her California

complaint. She then moved in Supreme Court for a preliminary injunction asking the court

to enjoin Gottwald and his companies from interfering with her attempts to work with

others and to prevent them from enforcing any contractual exclusivity and ownership

provisions. The court denied the injunction. In 2016, Supreme Court granted Gottwald’s

motion to dismiss Sebert’s counterclaims as, inter alia, time-barred and outside Supreme

Court’s subject matter jurisdiction (2016 NY Slip Op 32815 [U] [Sup Ct, NY County

2016]). Sebert appealed the denial of the injunction and dismissal of her counterclaims but

later withdrew both appeals and voluntarily dismissed her California action.2

After completing discovery, the parties cross-moved for summary judgment. As

relevant here, Sebert argued that Gottwald is a public figure and can recover for defamation

only upon proof that the alleged defamatory statements were made with actual malice, and

1 That artist denied any sexual assault by Gottwald and the Appellate Division determined that the statement was defamatory per se (see 193 AD3d 573, 581 [1st Dept 2021]). 2 None of Sebert’s original counterclaims in this action survive.

-3- -4- Nos. 32 & 33

that 25 of those statements cannot serve as the basis for liability in any event because they

are privileged. Supreme Court granted partial summary judgment in favor of Gottwald and

denied Sebert’s motion (2020 NY Slip Op 30347 [U], at *5 [Sup Ct, NY County 2020]).

Sebert appealed.

In 2020, while that appeal was pending, the Legislature amended a 1992 statute

designed to protect certain individuals who face targeted litigation for their participation in

public affairs, i.e., Strategic Lawsuits Against Public Participation (“SLAPP” suits). The

1992 law—New York’s anti-SLAPP statute (L 1992, ch 767)—is codified in Civil Rights

Law § 76-a and § 70-a. Sebert moved in Supreme Court for a ruling that the 2020

amendments to the anti-SLAPP statute apply to this action and for leave to assert a

counterclaim for attorney’s fees, damages for emotional distress, and punitive damages, as

permitted by the amended statute. That court agreed, holding that the amendments applied

retroactively to pending claims and granting Sebert leave to file a counterclaim. Gottwald

appealed that decision.

The Appellate Division, in two separate opinions, reversed on the application of

the anti-SLAPP statute, holding that the amendments were not retroactive and so did not

apply to this litigation, and affirmed Supreme Court’s holding that Gottwald was not a

public figure and that issues of fact precluded the grant of summary judgment on certain

defamatory statements (203 AD3d 488 [1st Dept 2022]; 193 AD3d 573 [1st Dept 2021]).

The respective panels granted Sebert leave to appeal, certifying in each case the question

of whether the orders were properly made. We answer each question in the negative.

-4- -5- Nos. 32 & 33

II.

We first consider whether Gottwald is a public figure such that he must prove the

allegedly defamatory statements were made with “actual malice” (see Huggins v Moore,

94 NY2d 296, 301 [1999]). If subject to that standard, Gottwald would be required to

prove by clear and convincing evidence that each statement was made “with either

knowledge that it was false or reckless disregard for the truth” (id.; see also New York

Times Co. v Sullivan, 376 US 254, 279-280 [1964]). This actual malice standard need not

apply to private figures (see Wolston v Reader’s Digest Ass’n, Inc., 443 US 157, 164

[1979]); rather, “the States may define for themselves the appropriate standard of liability”

for those individuals (Gertz v Robert Welch, Inc., 418 US 323, 347 [1974]). In New York,

the accepted standard for private figures is negligence (see Krauss v Globe Intl., 251 AD2d

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