Joseph Roderick Jr. v. William Martin Joel, aka “Billy Joel”; Sony Music Entertainment/Columbia Records; Liberty Devitto; Dennis Alexander

CourtDistrict Court, S.D. New York
DecidedSeptember 4, 2025
Docket1:25-cv-05446
StatusUnknown

This text of Joseph Roderick Jr. v. William Martin Joel, aka “Billy Joel”; Sony Music Entertainment/Columbia Records; Liberty Devitto; Dennis Alexander (Joseph Roderick Jr. v. William Martin Joel, aka “Billy Joel”; Sony Music Entertainment/Columbia Records; Liberty Devitto; Dennis Alexander) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Joseph Roderick Jr. v. William Martin Joel, aka “Billy Joel”; Sony Music Entertainment/Columbia Records; Liberty Devitto; Dennis Alexander, (S.D.N.Y. 2025).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK JOSEPH RODERICK JR., Plaintiff, -against- 25-CV-5446 (LLS) WILLIAM MARTIN JOEL, aka “BILLY ORDER OF DISMISSAL JOEL”; SONY MUSIC WITH LEAVE TO REPLEAD ENTERTAINMENT/COLUMBIA RECORDS; LIBERTY DEVITTO; DENNIS ALEXANDER, Defendants. LOUIS L. STANTON, United States District Judge: Plaintiff Joseph Roderick, Jr., who resides in Fairborn, Ohio, and is appearing pro se, brings this action asserting federal claims of copyright infringement and state law claims of unjust enrichment. Named as Defendants are William Martin Joel, professionally known as “Billy Joel”; Sony Music Entertainment/Columbia Records (“Sony Music”); Liberty Devitto; and Dennis Alexander. By order dated August 14, 2025, the court granted Plaintiff’s request to proceed in forma pauperis (“IFP”), that is, without prepayment of fees. For the reasons set forth below, the Court dismisses the complaint, but grants Plaintiff 30 days’ leave to replead his claims in an amended complaint. STANDARD OF REVIEW The Court must dismiss an IFP complaint, or any portion of the complaint, that is frivolous or malicious, fails to state a claim on which relief may be granted, or seeks monetary relief from a defendant who is immune from such relief. 28 U.S.C. § 1915(e)(2)(B); see Livingston v. Adirondack Beverage Co., 141 F.3d 434, 437 (2d Cir. 1998). The Court must also dismiss a complaint when the Court lacks subject matter jurisdiction of the claims raised. See Fed. R. Civ. P. 12(h)(3). While the law mandates dismissal on any of these grounds, the Court is obliged to construe pro se pleadings liberally, Harris v. Mills, 572 F.3d 66, 72 (2d Cir. 2009), and interpret them to raise the “strongest [claims] that they suggest,” Triestman v. Fed. Bureau of Prisons, 470 F.3d 471, 474 (2d Cir. 2006) (internal quotation marks and citations omitted) (emphasis in

original). But the “special solicitude” in pro se cases, id. at 475 (citation omitted), has its limits – to state a claim, pro se pleadings still must comply with Rule 8 of the Federal Rules of Civil Procedure, which requires a complaint to make a short and plain statement showing that the pleader is entitled to relief. Rule 8 requires a complaint to include enough facts to state a claim for relief “that is plausible on its face.” Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007). A claim is facially plausible if the plaintiff pleads enough factual detail to allow the Court to draw the inference that the defendant is liable for the alleged misconduct. In reviewing the complaint, the Court must accept all well-pleaded factual allegations as true. Ashcroft v. Iqbal, 556 U.S. 662, 678-79 (2009). But it does not have to accept as true “[t]hreadbare recitals of the elements of a cause of

action,” which are essentially just legal conclusions. Twombly, 550 U.S. at 555. After separating legal conclusions from well-pleaded factual allegations, the Court must determine whether those facts make it plausible – not merely possible – that the pleader is entitled to relief. Id. BACKGROUND The following allegations are drawn from the complaint.1 Between April and November 1979, Plaintiff was asked to play drums for a recording session at a Scottsdale, Arizona studio owned by Defendant Dennis Alexander. Alexander instructed Plaintiff to “create drumming

