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2 3 4 5 6 7 United States District Court 8 Central District of California 9 10 Case No. 2:19-cv-00035-ODW (PLAx) 11 LA GEM and JEWELRY DESIGN, INC., Plaintiff, 12 v. ORDER GRANTING IN PART 13 DENYING IN PART MOTION FOR 14 GROUPON, INC.; GROUPON GOODS, SUMMARY JUDGMENT [120] INC., et al. 15 Defendants. 16 17
18 I. INTRODUCTION 19 Plaintiff LA Gem and Jewelry Design, Inc. (“LA Gem”) filed a copyright 20 infringement suit against Groupon, Inc., Groupon Goods, Inc. (collectively, 21 “Groupon”) and several jewelry businesses. Pending before the Court is LA Gem’s 22 Motion for Summary Judgment. (Mot. for Summ. J. (“Mot.”), ECF No. 120.)1 For 23 the following reasons, the Court GRANTS in part DENIES in part LA Gem’s 24 Motion. 25 26 27
28 1 After considering the papers filed in connection with these motions, the Court deemed this matter appropriate for decision without oral argument. Fed. R. Civ. P. 78(b); C.D. Cal. L.R. 7-15. 1 II. BACKGROUND 2 On January 3, 2019, LA Gem filed its initial Complaint against Defendants 3 alleging direct, contributory, and vicarious copyright infringement against all 4 Defendants. (Compl. ¶¶ 70–82, ECF No. 1.) Since then, LA Gem has settled its 5 claims with all Defendants except Golden Moon Inc. (“Golden Moon”), David Khafif, 6 and Groupon. (See Order of Partial Dismissal, ECF No. 46; Order Granting 7 Dismissal, ECF No. 115; Order Granting Dismissal, ECF No. 116.) 8 LA Gem is a jewelry company in Los Angeles, California, that employs 9 designers and sells unique jewelry pieces in retail and e-commerce stores like Macy’s, 10 J.C. Penney, and Amazon. (Pl.’s Statement of Undisputed Facts (“PSUF”)2 ¶¶ 1–2, 11 ECF No. 120-1.) LA Gem asserts that Golden Moon, Khafif, and Groupon 12 (collectively, “Defendants”) infringed two of its copyrighted designs. (First Am. 13 Compl. (“FAC”) ¶¶ 35–53, ECF No. 36; PSUF ¶¶ 3–5.) LA Gem owns U.S. 14 Copyright Registration Nos. VA 1-889-369 (the “Mom Design”) and VA 1-916-408 15 (the “Crescent Design”) (together, “Copyrighted Designs”). (PSUF ¶¶ 10, 12; Decl. 16 of Paul Heimstadt Ex. 3 (“Copyright Registration of Mom Design”), ECF No. 122-1; 17 Decl. of Paul Heimstadt Ex. 1 (“Copyright Registration of Crescent Design”), ECF 18 No. 122-1.) The two Copyrighted Designs have been distributed worldwide since 19 20 2 Defendants dispute statements LA Gem proffers as undisputed. (See DSUF.) However, in several 21 instances, Defendants fail to cite evidence or alternatively, cite to entire deposition transcripts to 22 assert a dispute. (See e.g. DSUF 1–2, 22–25.) “[J]udges are not like pigs, hunting for truffles buried in briefs.” Uche-Uwakwe v. Shinseki, 972 F. Supp. 2d 1159, 1162 n.1 (C.D. Cal. 2013). Parties bear 23 the obligation to lay out their support clearly. Carmen v. S.F. Unified Sch. Dist., 237 F.3d 1026, 1031 (9th Cir. 2001). “The district court need not examine the entire file for evidence establishing a 24 genuine issue of fact, where the evidence is not set forth in the opposing papers with adequate 25 references so that it could conveniently be found.” Id. If the non-moving party fails to identify the triable issues of fact, the court may treat the moving party’s evidence as uncontroverted, so long as 26 the facts are “adequately supported” by the moving party. Local Rule 56-3; see also International Longshoremen’s Ass’n, AFL-CIO v. Davis, 476 U.S. 380, 398 n.14 (1986) (“[I]t is not [the Court’s] 27 task sua sponte to search the record for evidence to support the [parties’] claim[s].”). Nonetheless, 28 the Court attempted to discern Defendants’ point of contention yet found no material dispute in most instances. 1 || 2013. (PSUF ff 9, 11.) The Copyrighted Designs and the infringing jewelry pieces 2 || are attached as Exhibit C to the Declaration of Jonathan Ross. 3 oe.
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17 L.A. GEMS CRESCENT PESDANT L.A. GEMS MOM PENDANT 18 | (Decl. of Jonathan Ross Ex. C, ECF No. 130-2.) 19 Defendants contend that the phrase “I love you to the moon and □□□□□ first 20 || appeared in a children’s book and thus, is not an original phrase created by LA Gem. 21 || (Defs.’ Statement of Undisputed Facts (“DSUF’”) 4 74.) Defendants also indicate that 22 || the combination of a crescent moon and a circle and a crescent moon with the phrase 23 || “to the moon and back” is present in other jewelry designs. (DSUF 4] 75-76.) This 24 || pre-existing use was not identified in LA Gem’s copyright registrations. (DSUF 25 || 977.) 26 Golden Moon sells jewelry but does not manufacture or design it. (PSUF 27 || ¥§| 20, 21.) Instead, Golden Moon frequents trade shows to select designs it wishes to 28 || copy. (PSUF 4 22; Decl. of Jonathan J. Ross Ex. G (“Khafif Dep.”) 35:7—12.)
