Hedge Corporation v. Taylor

CourtDistrict Court, D. Colorado
DecidedJune 17, 2020
Docket1:19-cv-02823
StatusUnknown

This text of Hedge Corporation v. Taylor (Hedge Corporation v. Taylor) is published on Counsel Stack Legal Research, covering District Court, D. Colorado primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hedge Corporation v. Taylor, (D. Colo. 2020).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF COLORADO Judge R. Brooke Jackson

Civil Action No. 19-cv-02823-RBJ

HEDGE CORPORATION, a New Mexico Corporation and RICHARD S. HOWELL, SR.,

Plaintiffs,

v.

ROBERT L. TAYLOR,

Defendant.

ORDER

This case is before the court on defendant Robert L. Taylor’s motion to dismiss, ECF No. 13. Mr. Taylor moves to dismiss plaintiff Hedge Corporation and Richard E. Howell (“plaintiffs”)’s second and third claims only. Id. For the following reasons the motion is granted. BACKGROUND On November 4, 2012 Richard E. Howell, Jr. (“Rick Howell”) passed away in Conejos County, Colorado. ECF No. 1 ¶ 8. Rick Howell was an artist who resided at his property at the address 34562 State Highway 17, Antonito, Colorado. Id. ¶ 9. Plaintiff Richard Howell is Rick Howell’s father. Id. ¶ 10. Following his death, the entirety of Rick Howell’s estate was conveyed to Richard Howell during the probate process. Id. ¶ 12. The estate included the house in Antonito and approximately $2,500,000 in artwork. Id. ¶¶ 13; 17. Richard Howell transferred Rick Howell’s artwork to his corporation, plaintiff Hedge Corporation. Id. ¶ 14. On August 7, 2018 Richard Howell entered into a contract to sell the Antonito home to Defendant Robert Taylor. Id. ¶ 18. That contract also conveyed specified personal property but

did not include any of Rick Howell’s artwork. Id. ¶ 19. Following the sale, Richard Howell realized that approximately 90 of Rick Howell’s paintings had been mistakenly left in the Antonito house. Id. ¶ 22. Mr. Taylor refused to return the paintings to plaintiffs, and plaintiffs filed this lawsuit seeking return of the paintings and damages for copyright infringement. Id. at 7–8. Plaintiffs assert one claim for replevin, one claim for copyright infringement, and one claim for conversion. Id. at 4–8. On December 23, 2019 Mr. Taylor moved to dismiss plaintiffs’ second claim for copyright infringement and plaintiffs’ third claim for conversion. ECF No. 13. Plaintiffs responded on January 27, 2020, ECF No. 19, and Mr. Taylor filed a reply on February 10, 2020, ECF No. 26. This motion is now ripe for review.

STANDARD OF REVIEW To survive a Rule 12(b)(6) motion to dismiss, the complaint must contain “enough facts to state a claim to relief that is plausible on its face.” Ridge at Red Hawk, L.L.C. v. Schneider, 493 F.3d 1174, 1177 (10th Cir. 2007) (quoting Bell Atl. Corp. v. Twombly, 550 U.S. 544, 570 (2007)). A plausible claim is one that “allows the court to draw the reasonable inference that the defendant is liable for the misconduct alleged.” Ashcroft v. Iqbal, 556 U.S. 662, 678 (2009). While courts must accept well-pled allegations as true, purely conclusory statements are not entitled to this presumption. Id. at 678, 681. Therefore, so long as the plaintiff pleads sufficient factual allegations such that the right to relief crosses “the line from conceivable to plausible,” she has met the threshold pleading standard. Twombly, 550 U.S. at 556, 570. ANALYSIS Mr. Taylor argues that plaintiffs fail to state a copyright infringement claim as plaintiffs

have not alleged that the copyrights have been registered. ECF No. 13 at 2. Mr. Taylor then argues that plaintiffs fail to state a claim for conversion because plaintiffs did not have a right to immediate possession of the artwork at issue. Id. A. Failure to State a Copyright Infringement Claim Mr. Taylor argues that plaintiffs failed to allege a registered copyright and therefore have not stated a copyright infringement claim. Section 411(a) of Title 17 states that “no civil action for infringement of the copyright in any United States work shall be instituted until preregistration or registration of the copyright claim has been made in accordance with this title.” Plaintiffs concede that the artworks at issue have not been registered and do not oppose dismissal of this claim. ECF No. 19 at 3–5. Plaintiffs request that the claim be dismissed

without prejudice, as they have been unable to register a copyright because the works have been in the possession of Mr. Taylor. Id. Because Mr. Taylor does not object, ECF No. 26 at 1, I dismiss plaintiffs’ second claim without prejudice. B. Failure to State a Conversion Claim A conversion has occurred, at the latest, when demand for return of the chattel has been made and refused. See Emp’rs Fire Ins. Co. v. W. Guar. Fund Servs., 924 P.2d 1107, 1111 (Colo. App. 1996). To maintain a conversion action, a plaintiff must establish that he had “at the time of the alleged conversion, either actual possession or title and constructive possession or a right to possession of the land from which the property was taken.” Byron v. York Inv. Co., 296 P.2d 742, 746 (Colo. 1956).1 Mr. Taylor argues that at the time of the alleged conversion plaintiffs had neither actual nor constructive possession of the artworks, nor a right to possession of the land from which the property was taken. ECF No. 13 at 7. Plaintiffs allege that the conversion occurred after the closing of the sale of the Antonito

house, when plaintiffs realized the artworks were left in the house and Mr. Taylor refused to return them. ECF No. 1 at 4. Plaintiffs argue that they were “entitled to possession of the artwork at the time the demand for its return was made.” ECF No. 19 at 6. However, plaintiffs do not specify why they were entitled to possession, other than that the artworks were “inadvertently left behind” and that Mr. Howell did not intend to transfer them with the house. Id. I assume that plaintiffs do not dispute that they lacked actual possession at the time of the alleged conversion. Therefore, plaintiffs’ complaint must allege either constructive possession of the artworks or a right to possession of the land from which the property was taken. See Byron, 296 P.2d at 746. Plaintiffs have not alleged constructive possession of the artworks at the time of the

alleged conversion. Though constructive possession does not require a party to exercise “control over the premises” where the object is located, United States v. King, 632 F.3d 646, 651 (10th Cir. 2011), the party must have “‘the power and intent to exercise control over the object,’ lack of physical control notwithstanding,” In re Kim, No. 18-1186, 2020 WL 2037212, at *14 (10th Cir. Apr. 28, 2020) (quoting Henderson v. United States, 575 U.S. 622 (2015)). Plaintiffs have

1 Byron articulates the common law formulation of conversion as opposed to the “modern version” in which a plaintiff need not establish possession of a right to possession but rather can show another property interest. See, e.g., In re Marriage of Langham and Kolde, 106 P.3d 212, 219 (Wash. 2005). Neither party disputes whether Byron applies and that a conversion claim under Colorado law requires possession or a right to possession. See ECF No. 13 at 6; ECF No. 19 at 6. Byron continues to be cited favorably in this circuit as stating the standard for a conversion claim under Colorado law. See, e.g., Ecco Plains, LLC v. United States, 728 F.3d 1190, 1200, n.14 (10th Cir. 2013).

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