Linssen v. Weintraub

759 F. Supp. 140, 1991 U.S. Dist. LEXIS 2517, 1991 WL 37684
CourtDistrict Court, S.D. New York
DecidedMarch 4, 1991
DocketNo. 88 Civ. 4499 (CHT)
StatusPublished

This text of 759 F. Supp. 140 (Linssen v. Weintraub) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Linssen v. Weintraub, 759 F. Supp. 140, 1991 U.S. Dist. LEXIS 2517, 1991 WL 37684 (S.D.N.Y. 1991).

Opinion

OPINION

TENNEY, District Judge.

Plaintiff, Werner Linssen d/b/a Galerie Linssen (“Linssen”), brings this action against defendant, Jacob Weintraub d/b/a Weintraub Gallery (“Weintraub”), to recover $81,383 in lost profits allegedly caused by Weintraub’s breach of an oral agreement to purchase four sculptures by the artist Joan Miro. In the alternative, Lins-sen seeks to recover $52,000 in lost profits due to Weintraub’s breach of a “guarantee” clause of a written agreement. Wein-traub argues that no enforceable oral agreement existed concerning his purchase [141]*141of the four sculptures. As for Linssen’s alternative claim, Weintraub concedes liability in the amount of $52,000, but claims that Linssen failed to mitigate his damages by the amount of $36,149. Thus, Wein-traub argues that judgment should be entered against him, but only in the amount of $15,581. Furthermore, Weintraub, as third-party plaintiff, seeks a judgment against third-party defendant, Bo Franzen d/b/a Galleri Zero (“Franzen”), for $80,600 in lost profits due to Franzen’s breach of contract plus any amount for which Wein-traub is held liable to Linssen. For the reasons set forth below, the court finds that Weintraub is liable to Linssen for $52,-000 — Linssen’s lost profit on his alternative cause of action. Moreover, the court finds that Franzen is liable to Weintraub for $132,600 — Weintraub’s $80,600 lost profit on his breach of contract claim plus Wein-traub’s $52,000 liability to Linssen. The following, including those additional facts referred to in the Discussion, constitutes the court’s findings of fact and conclusions of law pursuant to Fed.R.Civ.P. 52(a).

FINDINGS OF FACT

1. Linssen is a citizen of Germany and a resident of Cologne where he operates an art gallery known as Galerie Linssen. PTO II l.1

2. Weintraub is a citizen of the United States and a resident of New York City where he operates an art gallery known as the Weintraub Gallery. PTO 112.

3. Franzen is a citizen of Sweden and a resident of Stockholm where he operates an art gallery known as Galleri Zero. PTO 11 3.

4. Franzen, who was served with a copy of the Third-Party Complaint, neither answered nor appeared in this action.

5. On September 19, 1987, at the Wein-traub Gallery, Linssen and Weintraub entered into a written agreement (“the agreement”). The agreement was dictated and prepared by Weintraub. T. 70. Under the agreement, Linssen consigned seventeen works by Joan Miro for exhibition and sale at the Weintraub Gallery from October 6 through November 7, 1987 (“the exhibition”). As an inducement for Linssen to enter into the agreement, Weintraub guaranteed that he would purchase at least $200,000 worth of the consigned works (“the guarantee clause”). The price to Weintraub for such works would be Lins-sen’s list price minus 15%. Jt.Exh. 1; T. 86.

6. Prior to the opening of the exhibition, Linssen sent Weintraub a price list. The list showed Linssen’s asking price for each consigned work, and the agreed price to be remitted to Linssen upon its sale (the asking price less 15%). The prices were shown in West German deutschmarks. PTO ¶ 5; Jt.Exh. 2, 8.2

7. The works consigned by Linssen to Weintraub, with one exception not relevant to this proceeding, had themselves been consigned to Linssen by the Galerie Adrian Maeght (“Maeght”), an art gallery in Paris. The consignment from Linssen to Wein-traub was approved by Maeght. Linssen had agreed to remit to Maeght a certain amount in French francs for each work sold. PTO II 6; Jt.Exh. 3, 8.

