Lemlich v. Board of Trustees

385 A.2d 1185, 282 Md. 495, 1978 Md. LEXIS 383
CourtCourt of Appeals of Maryland
DecidedMay 8, 1978
Docket[No. 127, September Term, 1977.]
StatusPublished
Cited by19 cases

This text of 385 A.2d 1185 (Lemlich v. Board of Trustees) is published on Counsel Stack Legal Research, covering Court of Appeals of Maryland primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Lemlich v. Board of Trustees, 385 A.2d 1185, 282 Md. 495, 1978 Md. LEXIS 383 (Md. 1978).

Opinion

Digges, J.,

delivered the opinion of the Court.

We here audit the discordant notes which radiated from the rehearsal sessions of Meredith Willson’s The Music Man at the Harford Community College theatre and which, for a while in the fall of 1975 and with lingering overtones to the present, permeated the atmosphere at that academic institution.

The appeal now before us arises from a suit for declaratory and injunctive relief which was instituted by appellant Jennie Lemlich in the Circuit Court for Harford County against the Board of Trustees of Harford Community College. 1 When the trial court (Higinbothom, J.) declared that the appellant (1) had tendered her resignation as a member of the college faculty, and (2) had not effectively withdrawn this offer prior to its acceptance by authorized corporate officials, with the *497 consequence that the court failed to order her reinstatement (either with or without back pay) to her former faculty position, Mrs. Lemlich appealed. The college group cross-appealed from another portion of the decree which declared that the board of trustees of the college, and not its president, possessed sole authority to accept this and other faculty resignations. In considering the matter on certiorari before review by the Court of Special Appeals, we conclude Mrs. Lemlich did unconditionally withdraw her proffered resignation prior to its acceptance by authorized college officials; consequently we will direct modification of the declarations set out in the trial court’s decree.

We learn from the record before us that the appellant was first employed by Harford Community College in September of 1970 as a technical assistant. In this non-faculty position she acted as co-director of the Susquehanna Festival Theatre, a community-oriented amateur theatrical endeavor based at and sponsored by the college. In August 1973 Mrs. Lemlich’s status with Harford changed. At that time she became a member of the college faculty, employed under the terms of the standard faculty contract then being used; her duties were those of executive director of the theatre. In the spring of 1975, when a new type of contract was adopted by the college to record its understandings with faculty members, Mrs. Lemlich and the board of trustees executed a new employment agreement covering the period July 1, 1975, through June 30,1976. By its specific terms this new compact was to continue in force from year to year unless notice within a designated time frame was given by one party to the other of a desire to terminate the employment. The new understanding denominated Mrs. Lemlich an “Instructor 5”; her duties with the college, however, continued to be those of executive director of the Susquehanna Festival Theatre, in charge of both its artistic and business aspects. Later in that spring of 1975 the appellant expressed her concern to college authorities over the heavy work burden entailed by her responsibility for both the artistic and business aspects of the theatre, and extensive discussions were held during the summer and early fall regarding a proposed reorganization *498 of the theatre whereby Mrs. Lemlich would be relieved of some of the business portions of her duties. Although originally in tentative agreement with the college’s proposed reorganization, the appellant’s attitude as the contours of the plan emerged changed to “total disagreement.” During this discussion period, Mrs. Lemlich continued with preparations for production of the play The Music Man, scheduled to run at the college theatre from October 22 to November 2, 1975. On October 13, increasingly unhappy with the anticipated reorganization and in a highly emotional state (brought on in part, appellant says, because preparations for production of the musical with its cast of 150 were not going smoothly), Mrs. Lemlich rushed to see the college president, Dr. Kenneth W. Oosting.

Since aspects of our decision here in no small degree depend on factual determinations made by the trial judge, we set out, with minor editing, Judge Higinbothom’s words relating what he concluded then took place:

The second scene occurred in Dr. Oosting’s office, or the doorway thereto. Mrs. Lemlich arrived looking upset and stayed only a brief time. President Oosting testified that she said, “I’m going to solve all your problems; I resign.” She allegedly further said that no one understood her and that she was giving up the enterprise. Mrs. Lemlich testified that she never used the word “resign,” but had said, “You can do anything you want with the theatre; your troubles are over.” Dr. Oosting tried to get her to reconsider, but she declined and returned to her theatre office. The entire episode, from the time she left her office to her return, lasted only five to ten minutes. When she did return, she merely picked up her briefcase, and told those in the room, “Tell the cast I quit.” She slammed the door and once again concluded a scene through an emotional exit. Mrs. Lemlich tried to explain that by using the word “quit” she meant she was quitting her dream.
* * * *
From the time of her meeting with Dr. Oosting on *499 October 13th until Wednesday, October 15th, Mrs. Lemlich did not appear to perform any functions on behalf of her employment at the college. There is some question raised by the testimony as to how much theatre work she actually was accomplishing through her presence at the theatre office on Wednesday and Thursday, October 15th and 16th, especially in view of the testimony which showed her to be a disruptive force at the office. Both Deidre Bastían and Michele Nelson, who had been placed in charge of the theatre after the resignation, were quite concerned over appellant’s presence in the office, but they were instructed by the administration to keep calm and thus not oust her at that time. On Wednesday and Thursday evenings, despite the transfer of control of the theatre, Mrs. Lemlich still attended the rehearsals.
On October 15th, appellant had visited Dean Van Winkle and requested a withdrawal of her resignation, but was told to await word from Dr. Oosting____On October 17th, around 7:00 p.m., Dr. Oosting called Mrs. Lemlich’s husband with his answer and read him a letter informing appellant that her resignation was accepted and that she, was not to interfere with the production of “Music Man” scheduled to open that Saturday night____As a result of the chaos [which ensued after attempts by the Lemlichs to disrupt the production by urging the cast not to perform], members of the cast and administration met at the school and agreed to have Mrs. Lemlich return as Executive Director for the run of the play.
The next morning, Saturday, October 18th, Mrs. Lemlich’s husband called Dean Van Winkle and placed several conditions on his wife’s returning to the play. . . .
As a result of these latest demands and because a rehearsal was scheduled for 3:00 p.m. on Saturday, October 18th (the same date), the college decided to *500 take legal action.

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Bluebook (online)
385 A.2d 1185, 282 Md. 495, 1978 Md. LEXIS 383, Counsel Stack Legal Research, https://law.counselstack.com/opinion/lemlich-v-board-of-trustees-md-1978.