1 Specifically, an employee of Golden Moon walks through the trade shows with 2 employees of its Chinese manufacturer and points out designs at booths to order 3 similar pieces. (PSUF ¶¶ 22, 29; Khafif Dep. 68:18–69:3.) Relevant here, Golden 4 Moon attended the JCK trade show in Las Vegas between 2013 and 2019, where LA 5 Gem had a booth during those years and displayed the Crescent Design and Mom 6 Design every year since 2015. (PSUF ¶ 30.) 7 LA Gem claims that Khafif—President, shareholder, and primary bookkeeper 8 of Golden Moon—approved orders of jewelry infringing the Copyrighted Designs in 9 2016. (PSUF ¶¶ 18, 24–25.) Golden Moon sold pendants copying the Crescent 10 Design and earrings copying the Mom Design only through Groupon. (PSUF 11 ¶¶ 33, 36.) Groupon approved the two products for sale and issued purchase orders. 12 (PSUF ¶ 37.) Prior to selling the products, neither Golden Moon nor Khafif ordered a 13 copyright search or conducted a due diligence investigation to that end. (PSUF 14 ¶¶ 41, 42.) 15 Groupon Inc. is an e-commerce retailer and Groupon Goods Inc. is a subsidiary 16 of Groupon Inc. that negotiates with and advises vendors on product prices and sales 17 timeline. (PSUF ¶¶ 43, 46.) Both share a website, employees, officers, and offices. 18 (PSUF ¶ 44.) Vendors may partner with Groupon to sell their products on its platform 19 provided that the vendor satisfies Groupon’s vetting process. (PSUF ¶¶ 48, 49.) For 20 instance, a potential vendor may be designated as a “first-party vendor” after 21 contacting Groupon with a proposed product and meeting with Groupon to determine 22 product fit. (PSUF ¶ 63.) Here, Groupon’s representative, Jason Stutzman, visited 23 Golden Moon’s office in New York ten to fifteen times and interacted with Golden 24 Moon at Groupon’s Chicago office. (PSUF ¶ 50.) Stutzman was aware that Golden 25 Moon acquired jewelry from international supply channels and did not manufacture 26 the products. (PSUF ¶ 51.) Golden Moon was approved as a first-party vendor. 27 (PSUF ¶ 63.) 28 1 As required by the Groupon Goods Vendor Guide, Golden Moon represented 2 that it had the rights to sell the infringing products. (PSUF ¶ 62.) However, LA Gem 3 never authorized Golden Moon, Khafif, or Groupon to copy, reproduce, manufacture, 4 duplicate, disseminate, or distribute the Copyrighted Designs. (PSUF ¶ 8.) In total, 5 Groupon sold 38,963 jewelry pieces infringing the Crescent Design and 664 jewelry 6 pieces infringing the Mom Design, all supplied by Khafif and Golden Moon. (PSUF 7 ¶¶ 13–14, 16–17, 72–73.) Groupon accepted payment from consumers and retained a 8 portion of the revenue. (PSUF ¶¶ 67, 72.) Groupon also determined the retail sales 9 price and sold the infringing products on groupon.com and livingsocial.com. (PSUF 10 ¶¶ 52–58.) 11 III. PRELIMINARY PROCEDURAL ISSUES 12 A. Evidentiary Objections 13 Defendants object to LA Gem’s evidence. (Defs.’ Evid. Obj., ECF No. 129-2.) 14 First, Defendants assert that LA Gem’s declarations of Joe Behney and Paul 15 Heimstadt should not be considered as LA Gem failed to send anyone to its noticed 16 deposition under Rule 30(b)(6). (Defs.’ Evid. Obj. 2.) “The court where the action is 17 pending may, on motion, order sanctions if: (i) a party or a party’s officer, director, or 18 managing agent--or a person designated under Rule 30(b)(6) or 31(a)(4)--fails, after 19 being served with proper notice, to appear for that person’s deposition;” Fed. R. Civ. 20 P. 37(d) (emphasis added). Here, the Court extended the deadline for discovery 21 several times from the original deadline of February 28, 2020 to May 20, 2020. 22 (Scheduling and Case Management Order 24, ECF No. 63; Order, ECF No. 109.) On 23 March 16, 2020, Defendants contacted LA Gem to reschedule the deposition which 24 was, at that time, noticed for March 19, 2020, due to concerns related to the ongoing 25 pandemic. (Ex Parte Appl. 3, ECF No. 117.) Defendants explained that it failed to 26 reschedule the deposition because of the continuing circumstances and sought to 27 extend the May 20, 2020 deadline to June 22, 2020. (Ex Parte Appl. 4.) LA Gem 28 opposed the extension and indicated that Defendants had noticed a deposition for May 1 22, 2020, which LA Gem had agreed to despite the discovery deadline. (Opp’n to Ex 2 Parte 2, ECF No. 118.) Thus, the Court denied the ex parte application for an 3 extension, finding that Defendants had created their crisis. (Order, ECF No. 119.) 4 The Court ordered that “[a]ll depositions shall be scheduled to commence 5 sufficiently in advance of the discovery cut-off date to permit their completion and to 6 permit the deposing party enough time to bring any discovery motions concerning the 7 deposition prior to the cutoff date.” (Scheduling and Case Management Order 3.) 8 Defendants knew well before the original deadline in February that it wished to 9 depose LA Gem. Yet, they failed to notice a deposition within the discovery period. 