Hinkle v. United States

19 C.C.P.A. 125, 1931 CCPA LEXIS 287

• Court: Court of Customs and Patent Appeals
• Decided: November 2, 1931
• Docket: No. 3385
• Status: Published

Opinions

Graham, Presiding Judge,

delivered the opinion of the court:

The appellant imported two antique tapestries at the port of Cincinnati, Ohio, and entered the same on October 18, 1927. The goods were separately invoiced. One of the tapestries, an Aubusson of the eighteenth century, was purchased by the appellant from Thierard Fréres, of 16 Rue d’Artois, Paris, and a consular invoice was duly executed by said Thierard Fréres and was delivered to the collector at the time of entry.

The other tapestry was purchased from a Madame Rotge, residing in Normandy, France, and this tapestry was invoiced by the appellant, personally, as the consular invoice, filed with the papers, shows.

As to the latter tapestry, the United States Customs Court held that the invoice and Form 3343 attached thereto were a sufficient compliance with article 423 of the Customs Regulations of 1923, as amended on July 9, 1927, by T. D. 42299, and duly sustained the protest as to said tapestry.

The court below overruled the protests as to the Aubusson tapestry purchased from Thierard Fréres, holding that the said customs regulations had not been sufficiently complied with, and citing the decisions of this court in United States v. Tsai, 9 Ct. Cust. Appls. 42, T. D. 37902, and United States v. Bird, 16 Ct. Cust. Appls, 306, T. D. 42876.

The importer has appealed from that judgment. No cross-appeal has been perfected by the Government, and it follows that the judgment of the lower court as to the tapestry purchased from Rotge, which is known in this record as Exhibit 5, should be affirmed.

The goods in question were classified by the collector as manufactures of wool qnder paragraph 1119 of the Tariff Act of 1922. They were claimed to be free of duty under paragraph 1708 of said act, which is as follows:

Par. 1708. Works of art (except rugs and carpets), collections in illustration of the progress of the arts, works in bronze, marble, terra cotta, parian, pottery, or porcelain, artistic antiquities, and objects of art of ornamental character or-educational value which shall have been produced more than one hundred years prior to the date of importation, but the free importation of such objects shall be subject to such regulations as to proof of antiquity as the Secretary of the Treasury may prescribe.

The court below overruled the protest as to said Exhibit 4, the Aubusson tapestry, on the theory that the importer had failed to comply with the customs regulations, in the following language:

* * * As to the remaining invoice, covering Exhibit 4, the Aubusson tapestry, we think the information contained thereon is insufficient to comply with the regulations as interpreted by this court and the Court of Customs and Patent Appeals, in that the name of the person from whom purchased is given as Madame Léfevre, without furnishing any address or other means of identification.

A considerable time after the filing of the entry in question, certain affidavits were prepared as to the character of the imported articles which were forwarded and which were offered and received in evidence on the trial. It is now contended by the Government that these affidavits were not properly received and can not be considered herein. We find ourselves in agreement with this conclusion. It is quite apparent that the customs regulations in question do not have in contemplation proofs of this kind to be made at some period subsequent to the entry of the goods involved. In United States v. Bird, supra, in passing upon the right of an importer to make proof subsequent to his entry under said customs regulations, article 423, as it was at that time, we said:

The proper administration of the customs law requires that the importer comply with the reasonable customs regulations, duly promulgated, The right of free entry in case of artistic antiquities is made dependent upon compliance with the reasonable regulations of the Treasury Department therein. To hold that the importer may fail to comply with such regulations, and, if he succeeds in obtaining free entry from the collector, may make his proof orally thereafter, if necessary, is to practically nullify the customs regulations, and is a reversal of the line of authority in this court since its creation.

Article 423 of said customs regulations, as amended by T. D. 42299, 52 Treas. Dec. 22, is as follows:

ART. 423. Artistic antiquities. — Works of art (except rugs and carpets), collections in illustration of the progress of the arts, works in bronze, marble, terra cotta, parían, pottery, or porcelain, artistic antiquities, and objects of art of ornamental character or educational value which shall have been produced more than 100 years prior to the date of importation, will be admitted free of duty, upon compliance with the following regulations:

. The invoice filed upon entry shall contain the name and address of the person from whom the articles were acquired, date when acquired, and, if possible, the place and approximate date of production.

An affidavit by the owner on Customs Form 3343 shall also be filed on entry.

The affidavit of the owner signed by an agent or attorney can not be accepted, but a declaration of the foreign seller or shipper, executed.by an agent competent to declare to the value and facts of the invoice, shall be accepted as a sufficient compliance with the regulations. A bond for the subsequent production of either the owner’s affidavit or the shipper’s declaration within six months may be taken on entry. (Customs Form 7551.)