1 The Court quotes from the complaint verbatim. All spelling, grammar, and punctuation are as in the original unless noted otherwise. ideas for [three] songs.” (ECF 1, at 5.) Plaintiff “played what he felt would complement each of those songs.” (Id. at 6.) Two-and-a-half weeks after the recording sessions, keyboardist Brian Shackleford informed Plaintiff that Joel was going to record two of the songs, and that Plaintiff “would be compensated ‘on the other end.’” (Id.) Plaintiff “remembers” that he was given a

$50.00 check, but is “not sure whether it was before, or after the recording session.” (Id.) Plaintiff has received no other compensation. Plaintiff alleges that one of the songs he played on was a demo of “You May Be Right,” a song that was included on Joel’s album Glass Houses and has become “a worldwide hit song.” (Id.) Plaintiff now believes that his performance on the demo of the song was kept on the master recording and released on Joel’s Glass Houses album. Between 1980 and 1982, Plaintiff suffered from depression, which led to him experiencing a nervous breakdown from 1983 to 1985. Plaintiff alleges that it took him “many years to heal and begin to remember various circumstances and events, including the recording session” during which he “played and created the drumming ideas for.” (Id. at 6-7.) Around 2018

or 2019, Plaintiff heard “You May Be Right” on the radio and “began to understand and realize more of his involvement” on the song. (Id. at 7.) In 2020, Plaintiff reconnected with Shackleford, who remembered Plaintiff’s involvement in the recording session. Between 2019 and 2023, Plaintiff also emailed Alexander about being compensated for his musical ideas, but he did not receive a reply. Plaintiff alleges that Defendant Devitto sued Joel in 2009 and entered into a settlement agreement in which Devitto received compensation for the “drumming ideas and performance” on “You May Be Right.” (Id. at 8.) Plaintiff seeks money damages. Plaintiff has previously filed a similar action in the United States District Court for the District of Arizona in which he asserted, inter alia, federal copyright claims against Joel, Devitto, Sony Music, and Alexander arising from his alleged performance on “You May Be Right.” See Roderick v. Joel, No. 2:24-CV-1871 (SMB) (D. Ariz. Dec. 20, 2024). On October

30, 2024, the court dismissed as untimely Plaintiff’s state law claims for breach of contract, detrimental reliance, fraudulent and negligent misrepresentation, and negligent and intentional infliction of emotional distress. Id., ECF 26. After granting Plaintiff several opportunities to amend his federal copyright infringement claims, by order dated December 20, 2024, the court dismissed the third amended complaint for failure to state a claim on which relief may be granted. Id., ECF 37. The court held that, despite instructing Plaintiff on the need to register his copyright before bringing a federal copyright infringement action, Plaintiff’s allegations did not demonstrate that he complied with the registration requirement. Even though “[that] deficiency alone require[d] dismissal” of Plaintiff’s claims, the court also discussed why Plaintiff’s allegations were deficient, including its finding that Plaintiff “simply has not pleaded that he

owns a valid copyright of the song ‘You May Be Right.’” Id. at 3. The court dismissed the action without prejudice.2 DISCUSSION A. Federal copyright infringement claims To state a claim for copyright infringement, a plaintiff must allege both (1) ownership of a valid copyright and (2) infringement of the copyright by the defendant. Spinelli v.

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Joseph Roderick Jr. v. William Martin Joel, aka “Billy Joel”; Sony Music Entertainment/Columbia Records; Liberty Devitto; Dennis Alexander, Counsel Stack Legal Research, https://law.counselstack.com/opinion/joseph-roderick-jr-v-william-martin-joel-aka-billy-joel-sony-music-nysd-2025.