Hughes v. Kansas City Motion Picture MacHine Operators, Local No. 170

221 S.W. 95, 282 Mo. 304, 1920 Mo. LEXIS 122
CourtSupreme Court of Missouri
DecidedApril 30, 1920
StatusPublished
Cited by25 cases

This text of 221 S.W. 95 (Hughes v. Kansas City Motion Picture MacHine Operators, Local No. 170) is published on Counsel Stack Legal Research, covering Supreme Court of Missouri primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hughes v. Kansas City Motion Picture MacHine Operators, Local No. 170, 221 S.W. 95, 282 Mo. 304, 1920 Mo. LEXIS 122 (Mo. 1920).

Opinions

GOODE, J.

These plaintiffs brought this action to obtain relief by injunction against the picketing of plaintiffs’ place of business on the corner of Ninth and Lister streets in Kansas City, where a moving picture show was conducted under the name of the Eastern Theater. The defendant, Kansas City Motion Picture Machine Operators, Local 170, is a voluntary organization of picture machine operators in Kansas City, and is affiliated with a much larger union known as The International Alliance Theatrical Stage Employees. The other defendants are members of the Local Union No. 170. Plaintiff Hughes was a member of the local union from 1912 until September 1, 1915, when he ceased to be, because he was sentenced to pay a fine of *310 one hundred dollars, or in default of payment, to suspension from the local union for one year for having divulged secrets of the union, it was asserted by defendants, but denied by him. Hughes refused to pay the -fine and the union put the fine and suspension together, as he said; meaning that he was suspended from membership and could only be reinstated by paying the fine. He then formed a contract, of a kind not clearly stated, for a picture theatre at Fifteenth and Spruce streets in said city. The Union objected to his working there, -because it was against the rules of the union for a member to have an interest in a show and conduct it himself. Another fine of one hundred dollars, as we gather from the testimony, was imposed on him. It seems Hughes had conducted another theatre also at Thirty-ninth and Main streets, where a union operator of the machine used to throw the pictures on the screen, was discharged when Hughes became the owner of the place; Hughes said, because he would be required by the rules of the union to sign a contract with the operator for a year, which he could not afford to do; that if he would have “to quit the show, he would have to quit the union first.”

Those disagreements are in no way related to the present controversy, except in their tendency to prove bad feeling existed between Hughes and the local union prior to January 3, 1916, when Hughes became a partner with the other plaintiff, Briner, in the Eastern Theater. Briner had in his employ at that time, to handle the projecting machine, a union operator named Shuttler. As Hughes was capable of operating the projector, Shuttler was given two weeks notice to quit. In the interim members of the local union called on Hughes and told him if he would enter the union again, his fine would be reduced to seventy-five dollars. Hughes asked if, in that event, he would be permitted to operate his machine, and was told by the members of the union they would not consent for him to do so under any circumstances; that he must employ a union oper *311 ator and pay Mm the union scale. Hughes said the business would not justify paying the scale of wages, seventeen dollar a week, in addition to the city license fee and the war tax, and that he thought he had a right to operate his own machine. The agents of the union told Mm they would put their pickets out at his theatre and keep them there until he gave in to their proposition. Picketing was begun on April 16, 1916, being postponed until that time for some unexplained reason. On said day members of the executive board of the union went to the Eastern Theatre with an operator and also two pickets, and told Hughes he could take his choice; hire the operator, or be picketed. He asked time to consider the proposition; but the agents refused to grant it and put the pickets on duty that night.

The testimony goes to show plaintiff Hughes’ wife was knocked down on the sidwalk by one of the pickets that evening, whereupon the pickets scattered, as did a crowd of persons who had collected about the front of the theatre; but this is the only evidence of the commission of an act of violence, although the picketing continued until the present action was begun, two months later, on June thirteenth. The pickets worked by walking up and down the sidewalk in front of the theater, addressing themselves to persons who passed and saying: “This place is not fair to organized labor; please do not patronize it;” and sometimes: “The picture machine in this theater is run by a non-union operator; please do not patronize it.” The testimony for defendants is that the request was not addressed to individuals, but “to the public,” and in a moderate tone; and it does not appear the. voice or manner of the pickets was boisterous or threatening. The patrol of the sidewalk usually began about 7:45 o ’clock in the evening, when the attendance was most numerous.

Plaintiff Hughes testified the agents of the union told him they would ruin him and break up his business; that they had spent five thousand dollars to make *312 another theatre hire a union operator and would spend that much on him. The union offered to find him a position as operator in some other theatre if he would hire a union man for his place; hut he refused for the reason that his wife was incapable of looking .after the business, as it seems she, instead of Briner, the other owner, was assisting to do, and the business would not bear the expense of a hired operator. Plaintiff had employed a union operator at a picture theatre on Ninth street and Troost avenue, which his wife conducted for a while.

One witness testified she had been in the habit of patronizing the Eastern Theatre, but on account of the controversy with the union, ceased to do so, as her husband said there was danger. Another witness testified that on a Sunday afternoon he became alarmed and took his boy out of the theatre on account of the way “they [the pickets anda gathering of persons] were acting.” This witness said two pickets were, walking in front of the place, and a crowd of fifteen or' twenty persons were on the northeast corner; among them two men whom he had seen acting as pickets previously; that he thought there might be a fight or riot.

According to the witnesses for plaintiffs the receipts of their business fell off about fifteen dollars a week after the picketing began and in consequence of it.

Several witnesses for defendants said the demeanor of the pickets was quiet and peaceable; and though they (the witnesses) were in the habit of passing the place, they had seen no disturbance. By way of counteracting the influence of the pickets, the wife of Hughes would sometimes walk along with them, and would say to passersby: “This place is not unfair to organized labor ; ’ ’ and on one or two occasions she threw a bunch of tickets at the pickets. The testimony for defendants brought out clearly the real grievance the union cherished against plaintiffs, and the sole reason why they maintained pickets in front of their place of business. A man named Brown, who was not a member of the union, *313 stayed about the projecting machine in the theatre and the union agents thought he was operating it; but the evidence conclusively shows he was a student and paid Hughes for instructing him. The testimony shows there was a' rigid rule of the union that no proprietor of a moving-picture show should operate his own projecting machine, and that in every case a member of the union must be employed.

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Bluebook (online)
221 S.W. 95, 282 Mo. 304, 1920 Mo. LEXIS 122, Counsel Stack Legal Research, https://law.counselstack.com/opinion/hughes-v-kansas-city-motion-picture-machine-operators-local-no-170-mo-1920.