10 Additionally, a court order based on a showing of “good cause” is required to depose a 11 witness after the discovery cut-off ordered by the court; parties’ stipulation is not 12 sufficient. Fed. R. Civ. P. 29(b). Thus, the deposition was not properly noticed, and 13 LA Gem was under no obligation to attend. Accordingly, the Court will not sanction 14 LA Gem for Defendants’ delay and the Court OVERRULES the objection. 15 Nevertheless, the Court notes that it has not relied on any specific statements made in 16 either declaration to which Defendants object. 17 Defendants also object to several separate statement paragraphs on relevance 18 grounds. As the Court does not consider the facts Defendants contest in the 19 disposition of this Motion, the Court OVERRULES Defendants’ objections. 20 B. Rule 56(d) Extension 21 Defendants seek an order denying the Motion without prejudice under 22 Rule 56(d) and compelling LA Gem to appear for its deposition. (Opp’n to Mot. 6, 23 ECF No. 129.) Rule 56(d) permits a continuance where the requesting party provides 24 a declaration adequately explaining that “additional discovery would reveal specific 25 facts precluding summary judgment.” Tatum v. City of San Francisco, 441 F.3d 1090, 26 1101 (9th Cir. 2006). Defendants fail to meet this burden. Additionally, as previously 27 discussed, the Court extended the discovery cut-off for several months, yet 28 Defendants noticed LA Gem’s deposition beyond the May 20, 2020 deadline. Thus, 1 the Court DENIES Defendants’ request to deny the instant Motion pursuant to 2 Rule 56(d). 3 IV. LEGAL STANDARD 4 A Court “shall grant summary judgment if the movant shows that there is no 5 genuine dispute as to any material fact and the movant is entitled to judgment as a 6 matter of law.” Fed. R. Civ. P. 56(a). Courts must view the facts and draw reasonable 7 inferences in the light most favorable to the nonmoving party. Scott v. Harris, 550 8 U.S. 372, 378 (2007). A disputed fact is “material” where the resolution of that fact 9 might affect the outcome of the suit under the governing law, and the dispute is 10 “genuine” where “the evidence is such that a reasonable jury could return a verdict for 11 the nonmoving party.” Anderson v. Liberty Lobby, Inc., 477 U.S. 242, 248 (1986). 12 Conclusory or speculative testimony in affidavits is insufficient to raise genuine issues 13 of fact and defeat summary judgment. Thornhill Publ’g Co. v. GTE Corp., 594 F.2d 14 730, 738 (9th Cir. 1979). Moreover, though the Court may not weigh conflicting 15 evidence or make credibility determinations, there must be more than a mere scintilla 16 of contradictory evidence to survive summary judgment. Addisu v. Fred Meyer, Inc., 17 198 F.3d 1130, 1134 (9th Cir. 2000). 18 Once the moving party satisfies its burden, the nonmoving party cannot simply 19 rest on the pleadings or argue that any disagreement or “metaphysical doubt” about a 20 material issue of fact precludes summary judgment. See Celotex Corp. v. Catrett, 477 21 U.S. 317, 322–23 (1986); Matsushita Elec. Indus. Co. v. Zenith Radio Corp., 475 U.S. 22 574, 586 (1986); Cal. Architectural Bldg. Prods., Inc. v. Franciscan Ceramics, Inc., 23 818 F.2d 1466, 1468 (9th Cir. 1987). Nor will uncorroborated allegations and “self- 24 serving testimony” create a genuine issue of material fact. Villiarimo v. Aloha Island 25 Air, Inc., 281 F.3d 1054, 1061 (9th Cir. 2002). The court should grant summary 26 judgment against a party who fails to demonstrate facts sufficient to establish an 27 element essential to his case when that party will ultimately bear the burden of proof 28 at trial. See Celotex, 477 U.S. at 322. 1 Pursuant to the Local Rules, parties moving for summary judgment must file a 2 proposed “Statement of Uncontroverted Facts and Conclusions of Law” that should 3 set out “the material facts as to which the moving party contends there is no genuine 4 dispute.” C.D. Cal. L.R. 56-1. A party opposing the motion must file a “Statement of 5 Genuine Disputes” setting forth all material facts as to which it contends there exists a 6 genuine dispute. C.D. Cal. L.R. 56-2. “[T]he Court may assume that the material 7 facts as claimed and adequately supported by the moving party are admitted to exist 8 without controversy except to the extent that such material facts are (a) included in the 9 ‘Statement of Genuine Disputes’ and (b) controverted by declaration or other written 10 evidence filed in opposition to the motion.” C.D. Cal. L.R. 56-3. 11 V. DISCUSSION 12 LA Gem seeks judgment on the validity of its copyrights, Defendants’ willful 13 infringement, and Defendants’ affirmative defenses and counterclaims. (Mot. ii.) 14 Defendants oppose and argue that the copyright registrations are invalid as the designs 15 are not original, the products are not substantially similar, their conduct was not 16 willful, and the Digital Millennium Copyright Act shields Groupon from liability. 