Keep On Kicking Music, Inc v. Universal Music Group, Inc.

District Court, S.D. New York·Decided August 5, 2024·No. 1:23-cv-04400·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

KEEP ON KICKING MUSIC, INC., et al., Plaintiffs, 23-CV-4400 (JPO)

-v- OPINION AND ORDER

UNIVERSAL MUSIC PUBLISHING GROUP, et al., Defendants.

J. PAUL OETKEN, District Judge: Plaintiffs Keep on Kicking Music, Inc., Keep on Moving Music, Inc., and Free World Music, Limited (collectively, “Plaintiffs”) bring this action for copyright infringement against several defendants. Multiple parties in the case claim rightful ownership over the musical composition and sound recording at issue, “Espoir Composition X,” or “ECX.” Before the Court is Defendants Kreyol Music, Inc.’s and Melodie Makers, Inc.’s motion to dismiss the complaint for lack of personal jurisdiction and under the doctrine of forum non conveniens. For the reasons that follow, the motion to dismiss is denied. I. Background A. Factual Background Unless otherwise noted, the following facts are taken from the First Amended Complaint and are assumed to be true for the purposes of considering the motion to dismiss. Fink v. Time Warner Cable, 714 F.3d 739, 740-41 (2d Cir. 2013). This case concerns the ownership of a musical composition and sound recording entitled “Espoir Composition X,” or “ECX.” (ECF No. 15 (“FAC”) ¶ 2.) ECX was first recorded by Robert Pierre Martino in 1978. (Id. ¶ 28.) It was released that year under the label Cinedisc, as part of an album by Martino’s band, Les Difficiles de Petion-Ville. (Id.) A complicated chain of ownership followed. Martino registered ECX in France in 2000 in the French professional association that collects and distributes music royalties, Societe des Auteurs, Compositeurs et Editeurs de Musique, or “SACEM.” (Id. ¶ 29.) The Plaintiffs allege that, through “written

agreements with Mr. Martino,” they “acquired ownership of the compositions, subject to a royalty obligation to Mr. Martino. (Id.) They also registered their ownership with the United States Copyright Office in 2021 and in 2023. (Id.) At the same time, Idaly, a music licensing company, entered into agreements permitting the Universal Defendants to sample ECX in the song “Narcos” by the musical group Migos. (Id. ¶ 30.) That song was released as part of Migos’s album in 2018. (Id. ¶ 31.) But other Defendants Kreyol Music and Melodie Makers, Inc. (“Kreyol and Melodie”) claim that they are the proper owners of the publishing and sound recording rights to the musical work ECX. (ECF No. 59 (“Mem.”) at 4-7.) Kreyol and Melodie assert ownership to ECX through another complex chain of succession, largely in Haiti, from the 1960s through 2018. (Id.) And when

Kreyol and Melodie were contacted by New York attorney Daniel Rubin, informing Kreyol and Melodie of Idaly’s license agreement, Kreyol and Melodie entered into a new agreement with Idaly to divide the royalties from the license to the Universal Defendants. (ECF No. 68 (“UMG Mem. Opp.”) at 1; ECF No. 78 (“Reply”) at 2-3.) On behalf of Kreyol and Melodie, Rubin entered into an agreement with Idaly—the Joint Ownership and Administration Agreement— under which Kreyol and Melodie were to receive a portion of the royalties from the Universal Defendants’ use of ECX. (UMG Mem. Opp. at 1; ECF No. 71-1 (“Joint Agreement”).) Kreyol allegedly received those payments through the New York office of Sample Clearance, the business operated by Rubin for the purpose of negotiating sample license agreements and collecting royalties on behalf of copyright owners. (UMG Mem. Opp. at 5.) B. Procedural Background Plaintiffs filed a complaint alleging copyright infringement on May 26, 2023. (ECF No. 7.) This Court referred the case to Magistrate Judge Barbara C. Moses for General Pretrial

