Lorente-Garcia v. Giraldo-Navarro

CourtDistrict Court, S.D. Florida
DecidedDecember 13, 2024
Docket1:24-cv-23066
StatusUnknown

This text of Lorente-Garcia v. Giraldo-Navarro (Lorente-Garcia v. Giraldo-Navarro) is published on Counsel Stack Legal Research, covering District Court, S.D. Florida primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Lorente-Garcia v. Giraldo-Navarro, (S.D. Fla. 2024).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF FLORIDA

CASE NO. 24-23066-CIV-ALTONAGA/Reid

RENE LORENTE-GARCIA,

Plaintiff, v.

CAROLINA GIRALDO-NAVARRO, et al.,

Defendants. __________________________________/

ORDER

THIS CAUSE came before the Court on Defendants, Teemu Brunila, Jonas David Kröper, and Yoshi Breen’s (the “Writer Defendants[’]”) Joint Motion to Dismiss Plaintiff’s Second Amended Complaint for Lack of Personal Jurisdiction [ECF No. 67], filed on November 1, 2024.1 Plaintiff, Rene Lorente-Garcia filed a Response [ECF No. 68], to which the Writer Defendants filed a Reply [ECF No. 69]. The Court has carefully considered the record, the parties’ written submissions, and applicable law. For the following reasons, the Motion is granted. I. BACKGROUND This action arises from allegations of copyright infringement. (See generally Second Am. Compl. (“SAC”) [ECF No. 64]). Plaintiff is a professional composer of Latin music, well known in the Cuban American community for his flute-playing. (See id. ¶¶ 21, 33). He wrote and performed one of his most acclaimed works, “Algo Diferente,” in 1998 and registered it with the

1 Defendants, Carolina Giraldo-Navarro, Tijs Michiel Verwest, Teemu Brunila, Jonas David Kröper, Yoshi Breen, Atlantic Recording Corporation, Kobalt Music Publishing America, Inc., Sony Music Publishing (US) LLC, and Warner Records Inc., are not challenging the Court’s jurisdiction over them. Any challenges to the Second Amended Complaint [ECF No. 64] unrelated to personal jurisdiction may be raised in a separate motion. (See generally Oct. 25, 2024 Order [ECF No. 66]). United States Copyright Office on May 30, 2000. (See id. ¶¶ 34–35; see also id., Ex. 1, Certificate of Registration [ECF No. 64-1]). The song streams on platforms such as Spotify and Apple Music, and Plaintiff has promoted it in television interviews and YouTube videos. (See SAC ¶¶ 40–41). The alleged infringing track, “Don’t be Shy,” was composed by Defendants, Tijs Michiel

Verwest (“Tiësto”), a celebrated Dutch DJ and producer, and Carolina Giraldo-Navarro (“Karol G”), a globally recognized Colombian singer-songwriter. (See id. ¶¶ 22–23, 42). The Writer Defendants, for their part, helped craft the lyrics and assisted with the song’s production. (See id. ¶¶ 24–25). Atlantic Records released ”Don’t be Shy” on August 12, 2021; within two years, it had amassed 392 million performances, uploads, downloads, saves, and shares. (See id. ¶¶ 42, 45). “Don’t be Shy” is alleged to be “substantially similar” to “Algo Diferente,” borrowing the track’s rhythm, harmony, and melody to create what Plaintiff and his hired expert deem an “unauthorized reproduction” of Plaintiff’s work. (Id. ¶ 50 (emphases omitted); see also id. ¶¶ 51– 56; id., Ex. 3, Prelim. Expert Report . . . [ECF No. 64-3] 92–93). Plaintiff alleges that he received neither credit nor compensation for his work. (See SAC ¶ 45). He accuses Tiësto, Karol G, and

the Writer Defendants of colluding to create and distribute “Don’t be Shy” for commercial gain, all while knowingly infringing on his copyright. (See id. ¶¶ 40–41, 43–46). On August 29, 2023, Plaintiff initiated this action against Defendants, Karol G, Tiësto, Brunila, Kröper, Breen, Atlantic Recording Corporation (“Atlantic”), Kobalt Music Publishing America, Inc. (“Kobalt”), Sony Music Publishing (US) LLC (“Sony”), Warner Records Inc. (“Warner”), and several fictitious parties that were later dropped from the lawsuit.2 (See Compl.