17 (See Opp’n to Mot. (“Opp’n”), ECF No. 129.) The Court addresses LA Gem’s 18 motion and discusses Defendants’ pertinent arguments therein. 19 A. LA Gem’s Infringement Claim 20 LA Gem moves for summary judgment on its claim of copyright infringement. 21 (See Mot.) To establish a valid copyright infringement claim, LA Gem must prove: 22 (1) that it owns a valid copyright in the protected materials; and (2) that Defendants 23 copied protected aspects of the work. Skidmore as Tr. for Randy Craig Wolfe Tr. v. 24 Zeppelin, 952 F.3d 1051, 1064 (9th Cir. 2020). Defendants challenge both elements. 25 (Opp’n 6–11.) 26 1. Copyright Validity 27 LA Gem argues that its copyright registrations are valid, while Defendants 28 counter that they are not. (Mot. 7; Opp’n 11–12.) “A copyright registration is prima 1 facie evidence of the validity of the copyright and the facts stated in the certificate.” 2 United Fabrics Int’l, Inc. v. C&J Wear, Inc., 630 F.3d 1255, 1257 (9th Cir. 2011) 3 (internal quotation marks omitted). This presumption can be rebutted, but “[a] 4 registration error does not bar an infringement action unless ‘the inaccurate 5 information was included on the application [ ...] with knowledge that it was 6 inaccurate’ and the inaccuracy, ‘if known, would have caused the Register of 7 Copyrights to refuse registration.’” Unicolors, Inc. v. Urban Outfitters, Inc., 853 F.3d 8 980, 991 (9th Cir. 2017) (emphasis added) (citing 17 U.S.C. § 411(b)(1)). 9 Defendants assert that LA Gem knowingly failed to identify pre-existing 10 materials used in its work on its registration certificates. (Opp’n 11–12.) Specifically, 11 Defendants contend that LA Gem failed to identify the pre-existing phrase “I Love 12 You to the Moon and Back” and the combination of a crescent moon and circle. 13 (Opp’n 11.) Defendants provide as evidence pre-existing materials—images of a 14 book published in 1994 in which the phrase “I love you right up to the moon and 15 back” exists, and photos of jewelry designs predating LA Gem’s with certain elements 16 in common. (DSUF ¶¶ 74–76.) Although the Copyright Registrations do not 17 reference the pre-existing materials, critically, Defendants fail to provide any evidence 18 that LA Gem was aware of these materials. (DSUF ¶ 77; See Decl. of Jonathan J. 19 Ross ¶¶ 3–5, ECF No. 130; Reply 5, 8.) In an attempt to prove that pre-existing 20 materials exist, counsel for Golden Moon and Khafif declares that his “firm maintains 21 a library of books and catalogs containing images of jewelry pieces from ancient times 22 to the present” which contain pieces with elements similar to those of LA Gem’s 23 designs; however, he provides no context as to how LA Gem would have access to 24 these materials. (Decl. of Stephen E. Feldman ¶¶ 2–4, ECF No. 129-3.) Thus, 25 Defendants have failed to refute the presumption of validity based on the copyright 26 registrations. Unicolors, Inc., 853 F.3d at 991. 27 Defendants also assert that LA Gem’s copyrights are invalid because the 28 Crescent Design and Mom Design are not original and, therefore, are not 1 copyrightable. (Opp’n 7–9.) “Copyright protection subsists . . . in original works of 2 authorship fixed in any tangible medium of expression . . . .” 17 U.S.C. § 102. 3 To qualify for copyright protection, a work must be original to the author. Original, as the term is used in copyright, means only that the work was 4 independently created by the author (as opposed to copied from other 5 works), and that it possesses at least some minimal degree of creativity. 6 To be sure, the requisite level of creativity is extremely low; even a slight amount will suffice. The vast majority of works make the grade quite 7 easily, as they possess some creative spark, “no matter how crude, 8 humble or obvious” it might be. Originality does not signify novelty; a work may be original even though it closely resembles other works so 9 long as the similarity is fortuitous, not the result of copying. 10 Feist Publications, Inc. v. Rural Tel. Serv. Co., 499 U.S. 340, 345 (1991) (internal 11 citations omitted). Works may compile pre-existing elements in an original design, 12 and where “the selection and arrangement are original, these elements of the work are 13 eligible for copyright protection.” Id. at 349. 14 Here, LA Gem provides a declaration stating that LA Gem employs artistic 15 designers to create original and unique jewelry pieces including the Crescent Design 16 and the Mom Design. (PSUF ¶¶ 1, 3–5.) Furthermore, Defendants do not rebut the 17 authorship prong of originality. (See Opp’n.) Thus, LA Gem establishes that “the 18 work was independently created by the author.” Feist, 499 U.S. at 245. 