In Re Estate of Murray

139 N.E.2d 721, 10 Ill. 2d 230, 1957 Ill. LEXIS 204
CourtIllinois Supreme Court
DecidedJanuary 24, 1957
Docket34028
StatusPublished
Cited by1 cases

This text of 139 N.E.2d 721 (In Re Estate of Murray) is published on Counsel Stack Legal Research, covering Illinois Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In Re Estate of Murray, 139 N.E.2d 721, 10 Ill. 2d 230, 1957 Ill. LEXIS 204 (Ill. 1957).

Opinion

Mr. Justice Schaeeer

delivered the opinion of the court:

George A. Murray died on January 16, 1955. He was survived by his daughter, Rose M. Orwick, his only heir-at-law. On April 16, 1955, Martella Chambers, who was his housekeeper during the last years of his life, filed for probate as his will a written instrument, dated July 24, 1954, that named her sole beneficiary and executrix. Objactions were filed by Mrs. Orwick. Evidence was heard, and the probate court of Cook County refused to admit the instrument to probate. Martella Chambers appealed to the circuit court of Cook County, and that court found that the proffered instrument and the signature thereon were forgeries, and that the instrument was not decedent’s will. From the judgment denying its admission to probate, Martella Chambers appeals. Since the challenged document devised real estate, a freehold is involved. Speer v. Josenhans, 274 Ill. 237.

The purported will is written in longhand on two sheets of hotel stationery. Beneath the signature appear the words “residence, 1754 arcade place, Chicago, Ill.” and beneath this the signatures of the attesting witnesses. Many of the letters in the various words are not connected and around the edges of many of the letters, both in the body of the will and in the signature, faint pencil traces are discernible. It is the theory of the proponent that the instrument was written by Murray with a pencil dipped in ink.

Proponent’s case rests upon the testimony of the attesting witnesses, Mary M. Greene and Peter J. Pieczonka, and the rebuttal testimony of Blanche Barton and Charlotte Backes. The substance of the direct testimony of the attesting witnesses is that the instrument was already signed when they arrived at Murray’s home on July 24, 1954; that he told them that the document was his will and asked them to witness it, and that in his presence and in the presence of each other they affixed their signatures as witnesses.

On cross-examination Mary Greene testified that she was a close friend of Mrs. Chambers and that she and Pieczonka had become acquainted with Murray through Mrs. Chambers. On her direct examination, she had testified that she did not recall that decedent had made any statement concerning me signature on the instrument. On cross-examination she testified that decedent said that he had signed the will, but she did so only after she had been confronted with the transcript of her testimony in the probate court and after she had evaded the question to such an extent that it was necessary for the trial judge to admonish her against evasion. She also testified, in rebuttal, that she was familiar with the writing of George Murray ; that he had a very distinctive handwriting and signature; that she had seen him write various documents on five or six occasions, and sign his name at least twice, and that in her opinion the document was in his handwriting.

Pieczonka did not testify on direct examination that Murray had told him that the instrument bore his signature. On cross-examination he first denied that decedent had said that it was his signature. After considerable evasion, when confronted with his testimony in the probate court, he testified that decedent had said, “This is my signature, I signed it.”

Contestant introduced photographic enlargements of portions of the challenged instrument, a bank signature card with Murray’s genuine signature and six checks admittedly signed by him over a three-year period. One of the checks was dated July 22, 1954, the same day that the purported will is claimed to have been written, and another two days earlier. In both signatures the letters are connected, and there are no pencil marks evident around the letters. On both checks the names of the payees are typewritten.

Vernon Faxon, an examiner of questioned documents, testified that in his opinion the purported will and the signature thereon were tracings, were not in the handwriting of George Murray, and except for the signatures of the witnesses, the document was “not handwriting at all.” According to Faxon, the instrument was outlined first with pencil, and then an attempt was made to cover the pencil lines with ink without regard to the handwriting process. Numerous lines were written up that should be written down, others were written down that should be written up, and there was patching and overwriting. Faxon also testified that the instrument and the purported signature of Murray were not written or signed by the same person who wrote “George Murray” on the cancelled checks; that Murray’s purported signature on the instrument had been traced from a genuine signature, and that most of the will was written “by that process or close to it.”

In rebuttal, proponent offered the testimony of Blanche Barton and Charlotte Backes. The former testified that on July 22, 1954, she called on Murray, whom she had known for 43 years, and saw him writing the document in question, which was at that time completed “about half way down the (first) page” to the name Martella Chambers. She remembered the precise date because it was four days before her birthday. She testified that Murray was using a pencil dipped in ink, and identified the first half of the purported will as the document which she saw him preparing. She also testified that she was completely familiar with Murray’s handwriting and that in her opinion the instrument bears his signature. She stated that he had a very distinctive handwriting, that he wrote very deliberately, and that he always used a pencil dipped in ink.

On cross-examination, Mrs. Barton stated that Murray did not write checks, postal cards and “things like that” with a pencil dipped in ink, but used a pen. Later, she testified that “He used a pencil dipped in ink when he wrote cards and receipts, signed receipts, but bank checks he wrote with ink. * * * For correspondence he used a pencil dipped in ink.” She identified the signatures on the checks dated July 20 and 22, 1954, as genuine. She testified that although Martella Chambers had frequently appealed to her for help, she had never mentioned to anyone, until she took the witness stand, that she had seen Murray writing the instrument in question. The trial judge, in a memorandum opinion, found her testimony “so inherently improbable that he disregarded it in its entirety.”

The other rebuttal witness, Charlotte Baches, a friend of Martella Chambers “since 1948, when she first came to this country,” testified that she had known Murray for over 50 years, that she was familiar with his handwriting, that the purported will looked very much like his writing and that the signature was his handwriting. She stated that it was his custom to write very slowly, and that he wrote as if “he was going to draw a picture when he started to write.” When asked what instruments he used when writing, she replied that sometimes he used a pencil and sometimes a pen. “He had a pocketful of them all the time. The pens weren’t very good.” She gave no testimony that he ever used a pencil dipped in ink.

In the trial court it was the proponent’s position that the instrument was written and signed by the testator. That testimony was not believed.

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Bluebook (online)
139 N.E.2d 721, 10 Ill. 2d 230, 1957 Ill. LEXIS 204, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-estate-of-murray-ill-1957.