Lucas Entertainment Group, LLC v. The Robert W. Woodruff Arts Center, Inc.

CourtCourt of Appeals for the Eleventh Circuit
DecidedDecember 1, 2017
Docket17-11323
StatusUnpublished

This text of Lucas Entertainment Group, LLC v. The Robert W. Woodruff Arts Center, Inc. (Lucas Entertainment Group, LLC v. The Robert W. Woodruff Arts Center, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eleventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Lucas Entertainment Group, LLC v. The Robert W. Woodruff Arts Center, Inc., (11th Cir. 2017).

Opinion

Case: 17-11323 Date Filed: 12/01/2017 Page: 1 of 12

[DO NOT PUBLISH]

IN THE UNITED STATES COURT OF APPEALS

FOR THE ELEVENTH CIRCUIT ________________________

No. 17-11323 Non-Argument Calendar ________________________

D.C. Docket No. 1:13-cv-00830-HLM

LUCAS ENTERTAINMENT GROUP, LLC, d.b.a. Live 360 Group,

Plaintiff-Appellant,

versus

THE ROBERT W. WOODRUFF ARTS CENTER, INC., d.b.a. Atlanta Symphony Orchestra, STANLEY E. ROMANSTEIN, PHD, CLAY SCHELL, DON FOX,

Defendants-Appellees.

________________________

Appeal from the United States District Court for the Northern District of Georgia ________________________

(December 1, 2017) Case: 17-11323 Date Filed: 12/01/2017 Page: 2 of 12

Before ED CARNES, Chief Judge, JULIE CARNES, and JILL PRYOR, Circuit Judges.

PER CURIAM:

Lucas Entertainment Group, LLC, the successor to Live 360 Group, LLC,

brought this diversity case against The Robert W. Woodruff Arts Center, Inc.,

doing business through its division, Atlanta Symphony Orchestra (ASO), and

various ASO officers. For the simplicity’s sake we refer to the plaintiffs as Live

360. The complaint alleged claims for breach of contract, quantum meruit, and

common law fraud. The district court granted ASO’s motion for summary

judgment on all but two of the breach of contract claims, and Live 360 appealed.

I.

Live 360 is in the business of finding and negotiating with artists on behalf

of organizations that own concert venues.1 Dave Lucas is its sole member and

handled the ASO contracts at issue in this case. ASO is one division of the Robert

W. Woodruff Arts Center, a nonprofit company incorporated in Georgia, and ASO

Presents is ASO’s concert promotion division. ASO Presents plans and promotes

concerts at three ASO venues in the Atlanta area: Verizon Wireless Amphitheatre

1 We take these facts from the Defendants’ Statement of Material Fact that ASO submitted with its motion for partial summary judgment and the district court deemed admitted under Local Rule 50.1(b). Live 360 did not contest those facts below or in its briefs, and as a result, it has abandoned any argument against admitting them. See AT&T Broadband v. Tech Commc’ns Inc., 381 F.3d 1309, 1320 n.14 (11th Cir. 2004) (“Issues not raised on appeal are considered abandoned.”).

2 Case: 17-11323 Date Filed: 12/01/2017 Page: 3 of 12

at Encore Park, Chastain Amphitheatre, and Atlanta Symphony Hall. The co-

defendants — Stanley Romanstein, Don Fox, and Clay Schell — are current and

former ASO officers. We refer to ASO and those three officers collectively as

ASO.

In 2007 Live 360 entered into a consulting agreement with ASO, in which it

agreed to advise and assist ASO in finding artists to perform concerts at the

Verizon and Chastain venues. 2 The agreement listed services that Live 360 was

expected to perform, including “introductions to artist management,” “evaluation

of artist costs,” and “negotiation for artist availability.” In exchange for those

services, ASO agreed to pay Live 360 a fixed annual fee and additional fees set

according to a bonus structure outlined in the agreement.

The agreement specified that Live 360 was to provide three “years of

services” for concerts at Verizon (2008–2010) and four “years of services” for

concerts at Chastain (2007–2010). The typical season at Verizon runs from April

to October, and the typical season at Chastain runs from June to September. ASO

usually finished booking artists for a given season in the summer, and once all

concerts for the current season were booked, Live 360 would begin looking for

artists to perform the following season. In 2010 the parties chose to extend the

2 In 2010 Lucas Entertainment assumed Live 360’s obligations under the consulting agreement.

3 Case: 17-11323 Date Filed: 12/01/2017 Page: 4 of 12

agreement through 2012.

Live 360 sought another extension to the agreement in 2012, and Lucas

asked ASO officers about it on four occasions. First, in a January meeting with

Schell and another officer, Lucas said that he wanted an extension before the start

of the 2012 season. He claims that Schell responded, “Yes, that’s our goal. That’s

what we’re going to do.” Later that spring in a second conversation between Lucas

and Schell, Schell asked Lucas for a reduction in the amount paid to the Eagles for

their upcoming concert. Lucas said that he wanted an extension before the season

started. He claims that Schell again responded, “We’ll see. Let’s see if — if you

get a reduction, fine.” During the Eagles concert, Lucas spoke with Fox about an

extension, and Fox said, “I’ll check into it.” Finally, in a third conversation

between Lucas and Schell in August, Schell said, “Okay, I’ll talk to [Fox].”

In August 2012 Fox decided not to renew the agreement, and he sent Lucas a

letter releasing Live 360 from its remaining obligations. He also included a check

for $600,000 to satisfy the remaining base fees. Because the last show of the 2012

season at Verizon was confirmed on May 31, 2012, and the last show at Chastain

was confirmed on June 14, 2012, Lucas had already begun reaching out to artists

for the 2013 season when he received Fox’s letter.

In addition to booking concerts at Verizon and Chastain, from 2009 to 2012

Live 360 helped ASO secure five or six artists to perform at Atlanta Symphony

4 Case: 17-11323 Date Filed: 12/01/2017 Page: 5 of 12

Hall. Lucas claims that in the January 2012 meeting with Schell and another

officer, he told the two men that Live 360 needed to be compensated for those

shows as well. Live 360 never submitted an invoice to ASO for compensation

because, as Lucas admits, “we hadn’t agreed on them.” Lucas never discussed a

specific price with any of the ASO officers, but during his deposition, he stated

that he believed $5,000 per show was “fair” compensation.

Live 360 filed this lawsuit, alleging multiple claims for breach of contract,

quantum meruit, and common law fraud. ASO moved for partial summary

judgment on the fraud and quantum meruit claims and some of the breach of

contract claims, and the district court granted that motion. Live 360 moved to

dismiss the remaining claims without prejudice, and after that motion was granted,

filed a notice of appeal regarding the partial summary judgment order. This Court

dismissed that appeal for lack of appellate jurisdiction, finding Live 360

impermissibly appealed from a non-final order. Live 360 then moved the district

court to reinstate the dismissed claims and certify its summary judgment order

under Federal Rule of Civil Procedure 54(b). The district court granted that

motion, retroactively certified its order as a final judgment, and entered a separate

judgment. We find that the district court properly certified the appeal under Rule

54(b) and that we have jurisdiction under 28 U.S.C. § 1291.3

3 In a previous appeal, we asked the parties to amend their pleadings or supplement the 5 Case: 17-11323 Date Filed: 12/01/2017 Page: 6 of 12

II.

Live 360 appeals the district court’s order and contends that the court erred

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