2 In his First Amended Complaint [ECF No. 62], Plaintiff added details about jurisdiction, venue, and the case’s procedural history. (Compare Compl. with Am. Compl.). The Court dismissed it as a shotgun pleading and for improperly naming fictitious parties as defendants. (See Oct. 15, 2024 Order [ECF No. 63]). Plaintiff corrected these deficiencies in the Second Amended Complaint. (See generally SAC). [ECF No. 1] ¶¶ 14–25; SAC ¶¶ 21-29). Plaintiff now asserts four claims: a claim of copyright infringement (Count I) against all Defendants (see SAC ¶¶ 60–78); a claim of contributory and vicarious infringement (Count II) against Atlantic, Kobalt, Sony, and Warner (see id. ¶¶ 79–81); a claim of unfair enrichment and defamation (Count III) against Karol G, Tiësto and the Writer

Defendants (see id. ¶¶ 82–89); and a claim of intentional infliction of emotional distress (Count IV) against all Defendants (see id. ¶¶ 90–94). Plaintiff seeks declaratory and injunctive relief, along with damages totaling tens of millions of dollars. (See id. 32–34).3 The Writer Defendants argue the Court lacks personal jurisdiction over them, and as a result, they should be dismissed from this action. (See generally Mot.). They emphasize they are all “foreign citizens and residents” whose songwriting and production work on “Don’t be Shy” occurred exclusively in Finland and Holland, in collaboration with European-based music publishers. (Mot. 5). As such, the Writer Defendants insist they lack any connection to the United States — let alone Florida — that could permit jurisdiction in this case. (See id.). Plaintiff asserts that the Writer Defendants solicited the services of Florida-based musical

artist Karol G and authorized their publishers with U.S. affiliates to distribute the infringing song, resulting in harm to Plaintiff, a Florida resident. (See Resp. 2–5). According to Plaintiff, these actions provide a sufficient basis for the exercise of personal jurisdiction over the Writer Defendants. (See id. 3, 5–9). The Court permitted jurisdictional discovery in this case (see Aug. 23, 2024 Order [ECF No. 55] 1–2); perhaps tellingly, Plaintiff did not propound any jurisdictional discovery from the Writer Defendants (see Mot. 2–4; Resp. 8; Reply 2, 7). The Writer Defendants now bring the

3 The Court uses the pagination generated by the electronic CM/ECF database, which appears in the headers of all court filings. The Court would ordinarily cite to specific paragraph numbers in the Second Amended Complaint; however, the relevant paragraphs are unnumbered. (See SAC 32–34). present Motion, arguing the Court lacks personal jurisdiction over them and should dismiss them from the action. (See generally Mot.). For the following reasons, the Court agrees with the Writer Defendants. II. LEGAL STANDARD

Under Federal Rule of Civil Procedure 12(b)(2), a defendant may move to dismiss a claim against him by asserting the defense of lack of personal jurisdiction. Because “[f]ederal courts ordinarily follow state law in determining the bounds of their jurisdiction over persons[,]” Daimler AG v. Bauman, 571 U.S. 117, 125 (2014) (alterations added; citing Fed. R. Civ. P. 4(k)(1)(A)), a federal court sitting in Florida may properly exercise personal jurisdiction over a nonresident defendant only if the requirements of (1) Florida’s long-arm statute and (2) the Due Process Clause of the Fourteenth Amendment to the United States Constitution are both satisfied, see Posner v. Essex Ins. Co., 178 F.3d 1209, 1214 (11th Cir. 1999) (citation omitted). “A plaintiff seeking the exercise of personal jurisdiction over a nonresident defendant bears the initial burden of alleging in the complaint sufficient facts to make out a prima facie case of

jurisdiction.” United Techs. Corp. v. Mazer, 556 F.3d 1260, 1274 (11th Cir. 2009) (citations omitted). Indeed, a plaintiff must allege sufficient facts to establish personal jurisdiction over “each defendant separately.” Stubbs v.

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