In Re Allied Artists Industries, Inc.

28 B.R. 196, 1983 Bankr. LEXIS 6688
CourtUnited States Bankruptcy Court, S.D. New York
DecidedMarch 3, 1983
Docket18-23949
StatusPublished
Cited by3 cases

This text of 28 B.R. 196 (In Re Allied Artists Industries, Inc.) is published on Counsel Stack Legal Research, covering United States Bankruptcy Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
In Re Allied Artists Industries, Inc., 28 B.R. 196, 1983 Bankr. LEXIS 6688 (N.Y. 1983).

Opinion

MEMORANDUM & ORDER

JOHN J. GALGAY, Bankruptcy Judge.

Filmtransac, A.G. (“Filmtransac”), an outside producer of films, seeks payment of *197 monies due upon the alleged assumption and assignment of its motion picture distribution agreement by Allied Artists Pictures Corp. (“Pictures”). Pictures, Allied Artists Industries, Inc. (“Industries”), and Allied Artists Television Corp., (“Television”), are debtors in the Chapter XI case before this Court. Sumiré Anstalt and Somerville House Management Ltd. (together referred to as “Somerville”), also outside producers, seek payment of pre-petition and post-petition indebtedness as a priority administration claim, pursuant to the alleged assumption and assignment of its motion picture distribution agreements by the debtors. Alternatively, Somerville asks this Court to direct the debtors to assume or reject the distribution agreements immediately. The Official Creditors’ Committee of Pictures (“Pictures Committee”) opposes the outside producers applications, arguing that the distribution agreements are not executory contracts, or, alternatively, no assumption by the debtors has occurred and that subsequent events have made the assumption of the distribution agreements unnecessary.

The Court has considered the plethora of papers submitted, the arguments presented and the applicable law. By a previous determination placed on the record before the interested parties, this Court, without reaching the issue whether the distribution agreements are executory contracts, stated that the agreements have not been assumed by the debtors. Thus, no priority administrative claims for outside producer have been created. This memorandum substantiates and memorializes that determination. This Court further determines that independent negotiations and assignment of distribution rights from the outside producers to Lorimar Productions, Inc., (“Lorimar”) has rendered unnecessary the debtors’ assumption of the distribution agreements in order to assign distribution rights.

Background

On April 4, 1979, Pictures and Industries each filed a petition with this Court seeking an arrangement under Chapter XI of the Bankruptcy Act of 1898 1 (“Act”). Television filed its Chapter XI petition on April 6, 1979. Each debtor was authorized to continue in business as debtor in possession.

On March 14, 1980, an order was made and entered by this Court (“March 14th Order”) approving an agreement dated December 80, 1979, as amended February 20, 1980, by and among Pictures, Industries and Television, i.e. the debtors, and Lorimar (“Lorimar Agreement”). The Lorimar Agreement provided for the sale of virtually all of the assets of Pictures and Television and certain assets of Industries to Lori-mar, including the motion picture libraries of Pictures (approximately 570 films), Television (26 films) and Industries (one film). The purchase price was $4.5 million, of which $2,250,000.00 (less $58,000.00 credit) was paid on the closing date and the balance was due on April 24, 1981. 2

By the terms of the March 14th Order, third decretal paragraph, the debtors were “authorized to assume all distribution contracts with outside producers and participants ... and to assign such contracts (except the contracts with respect to films set forth on Exhibit D hereto) to Lorimar.... ” March 14th Order at p. 4. Distribution agreements for “Exhibit D” films were specifically excluded from the authorization for assumption and assignment because the outside producers of those “Exhibit D” films objected to their transfer to Lorimar. Among the “Exhibit D” films are those in which Filmtransac and Somerville assert ownership rights: “Papillion” (Filmtran-sac), “Zorro”, “The Story of O”, and “Conduct Unbecoming” (Somerville). Underlying the Filmtransac and Somerville objections were their assertions that the distribution agreements had been terminated by, *198 inter alia, bankruptcy termination clauses and, therefore, could not be assigned to Lorimar. 3 No decision concerning the outside producers’ allegations has been made.

Negotiations between Lorimar and objecting outside producers ensued. Film-transac and Lorimar came to an agreement and Filmtransac avers that it withdrew its objection to transfer of Papillion in August 1981. By a “Consent to Assignment”, signed by Emanuel J. Wolf for Pictures, effective August 24, 1981, Filmtransac asserts that Pictures assumed and assigned to Lorimar the Papillion distribution agreement. Filmtransac argues that the March 14th Order authorized such a procedure for assumption and, thus, Filmtransac is entitled to payment of all monies due as an administration expense pursuant to the assumption.

Somerville argues along a similar vein, stating that the assumption procedure set by the March 14th Order was self-implementing. Somerville’s attempts in early 1981 to execute an expressed assumption and assignment by Pictures and Pictures’ Committee were fruitless. Nonetheless, Somerville avers that upon its consent to assignment to Lorimar, assumption by the debtors was automatic, thus giving rise to Somerville’s request for payment of its alleged priority administration claim.

The March 14th Order

The first issue is whether the debtors have already assumed the distribution agreements with Filmtransac and Somer-ville. This determination principally depends on how the March 14th Order is construed. The March 14th Order was entered after an extended hearing and should be understood in the context of the record. See Transcript of March 14, 1980 (hereinafter “March 14th Transcript”).

Filmtransac reads the March 14th Order as creating a procedure for assumption of the Papillion distribution agreement by the debtors without further court action once Filmtransac and Lorimar reach agreement for assignment. Somerville reads the March 14th Order as providing for automatic assumption by the debtors without further court action once Somerville and Lori-mar reach an agreement. Despite these slightly different readings, the administration claims of Filmtransac and Somerville rest squarely upon the March 14th Order and whether this Court approved the procedure, automatic or not, for the assumption and assignment of “Exhibit D” films by the debtors without further Court action. 4

Both Somerville and Filmtransac intersperse their arguments with assertions that assumption may be inferred without Court order. However, neither outside producer has offered any evidence of debtors’ con *199 duct or statements (apart from the “Consent to Assignment” discussed at n. 4) by which an inference of assumption may be drawn. The outside producers’ overriding and crucial argument is that the March 14th Order embodied Court approval of a procedure for assumption and assignment without further court action. 5 The March 14th Order is decisive and the Court now turns to examine it.

The March 14th Order specifically provides for the assumption and assignment of, inter alia,

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Related

In Re Kinglore Farms, Inc.
64 B.R. 260 (N.D. Illinois, 1986)
Stair v. Shumate (In Re Shumate)
39 B.R. 808 (E.D. Tennessee, 1984)
In Re Allied Artists Industries, Inc.
35 B.R. 737 (S.D. New York, 1983)

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Bluebook (online)
28 B.R. 196, 1983 Bankr. LEXIS 6688, Counsel Stack Legal Research, https://law.counselstack.com/opinion/in-re-allied-artists-industries-inc-nysb-1983.