19 Defendants argue that the designs merely combine common and trite elements 20 lacking distinguishable variations from prior works. (Opp’n 8.) They urge the Court 21 to look to Satava v. Lowry, in which the Ninth Circuit concluded that copyright 22 protection over realistic sculptures of jellyfish in glass was “thin” because the plaintiff 23 could not prevent others from copying “elements of expression that nature displays for 24 all observers,” such as the jellyfish physiology or glass-in-glass medium. 323 F.3d 25 805, 811–12 (9th Cir. 2003). However, the Satava court held that a combination of 26 unprotectable elements may qualify for copyright protection “if those elements are 27 numerous enough and their selection and arrangement original enough that their 28 combination constitutes an original work of authorship.” Id. at 811. 1 Here, the Crescent Design and the Mom Design each present a common phrase 2 in a unique font, with particularly arranged, darkened text on common symbols—a 3 round sun and a crescent moon—in a distinct manner. (Mot. 11, 12.) Thus, the more 4 than “slight” amount of creativity in the designs suffices, and the Court finds them 5 original. Feist, 499 U.S. at 245; L.A. Printex Indus., Inc. v. Aeropostale, Inc., 676 6 F.3d 841, 851 (9th Cir. 2012) (distinguishing Satava and finding floral designs on 7 fabric sufficiently original); see also Lucky Break Wishbone Corp. v. Sears, Roebuck 8 & Co., 528 F. Supp. 2d 1106, 1112 (W.D. Wash. 2007) (granting plaintiff’s summary 9 judgment on this issue), aff’d, 373 F. App’x 752 (9th Cir. 2010). Accordingly, the 10 Court GRANTS LA Gem’s motion on this element and Defendants’ counterclaim 11 seeking a declaration of invalidity. 12 2. Copyright Infringement 13 The Court next addresses the second prong of the infringement analysis, which 14 contains two separate components: “copying” and “unlawful appropriation.” 15 Rentmeester v. Nike, Inc., 883 F.3d 1111, 1116 (9th Cir. 2018), cert. denied, 139 S. 16 Ct. 1375, 203 L. Ed. 2d 609 (2019), overruled on other grounds by Skidmore, 952 17 F.3d 1051. 18 a. Copying 19 Copying can be proved “circumstantially by showing that the defendant had 20 access to the plaintiff’s work and that the two works share similarities probative of 21 copying.” Id. at 1117. To demonstrate access, “plaintiff must show that the defendant 22 had a ‘reasonable possibility’ to view the plaintiff’s work.” Unicolors, Inc. v. Wet 23 Seal, Inc., No. SACV 12-1065-DOC JCX, 2013 WL 1953727, at *4 (C.D. Cal. May 9, 24 2013). “Circumstantial evidence of reasonable access is proven in one of two ways: 25 (1) a particular chain of events is established between the plaintiff’s work and the 26 defendant’s access to that work . . . , or (2) the plaintiff’s work has been widely 27 disseminated.” Three Boys Music Corp. v. Bolton, 212 F.3d 477, 482 (9th Cir. 2000). 28 “To prove copying, the similarities between the two works need not be extensive [or] 1 involve protected elements of the plaintiff’s work. They just need to be similarities 2 one would not expect to arise if the two works had been created independently.” 3 Skidmore, 952 F.3d at 1051. 4 LA Gem proffers undisputed circumstantial evidence that Golden Moon and 5 Khafif had access to its copyrighted designs, and that the products sold on Groupon’s 6 website are similar to its work. (Mot. 8–13.) Golden Moon sells jewelry but does not 7 manufacture it or employ jewelry designers to design it. (PSUF ¶¶ 20, 21.) Instead, 8 Golden Moon frequents trade shows with its foreign manufacturing partner where it 9 discovers and identifies designs to reproduce and sell. (PSUF ¶ 22, 29; Khafif Dep. 10 35:7–12; 68:18–69:3.) Specifically, Golden Moon attended the JCK trade show in 11 Las Vegas between 2013 and 2019, and LA Gem had a booth at JCK during those 12 years where it displayed the Crescent Design and Mom Design every year since 2015. 13 (PSUF ¶ 30.) LA Gem lays out a clear chain of events between its works and 14 Defendants’ access to that work. Thus, there is no dispute of fact that Defendants had 15 a reasonable possibility to access the Copyrighted Designs. 16 LA Gem also establishes that the infringing works are similar to the 17 Copyrighted Designs. Specifically, LA Gem asserts that the two have the same text, 18 text placement, font, design shape, and other similar characteristics. (PSUF ¶¶ 13, 16; 19 Mot. 11, 12.) Defendants do not dispute these facts, but argue that the works are 20 dissimilar nevertheless. (DSUF ¶¶ 20–22, 29; Opp’n 9–11.) Defendants conflate the 21 similarity requirements of copying and unlawful appropriation. (See Opp’n 9–11.) As 22 “the similarities between the two works need not be extensive [or] involve protected 23 elements of the plaintiff’s work” to prove copying in fact, the Court finds that the 24 works are sufficiently similar to establish this prong. Rentmeester, 883 F.3d at 1116. 25 Thus, the Court GRANTS LA Gem’s Motion for Summary Judgment on the issue of 26 copying. 