King v. Broadhurst

164 A.D. 689, 150 N.Y.S. 376, 1914 N.Y. App. Div. LEXIS 8515
CourtAppellate Division of the Supreme Court of the State of New York
DecidedDecember 4, 1914
StatusPublished
Cited by2 cases

This text of 164 A.D. 689 (King v. Broadhurst) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
King v. Broadhurst, 164 A.D. 689, 150 N.Y.S. 376, 1914 N.Y. App. Div. LEXIS 8515 (N.Y. Ct. App. 1914).

Opinions

Laughlin, J.:

At the close of the evidence offered by the plaintiff with respect to the contract upon which he predicates his action, but before the close of his evidence relating to damages,. the court dismissed the complaint, and announced that the ground upon which it was dismissed was that the plaintiff had failed to show an enforcible contract. Before the complaint was dismissed the plaintiff presented some evidence tending to show a basis for the award of damages, provided he established a contract liability, and from the rulings of the court with respect to the evidence bearing on the question of damages it is evident that the court considered that plaintiff had established a prima facie case for the jury on the question of damages, and if not, that he could have sufficiently supplemented the evidence on that point if it would have been of any avail to him. The only question, therefore, presented by the appeal is whether the plaintiff proved a contract sufficiently definite to entitle him to recover.

The plaintiff and the defendant, who had been acquainted for a number of years, had an interview at the Lambs’ Club in the city of New York about the middle of September, 1906, and upon that interview and a subsequent conversation between them over the telephone this action principally depends. The plaintiff had been an actor for twenty-two years and had successfully played in many important roles, and the defendant had long been a playwright, and several of his productions had met with success. The testimony of the plaintiff stands uncontroverted and must be accepted on this review. He says that the defendant came to him on the occasion in question and related an interesting story, which pleased him, and he advised that it be dramatized; that defendant said that it had been dramatized; that he then said he would like to read it and would “like to get hold of it. I think I could place it for you; ” that defendant asked him why he thought so, and he replied: “I have no doubt of it by reason of the knowledge I have of certain managers’ requirements and I should be very glad to take it up and see if I could not locate it for you; ” that defendant asked, “ Have you ever done anything of this sort,” to [691]*691which he replied, “Yes, I have just recently placed a play for production at the Madison Square Theatre; ” that after further negotiations at the same interview, defendant gave him a letter to a representative of a theatrical manager, who had the manuscript to read, directing that the manuscript be delivered to him, and plaintiff expressed confidence in his ability to place the play with one of several managers of Broadway theatres, and the defendant agreed that if he was able to place the play he should have the leading part, for which the defendant considered that he was well qualified; that plaintiff thereupon obtained the manuscript and presented it to one Grismer, who was associated with W. A. Brady in the production of various plays, and induced Grismer to read it and to agree that if Brady approved of it he would join Brady in taking and presenting the play with the plaintiff in the leading role, and gave him a letter to Brady in substance to that effect; that he called upon Brady and presented Grismer’s letter and the manuscript of the play and persuaded Brady, for whom he had acted and for whom he had read and criticised plays, to read the manuscript; that Brady liked the play, but expressed the opinion that plaintiff was too old for the leading part; that plaintiff thereupon informed Brady that he had the placing of the play with a manager who would accept him in the leading role, and manifested an intention of endeavoring to place the play with another manager, whereupon Brady suggested he would like an interview with the defendant, and at Brady’s suggestion he sent the defendant to have an interview with Brady, and it was agreed that defendant, after such interview, would telephone plaintiff; that after the interview with Brady the defendant called plaintiff on the telephone and stated, in substance, that Brady was anxious to present the play, but desired a younger man in the leading part, and that he was unable to persuade Brady to accept the plaintiff therein, whereupon plaintiff replied, “ That leaves no option, George; I hate to lose so much time, but I will go down and get the manuscript, and I will give it into another manager’s hands to-night or to-morrow morning;” that defendant then said, “Hold on, Billie; I can’t see that; this is a great chance for me, and I cannot afford to let it slip,” to which he replied, “I see that, too, George; but [692]*692there are other, men; ” that defendant then said, “ I can’t afford to let it slip,” and he replied, “George, you won’t let it slip. Mr. Brady is the man I have taken it to, but he is not the only manager; I can go to some one else right away, and I will,” to which defendant answered, “ Hold on, Billie; you do not want to stand in the way of my production?” and he replied, “No, I shan’t stand in the way of your production, George; I told you I will go to another manager,” whereupon defendant said, “Now, let us look at this as a matter of business. Won’t you stand aside and let me close this matter up to-night or to-morrow, if I can, and I will see you at the club, a,nd I will fix the thing right with you; ” to which he answered, “George, I can’t see standing aside and giving up this magnificent opportunity. These parts are not written every day or every year, and I have not played this season; I haven’t any contract for this season, and this means a big chance for me; and fair is fair; ” that defendant replied, “ Billie, fair is fair, but consider my position in the matter, and let me handle this in a businesslike way. Now, you know me Billie, and you know I will see you at the club, and I will do what is right.” That he then said, “George, let me think this over a minute, * * * I can’t make up my mind in a minute,” and defendant answered, “It is a matter of business. Now, look at it in that way, and let me go ahead, and I think I can close the matter up to-night or to-morrow morning and I will meet you at the club, and we will fix things right,” and he replied, “If you feel that way about it, George, I suppose you want me to stand aside and let you go ahead ? All right, and I will meet you at the club.” Thereupon the defendant negotiated a contract with Brady for the production of the play on a -basis of royalties to him as author. The negotiations were reduced to writing under date of September 26, 1906, and the play was subsequently presented by Brady under that agreement, and the defendant has received royalties thereunder aggregating $138,879.22. The contract for the presentation of the play remained in force and the play was still in demand when this action was brought.

The evidence further shows that the plaintiff met the defend[693]

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Related

Varney v. . Ditmars
111 N.E. 822 (New York Court of Appeals, 1916)
King v. Broadhurst
152 N.Y.S. 1121 (Appellate Division of the Supreme Court of New York, 1915)

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Bluebook (online)
164 A.D. 689, 150 N.Y.S. 376, 1914 N.Y. App. Div. LEXIS 8515, Counsel Stack Legal Research, https://law.counselstack.com/opinion/king-v-broadhurst-nyappdiv-1914.