matters on May 30, 2023. (ECF No. 8.) Plaintiffs amended their complaint on October 2, 2023. (FAC.) The Universal Defendants filed an answer, together with crossclaims against Kreyol and Melodie and a counterclaim against Plaintiffs, on October 20, 2023. (ECF No. 29.) Plaintiffs filed a reply to the Universal Defendants’ counterclaim on November 3, 2023. (ECF No. 36.) Plaintiffs obtained a certificate of default with respect to Defendant Idaly on January 12, 2024. (ECF No. 52.) Kreyol and Melodie filed their motion to dismiss for lack of personal jurisdiction and under the doctrine of forum non conveniens (ECF No. 58), and the accompanying memorandum of law supporting the motion to dismiss (Mem.), on February 27, 2024. The Universal Defendants filed their memorandum of law in opposition to the motion to dismiss on March 25, 2024, as did Plaintiffs on March 25, 2024 (ECF No. 74 (“Mem. Opp.”)). Kreyol and

Melodie filed their reply memorandum of law in support of the motion to dismiss on April 12, 2024. II. Legal Standards A. Rule 12(b)(2) On a motion to dismiss for lack of personal jurisdiction pursuant to Rule 12(b)(2), “the plaintiff bears the burden of establishing that the court has jurisdiction over the defendant.” Grand River Enters. Six Nations, Ltd. v. Pryor, 425 F.3d 158, 165 (2d Cir. 2005) (quoting Bank Brussels Lambert v. Fiddler Gonzalez & Rodriguez, 171 F.3d 779, 784 (2d Cir. 1999)). Where, as here, there has been no “full-blown evidentiary hearing on the motion, the plaintiff need make only a prima facie showing of jurisdiction.” Id. (quoting Bank Brussels, 171 F.3d at 784). At this “preliminary stage,” a prima facie showing sufficient to defeat a Rule 12(b)(2) motion “may be established solely by allegations” pleaded in good faith. Dorchester Fin. Sec., Inc. v. Banco BRJ, S.A., 722 F.3d 81, 85 (2d Cir. 2013) (per curiam) (quoting Ball v. Metallurgie Hoboken-

Overpelt, S.A., 902 F.2d 194, 197 (2d Cir. 1990)). The allegations, though, must be more than “conclusory statement[s]”; rather, they must state specific “facts supporting th[e] conclusion” that jurisdiction is proper. Jazini v. Nissan Motor Co., 148 F.3d 181, 184 (2d Cir. 1998). III. Discussion A. Personal Jurisdiction Kreyol and Melodie first argue that the Court lacks personal jurisdiction over them in this action.1 Federal courts exercise two forms of personal jurisdiction: specific (or “case-linked”) and general (or “all-purpose”). Ford Motor Co. v. Mont. Eighth Judicial Dist. Ct., 592 U.S. 351, 358 (2021) (citing Goodyear Dunlop Tires Ops., S.A. v. Brown, 564 U.S. 915, 919 (2011)). While general personal jurisdiction permits the defendant to be sued in the forum on any claim, specific personal jurisdiction permits the defendant to be sued for only those claims which on

their own satisfy jurisdictional requirements. Ford, 592 U.S. 358-59. Accordingly, when

1 Though Kreyol and Melodie are formally separate entities, they share offices and are owned and operated by the same person. (Mem. at 4.) No one has made an argument for considering them separately for jurisdictional purposes, and in fact, Kreyol and Melodie frequently refer to their business dealings and impressions collectively. (See, e.g., Mem. at 7.) (“All of Kreyol Music and Melodie Makers’s business dealings with Mr. Martino took place primarily in Florida.”); (id. at 10) (“Kreyol Music and Melodie Makers believed that the ownership issue was one of Haitian law when they sought to ratify their publishing and sound recording rights in Viva les Difficiles in 2018.”); (id. at 12) (“With respect to music rights management matters, Kreyol Music and Melodie Makers primarily deal with BMI’s offices in Nashville, Tennessee.”).

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Keep On Kicking Music, Inc v. Universal Music Group, Inc., (S.D.N.Y. 2024).

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