27 28 1 b. Unlawful Appropriation 2 “[T]o prove unlawful appropriation, on the other hand, the similarities between 3 the two works must be ‘substantial’ and they must involve protected elements of the 4 plaintiff’s work.” Skidmore, 952 F.3d at 1051. The Ninth Circuit uses a two-part test 5 to determine substantial similarity: (1) the extrinsic test, and (2) the intrinsic test. Id. 6 at 1064. “[T]he extrinsic test, compares the objective similarities of specific 7 expressive elements in the two works.” Cavalier v. Random House, Inc., 297 8 F.3d 815, 822 (9th Cir. 2002). For the extrinsic test, only substantial similarity in 9 protectable expression may constitute actionable copying that results in infringement 10 liability; thus, “it is essential to distinguish between the protected and unprotected 11 material in a plaintiff’s work.” Swirsky v. Carey, 376 F.3d 841, 845 (9th Cir. 2004). 12 The intrinsic test, “test[s] for similarity of expression from the standpoint of the 13 ordinary reasonable observer, with no expert assistance.” Jada Toys, Inc. v. Mattel, 14 Inc., 518 F.3d 628, 637 (9th Cir. 2008). The intrinsic test requires that the work’s 15 elements be viewed “as a whole.” Apple Computer, Inc. v. Microsoft Corp., 35 16 F.3d 1435, 1442 (9th Cir. 1994). Because “the intrinsic test is inherently subjective,” 17 it is “often inappropriate for summary judgment.” Express, LLC v. Fetish Group, Inc., 18 424 F. Supp. 2d 1211, 1228 (C.D. Cal. 2006); see Baxter v. MCA, Inc., 812 F.2d 421, 19 424 (9th Cir. 1987) (“The test to be applied has been labeled an “intrinsic” one by this 20 Court in that it depends not upon external criteria, but instead upon the response of the 21 ordinary reasonable person to the works.”); Twentieth Century-Fox Film Corp. v. 22 MCA, Inc., 715 F.2d 1327, 1330 (9th Cir. 1983) (“A grant of summary judgment for 23 plaintiff is proper where works are so overwhelmingly identical that the possibility of 24 independent creation is precluded.”) 25 Here, LA Gem moves for summary judgment on the issues that the Golden 26 Moon necklace is substantially similar to its Crescent Design and Golden Moon’s 27 earrings are substantially similar to its Mom Design. (Mot. 10–14.) LA Gem asserts 28 that the necklace copied the placement of the “I / love you/ to the / moon and / back” 1 text, mimicked the position on the crescent disc as well as the cursive font with a heart 2 after the “k” and similarly darkened the text. (Mot. 11.) Furthermore, the stones in 3 both are similarly sized and placed in order of ascending and descending size. 4 (Mot. 11.) As for the Mom Design, LA Gem again argues that Golden Moon’s Mom 5 earrings copy the Mom Design’s font, including its placement and darkening. 6 (Mot. 12.) The letters in LA Gem’s design are randomly capitalized, yet, strikingly, 7 the same letters are capitalized in Golden Moon’s design. (Mot. 12.) In opposition, 8 Defendants do not dispute these similarities but raise differences: LA Gem’s Crescent 9 Design are two free standing pendants, while its necklace is one connected piece with 10 an additional crystal dangling on the bottom. (Opp’n 10.) As for the Mom Design, 11 Defendants assert that their earrings do not use the word “Mom,” nor do they contain 12 a heart-shaped element. (Opp’n 11.) Additionally, Defendants contend that the 13 thicknesses and depths of its products are different. (Opp’n 10.) 14 The combination of LA Gem’s unique font, the placement of the font on the 15 crescent, the combination of the shapes with the placement of the crystal, the 16 darkening of the text and the choice of capitalization are all unique expressions 17 protected in its work. See Cosmos Jewelry Ltd. v. Po Sun Hon Co., 470 F. Supp. 18 2d 1072, 1083 (C.D. Cal. 2006), aff’d, No. 06-56338, 2009 WL 766517 (9th Cir. Mar. 19 24, 2009). The Court notes that there appear to be substantial similarities between the 20 two works in the protectable elements. Thus, LA Gem adequately establishes the 21 extrinsic test. However, as for the intrinsic test, the Court finds that a reasonable juror 22 could conclude that Golden Moon’s works “look and feel” different from LA Gem’s 23 work. Sid & Marty Krofft Television Prods., Inc. v. McDonald’s Corp., 562 24 F.2d 1157, 1164 (9th Cir. 1977), overruled on other grounds by Skidmore, 952 25 F.3d 1051; see Lucky Break Wishbone, 528 F. Supp. 2d at 1124–25 (“There are 26 genuine issues of material fact as to whether the Sears Wishbone and the wishbone 27 image in the Sears Circular are virtually identical to the Lucky Break prototype 28 wishbone.”); Fantasy, Inc. v. Fogerty, 664 F. Supp. 1345, 1350 (N.D. Cal. 1987), 1 aff’d, 984 F.2d 1524 (9th Cir. 1993), rev’d, 510 U.S. 517 (1994) (“After reviewing the 2 papers and exhibits submitted by the parties, the court finds that reasonable minds 3 could differ as to the absence or existence of substantial similarity between Jungle and 4 Old Man.”); but see L.A. Printex Indus., Inc. v. Lia Lee, Inc., No. CV 08-1836 ODW 5 (PJWX), 2009 WL 789877, at *5 (C.D. Cal. Mar. 23, 2009) (finding defendant’s 6 designs “strikingly similar” to plaintiff’s design where the only difference was the 7 language of text printed on the fabric). Accordingly, the Court DENIES LA Gem’s 8 motion on the issue of unlawful appropriation. 