Lipian v. University of Michigan

District Court, E.D. Michigan·Decided April 9, 2020·No. 2:18-cv-13321·Unknown

Opinion

UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION

ANDREW LIPIAN, Case No. 18-13321 Plaintiff, SENIOR U.S. DISTRICT JUDGE v. ARTHUR J. TARNOW

UNIVERSITY OF MICHIGAN, ET AL. U.S. MAGISTRATE JUDGE ELIZABETH A. STAFFORD Defendants. /

OPINION AND ORDER GRANTING IN PART AND DENYING IN PART DEFENDANTS’ MOTION TO DISMISS [178]; GRANTING IN PART AND DENYING IN PART DEFENDANTS’ MOTION FOR SUMMARY JUDGMENT [203]; AND DENYING AS MOOT DEFENDANTS’ MOTION TO STRIKE [247]

Plaintiff, Andrew Lipian, is a former vocal student at the University of Michigan School of Music, Theatre and Dance (“SMTD”). Plaintiff alleges that a professor at SMTD, David Daniels, sexually harassed him throughout his training, and, in March 2017, sexually assaulted him. He argues that the University ignored repeated warnings that Daniels was sexually aggressive towards students, took complaints of sexual harassment and assault against male students less seriously than those against female students, and ultimately retaliated against him for filing suit. Defendants have moved to dismiss the case under Rule 12(b)(6) and Rule 56 of the Federal Rules of Civil Procedure. Their motions will be granted as to Counts

II-VIII of the Third Amended Complaint but denied as to Count I. FACTUAL BACKGROUND The Factual Background will cite to both the Third Amended Complaint

(“TAC”), for purposes of the motion to dismiss, and the factual record, for purposes of the motion for summary judgment. Lipian, Daniels, and the University of Michigan David Daniels and Andrew Lipian are both countertenor vocalists. They met

in October of 2012, when Daniels taught a master class at University of Michigan (“UM”) at which Lipian was a student. (Lipian Dep., July 2, 2019, pg. 43, PageId.5863).

Former defendant, David Daniels, age 52, was hired to teach at the University’s SMTD (his alma mater) in fall of 2015. (TAC ¶ 18; Dkt. 203-16; PageId.6180). Daniels had been a professional opera singer and recording artist for two decades, but he had no teaching experience. He was promoted on the

University’s website for his operatic achievements. It noted, for instance, that Daniels was the first countertenor to give a solo recital in the main auditorium of Carnegie Hall. 1 (TAC ¶ 21). He was also given an expedited path to tenure, and, in his offer of employment on April 9, 2015, he was informed that his tenure review

would be conducted in 2017-2018. (Dkt. 203-16, PageId.6180). The Executive Committee of the SMTD “enthusiastically recommend[ed]” his faculty appointment, effective September 1, 2015, noting that he has sung at the best opera houses of the

world and been deemed the “most acclaimed countertenor of the day, perhaps the best ever,” by the New York Times and “today’s gold standard among countertenors” by the Chicago Tribune. (Dkt. 203-17, PageId.6183). Lipian had graduated from Oberlin College in Ohio in May 2012 with a

Bachelor of Arts in philosophy. (Deposition of Andrew Lipian, Dkt. 230-17; pg. 35- 36, PageId.5862). Lipian attended the Oberlin Conservatory as a countertenor— indeed the first countertenor ever admitted to the Oberlin conservatory—but due to

military and familial obligations, he opted not to finish his vocal major. (Id.). He worked in the “nonprofit theater industry” between his Oberlin graduation and his 2015 University of Michigan matriculation. (Id at 37; PageId.5863). After their October 2012 master class, Daniels and Lipian stayed in touch.

(Lipian 44; PageId.5864). On January 29, 2015, Lipian wrote a message to Daniels congratulating him on his appointment to U of M and telling him that he would make

1A countertenor is the male equivalent of a mezzo-soprano. It encompasses a unique vocal range that traces its lineage back to the falsettos in seventeenth century sacred choirs. a “brilliant professor.” (Lipian 97; PageId.5878). Lipian also promised that “The minute you get to Ann Arbor, I will come bearing scotch.” (Lipian 98; PageId.5878).

Lipian applied to SMTD, because it was close to his home in Ohio and also a very good music school. (Lipian 99-100; PageId.5878). He also applied, because Daniels was “regarded as the Luciano Pavarotti of countertenors” and “his presence

in the University was a draw for young singers, because he is a very big name in the opera industry.” (Lipian 55; PageId.5867). Lipian was initially denied admittance to SMTD, because he had to first complete the undergraduate requirements for his vocal degree, which he began, but

did not finish, at Oberlin. U of M eventually determined that Lipian could enroll as an undergraduate for a year and then join the SMTD as a graduate student. (Lipian 100-101). During his audition, at which Daniels was present, Lipian stayed overnight

with Daniels and his husband. (Lipian 50). On April 28, 2016, Lipian wrote to Daniels that he was eager to work with him, and they discussed registration for Daniels’s voice lesson. (Dkt. 203-13; PageId.6039-6043). Addressing that many of text messages between him and Daniels could fairly

be read as friendly or even sexual banter, Lipian has emphasized that he had no choice but to go along with Daniels’s banter, lest his reputation be tarnished and his career sabotaged. He feared that because the world of classical vocalists was so small

and personal, Daniels could easily retaliate against him by blackballing him. When asked, for instance, about his July 29, 2015 text message looking forward to more “purple thong sessions” with Daniels, Lipian explained that he had no choice but to

play along with, and even escalate, Daniels’s jokes. I didn’t want to anger him by not responding in kind using the same terminology he would use. Even then I recognize his power in the industry. So I played along. (Lipian 95-96; PageId.5877).

Lipian joined the SMTD graduate program in fall of 2016, intending to become a professional countertenor. (TAC ¶ 17). In addition to attending Daniels’s class, Plaintiff took private lessons with Daniels once per week. (TAC ¶ 24). Daniels held himself as a mentor and promised career assistance and professional connections. (TAC ¶ 28). The Individual Defendants Plaintiff names 11 defendants in his Third Amended Complaint. The first is

the University of Michigan. (TAC ¶ 3). The other ten are University employees and Plaintiff’s allegations of their roles at U of M are as follows. Jeffrey Frumkin was the Associate Vice Provost of Faculty and Academic Affairs and Interim Senior Director of the Office of Institutional Equity (“OIE”). (TAC ¶¶ 4, 70). Elizabeth

Seney was an OIE investigator. (TAC ¶¶ 5, 65). Pamela Heatlie was the Title IX Director. (TAC ¶¶ 6). Martha Pollack is alleged only to have been an individual employed by U of M from May 2013 through September 2017. (TAC ¶ 9). Stephen

West was the Chair of the Voice Department at SMTD. (TAC ¶ 10). Melody Racine, Aaron Dworkin, and Christopher Kendall were all deans or interim deans of the School of Music, Theater & Dance. (TAC ¶¶ 7, 11, 13). Martin Philbert was the

Provost of the University of Michigan (TAC ¶ 8). Mark Schlissel is the President of the University of Michigan. (TAC ¶ 12). Defendants’ Knowledge of Daniels’s Behavior

Plaintiff’s Third Amended Complaint provides some detail regarding Daniels’s reputation at U of M. One faculty member told West before Daniels’s hire, “they’re hiring David Daniels, and someone needs to be sure that he’s not going to be engaging with young students.” (¶ 35; Deposition of Matthew Thompson, Dkt.

230-23, pg. 64; PageId.8740).

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