Karen Painter, PhD. v. Board of Regents of the University of Minnesota

CourtCourt of Appeals of Minnesota
DecidedApril 1, 2024
Docketa230991
StatusUnpublished

This text of Karen Painter, PhD. v. Board of Regents of the University of Minnesota (Karen Painter, PhD. v. Board of Regents of the University of Minnesota) is published on Counsel Stack Legal Research, covering Court of Appeals of Minnesota primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Karen Painter, PhD. v. Board of Regents of the University of Minnesota, (Mich. Ct. App. 2024).

Opinion

This opinion is nonprecedential except as provided by Minn. R. Civ. App. P. 136.01, subd. 1(c).

STATE OF MINNESOTA IN COURT OF APPEALS A23-0991

Karen Painter, PhD., Appellant,

vs.

Board of Regents of the University of Minnesota, Respondent.

Filed April 1, 2024 Affirmed

Cochran, Judge

Hennepin County District Court File No. 27-CV-21-8723

Karen Painter, Mendota Heights, Minnesota (pro se appellant)

Douglas R. Peterson, University of Minnesota General Counsel, Lisa L. Beane, Senior Associate General Counsel, Minneapolis, Minnesota (for respondent)

Considered and decided by Johnson, Presiding Judge; Cochran, Judge; and

Klaphake, Judge. ∗

NONPRECEDENTIAL OPINION

Appellant challenges the summary-judgment dismissal of her sex-discrimination

and reprisal claims under the Minnesota Human Rights Act (MHRA), Minn. Stat.

∗ Retired judge of the Minnesota Court of Appeals, serving by appointment pursuant to Minn. Const. art. VI, § 10. §§ 363A.01-.50 (2022 & Supp. 2023). 1 Appellant’s MHRA claims against respondent

arise from respondent’s decision to deny a promotion to appellant. Because no genuine

issues of material fact exist regarding whether respondent’s proffered nondiscriminatory

reason for declining to promote appellant was a pretext for discrimination or reprisal, we

affirm. We also grant respondent’s motion to strike, and we deny appellant’s motions.

FACTS 2

Appellant Karen Painter began working for the University of Minnesota’s School

of Music (SoM) as a non-tenured associate professor in 2007. The SoM is part of the

College of Liberal Arts. Painter was a professor in the SoM’s musicology and

ethnomusicology division, which was one of eight divisions within the SoM. In 2011, the

university promoted Painter to a tenured associate-professor position. In 2018, Painter

sought promotion to full professor. The university denied the promotion. Before turning

to the specific facts surrounding the denial of the promotion, we provide some general

background on the promotion policies and procedures at the university.

1 The MHRA was amended in 2023. 2023 Minn. Laws ch. 52, art. 19, §§ 45-72, at 325- 38. Previous versions of the MHRA were in effect both during the underlying events and when the district court granted respondent’s motion for summary judgment. The amendments do not change the substance of the sections applicable to Painter’s claims. We therefore cite the current version of the MHRA. See Interstate Power Co. v. Nobles Cnty. Bd. of Comm’rs, 617 N.W.2d 566, 575 (Minn. 2000) (recognizing “general rule . . . that appellate courts apply the law as it exists at the time they rule on a case”). 2 Consistent with the standard of review, our recitation of the facts is based on the evidence viewed in the light most favorable to the nonmoving party. See Kenneh v. Homeward Bound, Inc., 944 N.W.2d 222, 228 (Minn. 2020). “[W]e do not weigh facts or make credibility determinations.” Id.

2 The University’s Standards for Tenure and Promotion

At relevant times, tenure and promotion at the university, and within the SoM, were

governed by a “Faculty Tenure” policy adopted by respondent Board of Regents of the

University of Minnesota. Under the policy, the basis for awarding a promotion to full

professor was determined by an assessment “of the candidate’s record of scholarly research

or other creative work, teaching, and service.” The university maintained procedures to

“assist in implementation” of the Faculty Tenure policy. The procedures provided that the

university’s academic units must, in compliance with section 7.12 of the Faculty Tenure

policy, “have a document specifying the indices and criteria that will be used to evaluate

candidates, and those criteria will apply to all candidates for tenure and/or promotion in

the unit.” This document was known as the “7.12 Statement.”

The SoM’s 7.12 Statement detailed how a candidate’s research, teaching, and

service were evaluated. Because the SoM consisted of eight divisions with varying

disciplines, “the term ‘research’ encompasse[d] a wide variety of professional activities.”

Thus, the 7.12 Statement included division-specific criteria for evaluating a candidate’s

research. The criteria for musicology candidates provided that, “candidates [were]

expected to have attained professional recognition on the basis of high-quality scholarly

publications and activities associated with their field.” Such publications were “most

commonly” either “a book, monograph, or edition, representing original research or

analysis” or “articles in professional journals, book chapters, and essays in scholarly

volumes.” Additionally, the 7.12 Statement indicated that a “written work is considered to

be published when it satisfies two standards: it is under contract, and in production.”

3 Regarding teaching, the 7.12 Statement provided that candidates “must be effective

teachers.” A candidate’s effectiveness as a teacher was evaluated by consideration of

twelve benchmarks, including the candidate’s courses taught, contributions made to the

curriculum of the department, evaluation by peers, development and review of instructional

material, and student-feedback ratings. As for service, the 7.12 Statement required

candidates to “actively participate in advancing the interests of the department, the college,

and university for the benefit of the institution, the profession, and the community.”

Separate from the SoM’s requirements, the College of Liberal Arts had guidelines

for promotion and tenure, which included instructions for how promotion and tenure

dossiers should be prepared by candidates. Under those guidelines, “in cases of promotion

to the rank of professor, scholarly research and/or creative work, teaching and service shall

be considered from the time since last promotion.”

Painter Applies for Promotion

Painter’s application for full professorship underwent a multi-level review process,

consistent with the university’s Faculty Tenure policy. The process began after Painter

indicated that she was interested in promotion to full professor. Painter was assigned

another professor, or “caseworker,” to help her prepare her application dossier. Once

completed, the research portion of Painter’s dossier was submitted to six external

reviewers, whose feedback became part of Painter’s application file.

From there, the first layer of Painter’s review process began when Painter’s

caseworker presented her case file at a faculty meeting consisting of full professors from

the SoM. The minutes from the October 2, 2018 faculty meeting reflect that the professors

4 had concerns about Painter’s teaching and research. The professors discussed issues with

Painter’s organization of classes, noting that “students were frustrated by the lack of clear

direction,” and that Painter’s student reviews corroborated concerns raised by a peer

reviewer. The minutes state that Painter’s research component “hinge[d] entirely on [her]

planned book,” which was “neither reviewed nor under contract.” The professors noted a

“conspicuous absence of articles in the field” and questioned why Painter did not wait to

apply for promotion “until there’s a contract for her book.” The SoM’s professors voted

against promoting Painter in an anonymous poll by a vote of 14 to 1, with 4 professors

abstaining.

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