9 LA Gem also moves for summary judgment on issues of secondary 10 infringement. (Mot. 17–21.) As the Court has not determined that direct infringement 11 occurred, the Court does not reach the issue. Accordingly, the Court DENIES LA 12 Gem’s motion on the issues of indirect infringement. 13 B. Willfulness of Infringement 14 Next, the Court addresses LA Gem’s motion for summary judgment on the 15 issue that Defendants willfully infringed on its designs. (Mot. 14–17.) “[T]o prove 16 willfulness under the Copyright Act, the plaintiff must show (1) that the defendant 17 was actually aware of the infringing activity, or (2) that the defendant’s actions were 18 the result of reckless disregard for, or willful blindness to, the copyright holder’s 19 rights.” Unicolors, Inc., 853 F.3d at 991. Typically, the question of willfulness is 20 submitted to the Jury. See Unicolors, Inc., 853 F.3d 980, 992 (9th Cir. 2017); In re 21 Barboza, 545 F.3d 702, 708 (9th Cir. 2008). However, courts may find willfulness on 22 summary judgment where evidence demonstrates that infringement continued despite 23 notice of the rights. See Peer Int’l Corp. v. Pausa Records, Inc., 909 F.2d 1332, 1336 24 (9th Cir. 1990). LA Gem presents evidence demonstrating that Defendants may be 25 aware of its products sold at tradeshows and online platforms. (Reply in Supp. of 26 Mot. 18, ECF No. 155.) However, LA Gem does not prove that Defendants had 27 notice of its rights. Indeed, Defendants assert that because LA Gem’s works 28 combined common elements, they had no reason to believe LA Gem’s products were 1 protectable and that its products were infringing. (Opp’n 14.) Thus, the Court finds 2 that there is a material dispute of fact as to Defendants’ awareness of LA Gem’s 3 copyrights. Additionally, as the Court has not determined that direct infringement 4 occurred, the Court cannot determine the issue of willfulness. Accordingly, the Court 5 DENIES the motion on the issue of willful infringement. 6 C. Defendants’ Affirmative Defenses 7 LA Gem also seeks judgment on Defendants’ affirmative defenses: laches, 8 unclean hands, misuse of copyright, independent creation and innocent intent. 9 (Mot. 22–24.) Defendants do not oppose the motion on these grounds. (See Opp’n.) 10 LA Gem asserts that Defendants fail to raise any evidence creating a triable issue on 11 these defenses. The Court agrees. 12 First, for the defense of laches, “the Supreme Court held that laches could not 13 bar a copyright infringement claim brought within the Copyright Act’s three-year 14 statute of limitations.” Pinkette Clothing, Inc. v. Cosmetic Warriors Ltd., 894 F.3d 15 1015, 1018 (9th Cir. 2018) (citing Petrella v. Metro-Goldwyn-Mayer, Inc., 572 U.S. 16 663, 677 (2014)). No evidence is presented to establish that this suit was brought 17 outside of the three-year statute of limitations. Accordingly, the Court GRANTS LA 18 Gem’s Motion as to the defense of laches. 19 Next, “[t]he defense of unclean hands by virtue of copyright misuse prevents 20 the copyright owner from asserting infringement and asking for damages when the 21 infringement occurred by his dereliction of duty.” Supermarket of Homes, Inc. v. San 22 Fernando Valley Bd. of Realtors, 786 F.2d 1400, 1408 (9th Cir. 1986). No evidence 23 of LA Gem’s dereliction of duty exists before the Court. Thus, the Court GRANTS 24 LA Gem’s Motion on this affirmative defense. 25 For independent creation, “[o]nce a plaintiff has demonstrated that a defendant 26 had access to the copyrighted work and that the defendant’s work is substantially 27 similar to the copyrighted work, the burden shifts to the defendant to prove that the 28 defendant’s work was not a copy, but was independently created.” Transgo, Inc. v. 1 Ajac Transmission Parts Corp., 768 F.2d 1001, 1018 (9th Cir. 1985). Here, as 2 previously discussed, Defendants had access to LA Gem’s designs yet do not argue, 3 let alone proffer evidence, to support that they independently created their designs. 4 See infra IV.A.2.a. Accordingly, the Court GRANTS LA Gem’s Motion on this 5 defense. 6 As for innocent intent, Defendants must prove that they “w[ere] not aware and 7 had no reason to believe that [their] acts constituted an infringement of copyright.” 