Helena De Saro v. United States

173 F. App'x 760
CourtCourt of Appeals for the Eleventh Circuit
DecidedMarch 22, 2006
Docket04-14308; D.C. Docket 02-23102-CV-JLK
StatusUnpublished
Cited by7 cases

This text of 173 F. App'x 760 (Helena De Saro v. United States) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eleventh Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Helena De Saro v. United States, 173 F. App'x 760 (11th Cir. 2006).

Opinion

PER CURIAM:

Appellant Helena de Saro appeals from the district court’s judgment that she had failed to establish her ownership of two valuable paintings that the United States seized. The paintings at issue are a 1793 Francisco Goya painting entitled El Atraco a la Diligencia and a 1924 painting entitled Buste de Juene Femme by Foujita that de Saro, a famous Spanish art dealer, claims to own. De Saro estimates that the Goya is valued at $8 million and the Foujita at $2 million. The paintings were suspected to have been involved in the drug trafficking activities of Jose Maria Clemente, who is not a party to this case. The government originally seized the paintings pursuant to civil forfeiture provisions found in section five of the Civil Asset Forfeiture Reform Act of 2000 (CAFRA), 18 U.S.C. § 981(b) & 21 U.S.C. § 881(b). The United States seized the paintings on March 14, 2002, pursuant to a seizure warrant issued by a magistrate judge in the Southern District of Florida. At the time of the seizure, the paintings were stored at an art warehouse and under the name New England Capital Investments (“New England”), a corporation de Saro claimed to have formed to facilitate importing the paintings to the United States.

Following the execution of the civil seizure warrant, the government did not file a civil forfeiture complaint or provide notice to all interested parties, as is required under 18 U.S.C. § 983(a). Therefore, de Saro and New England commenced a separate civil action for the return of the paintings. In the complaint, de Saro and New England alleged violations of their Fourth and Fifth Amendment rights and sought return of the paintings pursuant to Rule 41(g) of the Federal Rules of Criminal Procedure, which provides that “[a] person aggrieved by an unlawful search and seizure of property or by the deprivation of property may move for the property’s return.”

Initially in their civil action, both de Saro and New England claimed ownership of the paintings. Before the trial began, however, New England relinquished its claim of ownership, explaining that it only acted as an intermediary for the potential sale of the paintings. De Saro and New England filed a joint motion to dismiss New England as a plaintiff in the case, which the district court denied. The district court found that the fact that New England did not designate a corporate representative for deposition entitled the *762 court to infer that New England held at least some ownership interest in the paintings. Because New England refused discovery, the district court sanctioned New England by barring it from presenting evidence at trial regarding its lack of ownership interest in the paintings.

At trial, the district court determined that the sole issue was whether de Saro had shown by a preponderance of the evidence that she owned the paintings when they were seized. De Saro offered testimony and documents pertaining to her alleged ownership in the two paintings. On July 27, 2004, after a three-day bench trial, the district court entered its final judgment granting the government’s motion for judgment as a matter of law under Fed.R.CivJP. 50(a)(1). After reviewing bills of sale and related documents indicating that de Saro sold the paintings to New England for $10 million, the district court determined that “the only reasonable conclusion is that in August of 2001, Ms. de Saro divested herself of whatever ownership interest she had in the paintings, and the fact that she kept the certificates of authenticity (after surrendering the paintings) does not prove her continued ownership.” As to the fate of the paintings, the district court said:

Ms. de Saro is not entitled to the return of the paintings in this civil case. [The government] shall maintain custody of the paintings pending such further forfeiture proceedings as are yet to be litigated in the criminal case pending before Judge Martinez. Ms. de Saro may assert whatever claim she believes she has to the paintings when (and if) the Government obtains a criminal conviction of Mr. Clemente and the criminal forfeiture is then ripe for ruling.

The criminal forfeiture the district court referred to was a parallel simultaneous criminal proceeding relating to the same paintings. Although only the civil case is currently before us, understanding the parallel action provides helpful context.

Following the institution of the civil forfeiture proceedings, the government again restrained the paintings, this time pursuant to the criminal forfeiture provisions found in 18 U.S.C. § 982 and 21 U.S.C. § 853. The criminal forfeiture arose from the indictment of Clemente, who was charged with conspiracy to commit money laundering, in violation of 18 U.S.C. § 1956. 2 Clemente was indicted on June 27, 2002, approximately three months after the paintings were seized, and approximately one month after de Saro and New England initiated their lawsuit. The indictment contained a criminal forfeiture count, listing the Goya and Foujita paintings as personal property subject to forfeiture based on an unspecified relationship with the charged offense. De Saro and New England were not indicted in the criminal case against Clemente. Immediately thereafter, on July 1, 2002, the district court granted the government’s motion for a protective restraining order that prohibited the transfer of the paintings, pending resolution of the criminal proceedings.

Clemente was taken into custody in Spain. Even though more than three years have passed since the government indicted Clemente, he has not been tried because he is not subject to extradition. The government has conceded that it is unlikely that it will try Clemente in the United States anytime in the foreseeable future.

*763 The criminal forfeiture statute, 21 U.S.C. § 853(k), prohibits any party that claims to have an interest in property subject to forfeiture from intervening in a trial or commencing an action against the United States concerning the validity of the party’s alleged interest once the government has filed the indictment. 3 In other words, according to the statute, de Saro and New England could not do anything to recover the property in the criminal proceeding, unless and until Clemente was convicted and forfeiture proceedings commenced after his conviction. The district court, concerned that de Saro and New England would have to wait interminably for the resolution of the criminal case in order to assert their claim over the paintings, nevertheless allowed de Saro and New England to proceed.

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Bluebook (online)
173 F. App'x 760, Counsel Stack Legal Research, https://law.counselstack.com/opinion/helena-de-saro-v-united-states-ca11-2006.