Ikegwuoha v. Art Village Gallery

CourtDistrict Court, S.D. New York
DecidedFebruary 9, 2023
Docket1:21-cv-06263
StatusUnknown

This text of Ikegwuoha v. Art Village Gallery (Ikegwuoha v. Art Village Gallery) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Ikegwuoha v. Art Village Gallery, (S.D.N.Y. 2023).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------------- X : NONYE IKEGWUOHA, : : Plaintiff, : : 21-CV-6263 (JMF) -v- : : OPINION AND ORDER ART VILLAGE GALLERY a/k/a UREVBU : CONTEMPORARY, et al., : : Defendants. : : ---------------------------------------------------------------------- X JESSE M. FURMAN, United States District Judge: Plaintiff Nonye Ikegwuoha, an artist, consigned several works of art that he had made to Art Village Gallery (“Art Village”) for sale. When some of the artwork did not sell, Ikegwuoha directed Art Village and its owner, Sheila Urevbu (together with Art Village, the “Urevbu Defendants”), to return the artwork to an address in New York using “any of the courier services.” Urevbu used FedEx Ground Package System, Inc. (“FedEx Ground”) for that purpose, but an office manager at the New York address refused delivery. The artwork has since disappeared. In this action, originally filed by Ikegwuoha in state court, Ikegwuoha seeks damages from FedEx Ground and the Urevbu Defendants for the loss of his art. Defendants now move, pursuant to Rule 56 of the Federal Rules of Civil Procedure, for summary judgment; Ikegwuoha cross-moves for partial summary judgment as to liability. For the reasons that follow, the Court concludes that Ikegwuoha is entitled to judgment against FedEx Ground, but that its damages are capped at $1,000 pursuant to federal law. The Court reserves judgment with respect to Ikegwuoha’s claims against the Urevbu Defendants pending discussion with the parties, if not further briefing, on whether the Court should exercise supplemental jurisdiction over those claims and, if so, whether, under New York law, the Urevbu Defendants had a legal duty to procure sufficient insurance for Ikegwuoha’s artwork. RELEVANT FACTS The following facts, taken from the admissible materials submitted in connection with the

pending motions, are either undisputed or viewed in the light most favorable to the non-moving party. See Costello v. City of Burlington, 632 F.3d 41, 45 (2d Cir. 2011). Ikegwuoha is a Nigerian-based artist. See ECF No. 94-11 (“Ikegwuoha Depo.”), at 35- 38. In August 2017, Art Village and Urevbu, Art Village’s owner, see ECF No. 94-12 (“Urevbu Depo.”), at 49-52, invited Ikegwuoha to contribute artwork to a commemorative exhibition honoring Martin Luther King, Jr. on the 50th anniversary of King’s death. Ikegwuoha Depo. 41, 46-47. The exhibition was held between March and April 2018. Id. at 47. Ikegwuoha submitted two sixty-square-inch oil-on-canvas paintings, titled Freedom and Odyssey, and seventeen to twenty studies — preparatory work usually created as an initial step in creating a final piece — for the Urevbu Defendants’ consideration; the Urevbu Defendants selected Freedom, Odyssey,

and three of the studies to show in the exhibition. Id. at 57-59, 75. Ikegwuoha sent the five pieces from Nigeria to Art Village via DHL, declaring their value on the shipping form as $277. Id. at 61, 71-72. The works were sent on consignment. Id. at 98. The works were not appraised; instead, consistent with their standard operating procedures, the Urevbu Defendants allowed Ikegwuoha “to solely and strictly determine what [he thought his] artwork should be sold for.” Urevbu Depo. 66; see Ikegwuoha Depo. 104. Ikegwuoha set the price for Freedom and Odyssey at $25,000 each; he did not set a price on the studies. Ikegwuoha Depo. 98-101. Urevbu told Ikegwuoha that there was interest in some of the pieces, and Ikegwuoha agreed to leave them for a period of time. Id. at 105. Ikegwuoha gave the Urevbu Defendants authority to negotiate on his behalf, and they eventually sold Freedom for $12,000; half of the proceeds went to Ikegwuoha and half to Art Village. Id. at 107-8. Ikegwuoha testified that he then “lost all contact” with Art Village. Id. at 118. In April 2020, he requested that the four remaining unsold pieces be returned to him. Id. After some