Affidavits bearing on the age and character of such importations shall be transmitted by the collector to the appraising officer. The findings of such officer shall be clearly stated in his return upon the invoice.

In the case of articles brought in as passengers’ baggage and claimed to be entitled to free entry as artistic antiquities, such articles may be admitted free of duty upon an affidavit of the owner before a customs officer, providing the appraising officer shall return the articles as of an age and character entitling them to free entry and that the regulations have been complied with in other respects.

Artistic antiquities are free of duty, though repaired or renovated within 100 years. If, however, such repairs or renovation consist of an addition to an article of an artistic feature which renders it a “work of art” the article is excluded from free entry even though the repairs or renovation may be slight in extent.

The importer claims that she has complied with all the provisions of said customs regulations. On the other hand, counsel for the Government alleges that the invoice filed by her does not contain the—

name and address of the person from whom the articles were acquired, date when acquired, and, if possible, the place and approximate date of production.

The invoice is upon the ordinary form of consular invoice known as Form 138. The introductory part of the invoice is as follows:

Paris, 26 Septembre, 1927.

Invoice of une tapisserie XVIII éme. purchased by Madame Frederick Wallis Hinkle, of Belcamp Edwards Road, Cincinnati, from Monsieur Thierard, of 16 Rue d’Artois, Paris.

In the body of the invoice appears the following, which, for purposes of convenience, is given in the English translation:

Tapestry with figures of XVIII century_ 50,000 frs.

Paid for in French money.

Bought the 22nd September, 1927.

Tax of 12 per cent included.

Consul fee included.

Tapestry of XVIII century of the manufacture Aubusson of France was bought from Madame Léfevre the 21st December, 1925.

Attached to the invoice was the affidavit of the importer, on Customs Form 3343, the material part of which is as follows:

October 17, 1927.

I, Mrs. F. W. Hinkle, declare under oath that I am the owner of certain articles, viz:

1 Aubusson tapestrie personages, of 18th century, imported at the port of New York, per S. S. France, which arrived on the 6 day of October, 1927, consigned to Mrs. F. W. Hinkle, and that I have investigated the origin and history of said articles, and verily believe the same to have been produced more than one hundred years prior to their importation.

The importer contends she complied with said customs regulations when itt'was stated that she purchased|,the goods from Monsieur Thierard, of 16 Rue d’Artois, Paris. Counsel for tire Government insists that the said customs regulations required the giving of the address of Madam Léfevre, and that having failed to do so, she has not brought herself within the scope of our reasoning in United States v. Bird, supra, and within the intendment of the said customs regulations.

It is doubtless true that the importer has been acting in good faith and endeavored to do all that the statute and customs regulations required her to do in order to obtain free admission of her Aubusson tapestry. However, we are forced to the conclusion that she has failed to do so.

Section 481 of the Tariff Act of 1922 provides for the form and contents of invoices of imported merchandise. Subsection (a) (2) of said section provides that each invoice shall contain—

(2) The time when, the place where, and the person by whom and the person to whom the merchandise is sold or agreed to be sold, or if to be imported otherwise than in pursuance of a purchase, the place from which shipped, the time when and the person to whom and the person by whom it is shipped;

Section 484 (b) of said act provides that no merchandise may be entered without the production of a certified invoice therefor, except in certain instances which are unimportant in the case at bar.

. It will be observed that the seller and shipper of the merchandise in question here complied substantially with the requirements of said sections in making the invoice of the imported tapestry. In other words, the seller gave the "time when, the place where, and the person by whom and the person to whom the merchandise is sold.” The introductory portion of the invoice gave all this information, as was required by law.

If, as argued by the importer, this was all that was required, then nothing further in this regard was required by amended customs regulations, article 423, than what was already a part of the statute. We are unable to come to that conclusion. Said amended regulations provide—

The invoice filed upon entry shall contain the name and address of the person from whom the articles were acquired, date when acquired, and, if possible, the place and approximate date of production.

Bearing in mind that this information is to be given by the person making the invoice, it becomes apparent that Thierard Fréres were required to give “the name and address of the person from whom the articles were acquired” by them. Doubtless Thierard Fréres had this in mind when it was stated in the invoice that the tapestry was purchased from Madame Léfevre. Inasmuch as her address was not given, howeyer, the regulation was not fully complied with, and the goods are, consequently, not entitled to free admission.

Such finding imposes a financial hardship upon the importer. The free importation of artistic antiquities is, however, a privilege, to take advantage of which the laws and pertinent regulations must be strictly complied with. Rosenfield v. United States, 18 C. C. P. A. (Customs) 146, T. D. 44361; United States v. Bird, supra; United States v. Tsai, supra. The inconvenience and hardships of special cases may not be permitted to alter rules of general application intended to work for the general good.

The conclusion just announced makes unnecessary a discussion of the other points presented by appellant.

The judgment of the United States Customs Court is affirmed.