17 8 U.S.C. § 504(c)(2). The Court DENIES LA Gem’s motion for summary judgment on 9 the “innocent infringer” defense for the same reasons it denies the motion with respect 10 to willfulness. LA Gem presents no evidence suggesting that Defendants were 11 actually aware that their acts constituted infringement. Although Defendants failed to 12 investigate possible copyright protections, a factfinder could conclude that Defendants 13 had reason to believe that taking inspiration from designs at a tradeshow may not have 14 infringed on someone’s rights. 15 Finally, in its Reply, LA Gem seeks summary judgment on the issue of release 16 as a defense. (Reply 19.) Although the Court concurs that no evidence demonstrates 17 that LA Gem released its claim, the Court DENIES summary judgment on this issue 18 as LA Gem failed to raise it in its Motion, thereby denying Defendants an opportunity 19 to oppose. (See Mot.; Autotel v. Nevada Bell Tel. Co., 697 F.3d 846, 852 n.3 (9th Cir. 20 2012) (“[A]rguments raised for the first time in a reply brief are waived.”); Goos v. 21 Shell Oil Co., 451 F. App’x 700, 701 (9th Cir. 2011) (stating that issues not raised 22 until the Reply brief are waived).) 23 D. Digital Millennium Copyright Act 24 Finally, LA Gem moves for summary judgment on the issue of whether the 25 Digital Millennium Copyright Act (“DMCA”) protects Groupon. DMCA provides 26 safe harbors in certain conditions for qualified online service providers from claims of 27 copyright infringement made against them as a result of the conduct of their users. 17 28 U.S.C. § 512. “The definition of ‘service provider’ for the purposes of the § 512(a) 1 safe harbor limitation of liability is ‘an entity offering the transmission, routing, or 2 providing of connections for digital online communications, between or among points 3 specified by a user, of material of the user’s choosing, without modification to the 4 content of the material as sent or received.’” Ellison v. Robertson, 357 F.3d 1072, 5 1081 (9th Cir. 2004) (quoting 17 U.S.C. § 512(k)(1)(A)). To qualify for the safe 6 harbor, the service provider: 7 (1)(A) [can] not have actual knowledge that the material or activity is infringing; 8 (B) in the absence of such actual knowledge, is not aware of facts or 9 circumstances from which infringing activity is apparent; or 10 (C) upon obtaining such knowledge or awareness, acts expeditiously to remove, or disable access to, the material; 11 (2) [can] not receive a financial benefit directly attributable to the 12 infringing activity, in a case in which the service provider has the right and ability to control such activity[.] 13 17 U.S.C.A. § 512(d). 14 First, LA Gem provides evidence that Groupon was aware of the facts and 15 circumstances from which infringing activity is apparent. Groupon advises vendors 16 on product prices and sale, and vendors partner with Groupon to sell their products on 17 its platform. Additionally, vendors must satisfy Groupon’s vetting process. (PSUF ¶¶ 18 43, 46, 48–49; Mot. 21–22.) To be designated as a first-party vendor, Golden Moon 19 interacted with a Groupon representative over a dozen times in its New York office as 20 well as Groupon’s Chicago office. (PSUF ¶¶ 50, 63.) The representative was aware 21 that Golden Moon acquired jewelry from international supply channels and did not 22 manufacture the products. (PSUF ¶ 51.) Thus, at best, the evidence shows that 23 Groupon may have been aware of the infringing activity, which is insufficient. 24 Notably, LA Gem provides evidence that Groupon received a financial benefit 25 directly attributable to the infringing activity. (Mot. 21–22.) Groupon accepted 26 payment from consumers and retained a portion of the revenue of 38,963 units of 27 infringing jewelry similar to the Crescent Design and 664 units of infringing jewelry 28 1 || similar to the Mom Design. (PSUF fj 13-14, 16-17, 62-73.) LA Gem also provides 2 || evidence of the control Groupon had in selling these products: from sourcing the 3 || goods, to purchasing and then reselling them. (PSUF 4§ 50, 63, 67.) Defendants do 4] not dispute these facts. As Groupon selected and profited from Golden Moon’s 5 || products, the Court finds that Groupon does not qualify for the safe harbor. 6 || Accordingly, the Court GRANTS LA Gem’s Motion on this issue. 7 VI. CONCLUSION 8 For the foregoing reasons, the Court GRANTS LA Gem’s Motion for Summary Judgment as to the validity of LA Gem’s copyrights and the element of 10 | copying and DENIES the Motion as to the element of unlawful appropriation and the 11 || issues of secondary infringement and willfulness. Additionally, the Court GRANTS 12 | LA Gem’s Motion as to Defendants’ affirmative defenses of laches, unclean hands/ 13 || copyright misuse, and independent creation but DENIES the Motion as to innocent 14 | defense and release. Finally, the Court GRANTS LA Gem’s Motion as to Groupon’s 15 | DMCA defense. (ECF No. 120.) 16 17 IT IS SO ORDERED. 18 ~~ 19 September 10, 2020 Se OU 20 GieL □□□ 1 OTIS D. GHT, II UNITED STATES DISTRICT JUDGE
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