Hanover Am. Ins. Co. v. Tattooed Millionaire Ent.

CourtCourt of Appeals for the Sixth Circuit
DecidedSeptember 25, 2025
Docket24-5453
StatusPublished

This text of Hanover Am. Ins. Co. v. Tattooed Millionaire Ent. (Hanover Am. Ins. Co. v. