Hill & Range Songs, Inc. v. Fred Rose Music, Inc.

58 F.R.D. 185, 17 Fed. R. Serv. 2d 969, 178 U.S.P.Q. (BNA) 221, 1972 U.S. Dist. LEXIS 11318
District Court, S.D. New York·Decided November 2, 1972·No. No. 72 Civ. 363·Published·Cited by 8 cases

Opinion

OPINION

COOPER, District Judge.

This is an action for declaratory judgment brought by plaintiff to determine the ownership of renewal copyrights in musical compositions of Hiram Williams, deceased. Both sides claim ownership of the renewal copyrights by virtue of respective assignments thereof by the son and alleged widow of the composer.

Petitioner moves for dismissal of the complaint on the following grounds:

(a) lack of subject matter jurisdiction, Fed.R.Civ.P. 12(b)(1);

(b) lack of personal jurisdiction over defendant, Fred Rose Music, Inc. (“Fred Rose”), Fed.R.Civ.P. 12(b)(2);

(c) defective service of process upon Fred Rose, Fed.R.Civ.P. 12(b)(4);

(d) failure to join as parties to the action the Estate of Hiram Williams, Randall Hank Williams, and Billy Jean Williams, Fed.R.Civ.P. 12(b)(7);

(e) improper venue with respect to Fred Rose, Fed.R.Civ.P. 12(b)(3). Petitioner moves in the alternative for a change of venue from this district to the Middle District of Tennessee. 28 U.S.C.A. § 1404(a).

The motion to dismiss is denied in all respects. The motion for a change of venue is granted. The Middle District of Tennessee is an appropriate and more convenient forum for maintenance of the action. 28 U.S.C.A. § 1404(a).

[188] I

Petitioner contends that the instant controversy is not one “arising under any Act of Congress relating to copyrights.” 28 U.S.C.A. § 1338(a). We do not agree. The underlying issues of this action are whether Billy Jean Williams is the widow of Hiram Williams so as to be entitled to renewal rights granted by the Copyright Act, 17 U.S.C.A. § 24, and if so, whether she relinquished those rights through an alleged agreement with the Estate of Hiram Williams (see copy thereof appended to Stewart affidavit).

While the interpretation of the contract itself might not be an adequate basis to sustain federal jurisdiction, the fact that it is contingent upon a determination of whether Billy Jean Williams is a “widow” within the meaning of the Copyright Act is sufficient to sustain federal jurisdiction. 17 U.S.C.A. § 24. The primary issue calls for interpretation of a federal statute and inquiry into the scope of its intended protection. The scope of a federal right is a federal question, even where its content may be determined by state as opposed to federal law. De Sylva v. Ballentine, 351 U.S. 570, 580, 76 S.Ct. 974, 100 L.Ed. 1415 (1956). The right to obtain a renewal copyright and the renewal copyright itself exist by reason of the Act and are derived solely and directly from it. Miller Music Corp. v. Daniels, Inc., 362 U.S. 373, 375, 80 S.Ct. 792, 4 L.Ed.2d 804 (1959).

Federal jurisdiction has been recognized where the rights between two competing copyright assignees turned on a construction of the recording provisions of the Copyright Act. Marks Music Corp. v. Harris Music Pub. Co., 255 F.2d 518 (2d Cir. 1958); Sweet Music, Inc. v. Melrose Music Corp., 189 F.Supp. 655 (S.D.Calif.1960); Cresci v. Music Pub. Holding Corp., 210 F.Supp. 253 (S.D. N.Y.1962); Rossiter v. Vogel, 134 F.2d 908 (2d Cir. 1943), 148 F.2d 292 (2d Cir. 1945). See also Nimmer on Copyright, §§ 123-132. The federal interest in this matter is strong, and jurisdiction must therefore be maintained.

Cases cited by petitioner are distinguishable. In T. B. Harms Co. v. Eliscu, 339 F.2d 823 (2d Cir. 1964), the issue was whether an assignment was executed. No aspect of the suit required interpretation of the Copyright Act. In Cresci v. Music Pub. Holding Corp., 210 F.Supp. 253, 259 (S.D.N.Y.1962) and Muse v. Mellin, 212 F.Supp. 315 (S.D. N.Y.1962), the issue before the Court was exclusively one of contract interpretation. Unlike the instant controversy, those cases did not involve simultaneously, let alone primarily, a claim requiring construction of the Copyright Act.

II

Fred Rose has sufficient business contacts with New York to come within the personal jurisdiction of its courts. When a corporation solicits business in a state through a local office or through the efforts of locally based agents, it has been held to be doing business in that state for purposes of jurisdiction. Jaftex Corp. v. Randolph Mills, Inc., 282 F.2d 508 (2d Cir. 1960); Carter-Wallace, Inc. v. Ever-Dry Corp., 290 F.Supp. 735 (S.D.N.Y. 1968). We find that the business contacts of Fred Rose with New York, carried on locally through the offices of the Harry Fox Agency (“Fox”), Broadcast Music, Inc. (“BMI”), and Chappell & Co. are in total sufficient to sustain in personam jurisdiction.

Fred Rose carries on extensive business operations in New York and nationwide through the local offices of Fox, BMI and Chappell & Co. (See Affidavit in Opposition, pp. 4-7.) Movant does not deny this. Fred Rose music is sold regularly in New York stores; the musical publications are printed and warehoused in New York rather than shipped on demand from Tennessee; and all agreements respecting licensing of recording rights are negotiated and pre[189] pared in New York by Fox, executed in New York by Fox as agent of Fred Rose, and administered from New York. (See Affidavit in Opposition, |f 6(a).) Similarly, public performance rights are licensed by Fred Rose through the local offices of BMI in New York which has the exclusive right to license performance rights for Fred Rose and collect all royalties and fees becoming payable therefore.

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Hill & Range Songs, Inc. v. Fred Rose Music, Inc., 58 F.R.D. 185, 17 Fed. R. Serv. 2d 969, 178 U.S.P.Q. (BNA) 221, 1972 U.S. Dist. LEXIS 11318 (S.D.N.Y. 1972).

58 F.R.D. 185 (Hill & Range Songs, Inc. v. Fred Rose Music, Inc.) — published by Counsel Stack Legal Research, free access to 12M+ legal documents.

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