back and forth (during which Ikegwuoha was represented by counsel), Urevbu agreed to return the artwork. Id. at 122-23. Ikegwuoha advised the Urevbu Defendants that he would pay the cost of a courier service and asked that the art be shipped “using any of the courier services” to a “virtual office” address in New York that he provided. Id. at 124, 128-30. Ikegwuoha and the Urevbu Defendants did not discuss insurance. Id. at 166. Ikegwuoha, however, testified he “would have been willing to go up to — I don’t know, a thousand, 2-, $3,000 would be my guess, would be my estimation, [for] insurance.” Id. at 171. Art Village used FedEx Ground to ship the artwork. Id. at 125; Urevbu Depo. 100. Urevbu testified that she delivered the artwork to a FedEx Ground facility in Memphis, Tennessee; “requested bubble wrap and paper, and . . . confirmed their wrapping procedure for

artwork”; and then left before it was wrapped and put together for shipment. Id. at 104. On the FedEx Ground forms, Urevbu declared a value of $1,000 for the artwork. ECF No. 71-11, at 96 (“DV” column).1 Urevbu testified that “the gallery normally does not procure insurance when shipping” but, in this case, “asked for the maximum amount of insurance . . . [o]ut of an abundance of caution.” Urevbu Depo. 101. She explained that she “just wanted to take care with getting this returned to” Ikegwuoha. Id. at 102.

1 Citations to page numbers in ECF No. 71-11 are to the page numbers automatically generated by the Court’s Electronic Case Filing system. Independent contractors acting as agents of FedEx Ground attempted to deliver the artwork to the New York address Ikegwuoha had provided, but an office manager at that location rejected the delivery because it was “too large.” Ikegwuoha Depo. 130-33, 161; see ECF No. 76- 9 (“Vasquez Depo.”), at 19, 23. The artwork has since disappeared. Ikegwuoha testified that

Urevbu “wasn’t responding for about a month” and that FedEx Ground “repeatedly informed” him that Art Village was the shipper and needed to act. Ikegwuoha Depo. 172. Urevbu testified that FedEx Ground had informed her that it was going to return the artwork to Art Village but never did so. Urevbu Depo. 112. FedEx Ground’s corporate representative testified that the package’s last known location was somewhere in Memphis, Tennessee — but could not identify the location with any greater degree of specificity. Vasquez Depo. 31-32. PROCEDURAL HISTORY As noted, Ikegwuoha originally filed this case in state court, alleging negligence on the part of FedEx Ground and the Urevbu Defendants and seeking damages. See ECF No. 76-3 (“Am. Compl.”); see also ECF No. 1-2. Thereafter, FedEx Ground removed the action to this

Court on the ground Ikegwuoha’s negligence claims against FedEx Ground were preempted by the Carmack Amendment to the Interstate Commerce Act of 1887, 49 U.S.C. § 14706. See ECF No. 1 (“Notice of Removal”), ¶ 7. A few months after the case was removed, the Court granted an application from Ikegwuoha’s counsel to withdraw, see ECF No. 31, and Ikegwuoha represented himself throughout discovery. On August 5, 2022, after FedEx Ground and the Urevbu Defendants moved for summary judgment, new counsel entered a notice of appearance on Ikegwuoha’s behalf. See ECF No. 85. Through counsel, Ikegwuoha filed his oppositions to Defendants’ motions for summary judgment and cross-motions for partial summary judgment.

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Ikegwuoha v. Art Village Gallery, Counsel Stack Legal Research, https://law.counselstack.com/opinion/ikegwuoha-v-art-village-gallery-nysd-2023.