8. Linssen shipped the seventeen Miro works to Weintraub. PTO ¶ 7.

9. As agreed upon, the exhibition at Weintraub Gallery took place from October 7, 1987 to on or about November 7, 1987. PTO 11 8.

10. On or about October 27, 1987, Fran-zen agreed to purchase from Weintraub four Miro sculptures in the exhibition for prices totalling $380,000. Weintraub gave Franzen an invoice for the four sculptures. Franzen agreed to pay $200,000 within 30 days, with the balance to be paid thereafter. Franzen endorsed the invoice with [142]*142the notation “If I can, I will pay earlier” and signed his name. PTO ¶ 9; Jt.Exh. 4.

11. The four sculptures which Franzen agreed to purchase were:

(1) Personnage, 1969, # 2/2. The price that Weintraub agreed to pay Linssen for this work was $62,183. The price that Linssen agreed to pay Maeght was $45,556.
(2) Personnage, 1970-71, # 1/4. The price that Weintraub agreed to pay Linssen for this work was $128,972. The price that Linssen agreed to pay Maeght was $98,433.
(3) Fillette, 1969, # 2/3. The price that Weintraub agreed to pay Linssen for this work was $50,668. The price that Linssen agreed to pay Maeght was $32,540.
(4) Tete, 1970, #4/4. The price that Weintraub agreed to pay Linssen for this work was $57,577. The price that Linssen agreed to pay Maeght was $41,488.

PTO ¶ 10; Jt.Exh. 8.

12. On November 14, 1987, Weintraub wrote to Linssen informing him that the four Miro sculptures had been sold, and that he expected “payment in full within the month.” PTO ¶[ 11; Jt.Exh. 5.

13. Franzen never paid for the four sculptures which he had agreed to purchase from Weintraub. PTO ¶ 12; T. 74.

14. Weintraub never shipped the four sculptures to Franzen. PTO ¶ 12; T. 73-74.

15. Linssen, taking the position that a sale had occured, made several attempts to collect payment from Weintraub for the four sculptures. Weintraub, however, refused to pay Linssen until he himself had been paid for the works by Franzen. T. 17, 75.

16. All of the works from the exhibition, with one exception not relevant to this proceeding, were returned to their owner— Maeght. T. 4-5.

17. On or about December 22, 1987, Linssen, who was in California on business, called Weintraub, who was in Florida on vacation, to further discuss payment for the four sculptures. Linssen and his assistant — Mali Gesmundo — decided that it would be a good idea for someone to witness the conversation between Linssen and Weintraub. Therefore, without Wein-traub’s knowledge, Gesmundo listened in on the conversation from a separate telephone extension. T. 21-22, 50. During the conversation, Weintraub told Linssen that he would have the money for the four sculptures by January 6, 1988. T. 17-18, 45-46, 61-62.

18. To memorialize the phone conversation, Linssen sent Weintraub a letter, dated December 29, 1987, indicating, inter alia, that Linssen expected to be paid in full for the four sculptures by January 6, 1988. Along with the letter, Linssen sent Wein-traub an invoice for the four sculptures. Weintraub made no written response to the letter and invoice. Jt.Exh. 6, 7.

19. Weintraub never paid Linssen for the four sculptures and Linssen never paid Maeght. PTO 1114.

20. Weintraub attempted, unsuccessfully, to “settle the Miro exhibition” with Linssen by offering to purchase the Miro sculpture Constellation for $220,000. Jt. Exh. 9; T. 35-40, 86-87. Weintraub’s offer was $23,855 less than the previously agreed upon price for this work under the agreement. Jt.Exh. 2, 8; T.

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Cite This Page — Counsel Stack

Bluebook (online)
759 F. Supp. 140, 1991 U.S. Dist. LEXIS 2517, 1991 WL 37684, Counsel Stack Legal Research, https://law.counselstack.com/opinion/linssen-v-weintraub-nysd-1991.