Joel S. Abel v. American Art Analog, Inc. And Michael D. Zellman and Philip Cohen. Appeal of American Art Analog, Inc. And Philip Cohen

838 F.2d 691
CourtCourt of Appeals for the Third Circuit
DecidedFebruary 29, 1988
Docket87-1366
StatusPublished
Cited by22 cases

This text of 838 F.2d 691 (Joel S. Abel v. American Art Analog, Inc. And Michael D. Zellman and Philip Cohen. Appeal of American Art Analog, Inc. And Philip Cohen) is published on Counsel Stack Legal Research, covering Court of Appeals for the Third Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Joel S. Abel v. American Art Analog, Inc. And Michael D. Zellman and Philip Cohen. Appeal of American Art Analog, Inc. And Philip Cohen, 838 F.2d 691 (3d Cir. 1988).

Opinion

OPINION OF THE COURT

ROSENN, Circuit Judge.

This diversity action raises interesting questions of partnership law growing out of an unusual business arrangement be *693 tween the plaintiff-appellee, Joel S. Abel, and his co-partners, on the one hand, and the defendants-appellants, Philip Cohen and his wholly owned corporation, American Art Analog, Inc. (American), on the other. Abel brought suit against the defendants charging them with tortious interference with his partnership arrangements. After a trial to a jury in the United States District Court for the Eastern District of Pennsylvania, Abel obtained a judgment in the sum of $677,483 against both defendants. The district court denied defendants’ motions for a directed verdict, for judgment notwithstanding the verdict (judgment NOV), for a new trial, and for dismissal for lack of federal jurisdiction. The defendants appeal and we reverse.

I.

In December 1983, Michael Zellman, S. Robert Jacobs, and Joel Abel (the Partners or Group) entered into an oral partnership agreement to create and develop the American Art Analog, a three-volume reference book encompassing nineteenth and twentieth century American canvas art. 1 The Group agreed to divide any profits from the venture equally, with Zellman receiving an additional ten percent of any proceeds derived from the Analog’s first five thousand sales. Moreover, each of the Partners undertook discrete responsibilities for the book’s completion with Zellman serving as technical and research director, Jacobs as project director, and Abel as marketing director. At no time did the parties reduce the terms of their agreement to writing.

To attract outside investors, the partnership produced a ten page prototype of the Analog in September 1984. The prototype contained an explanation of the art valuation techniques utilized in the Analog, biographical depictions of the represented artists, and color photographs of the relevant art works. Additionally, the partnership produced a “blue book,” or prospectus, consisting of a budget for producing and marketing the Analog, and a five-year projection of revenues and profits. 2 Soon after the completion of the prototype and the blue book, the Partners had several disagreements culminating in a substantial modification of Jacobs’ partnership role.

In September 1984, the three partners met with Philip Cohen at the Philadelphia offices of their mutual accounting firm, Laventhol and Horwath, to discuss Cohen’s potential investment in the Analog, 3 As a consequence of that and subsequent meetings, Cohen formed American Art Analog, Inc., a company whose sole function was the production, sale, and distribution of the Analog. Cohen invested in excess of $900,-000 in American and became the sole owner of its capital stock. Under the terms of their arrangement with Cohen, the Partners had no ownership position in American, but would receive thirty percent of the corporation’s profits; Cohen would be entitled to the remaining seventy percent. The Partners were not, however, required to share in American’s losses. Finally, as part of the agreement, Zellman and Abel were hired as salaried employees of American. 4 At no time were the terms of Cohen’s agreement with the Partners reduced to writing.

In December 1984, Cohen directed Zell-man to terminate Abel’s salaried employment at American. 5 Cohen additionally induced Zellman to breach the oral agreement entitling Abel to his share of the thirty percent profit position. 6 In Febru *694 ary 1986, Cohen’s counsel informed Zell-man that he too had been terminated. The Analog went on sale in March 1986.

Abel filed a complaint against Cohen, American, and Zellman on September 12, 1985. 7 On April 3, 1986, a jury found Cohen and American liable for wrongful interference with the Abel, Zellman, and Jacobs partnership agreement. In response to specific interrogatories, the jury found that: (1) in 1983, plaintiffs Abel, Zellman, and Jacobs entered into a partnership agreement to develop the project known as American Art Analog; (2) about December 1984, defendant Cohen directed that plaintiff Abel not participate in the American Art Analog project knowing that Abel and Zellman continued to be partners in the project; (3) before December 1984, the partnership of Abel, Zellman, and Jacobs entered into a partnership with Cohen to finance, publish, and market the American Art Analog; (4) under the terms of the “second partnership” agreement with Cohen, Abel and Zellman were to receive thirty percent and Cohen was to receive seventy percent of the profits. After a separate trial on damages, a jury awarded Abel $622,500 for pecuniary losses of benefits of contract rights resulting from wrongful interference, $6,500 for consequential losses for which wrongful interference was a substantial causal factor, and $48,483 for emotional distress. Judgment was entered for $677,483.

II.

Initially, the defendants challenge the jurisdiction of the district court arguing that Abel’s non-joinder of indispensable parties Zellman and Jacobs mandates dismissal pursuant to Fed.R.Civ.P. 19(b). Because Zellman and Jacobs are citizens of Pennsylvania, defendants observe that their joinder would defeat diversity. 8

Fed.R.Civ.P. 19(a) denotes those parties whose joinder is necessary for a just adjudication of an action:

(a) Persons to be Joined if Feasible. A person who is subject to service of process and whose joinder will not deprive the court of jurisdiction over the subject matter of the action shall be joined as a party in the action if (1) in his absence complete relief cannot be accorded among those already parties, or (2) he claims an interest relating to the subject of the action and is so situated that the disposition of the action in his absence may (i) as a practical matter impair or impede his ability to protect that interest or (ii) leave any of the persons already parties subject to a substantial risk of incurring double, multiple, or otherwise inconsistent obligations by reasons of his claimed interest____

Rule 19(a) guarantees that all parties interested in a particular lawsuit have both the chance to affect the outcome, and the benefit of finality as to the judgment rendered. White Hall Building Corp. v. Profexray Division of Litton Industries, Inc., 387 F.Supp. 1202 (E.D.Pa.1974); aff'd, 578 F.2d 1377 (3d Cir.1978). If the requisites of Rule 19(a) are satisfied, a court must next determine whether “in equity and good conscience” the action should proceed without the absent party.

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838 F.2d 691, Counsel Stack Legal Research, https://law.counselstack.com/opinion/joel-s-abel-v-american-art-analog-inc-and-michael-d-zellman-and-philip-ca3-1988.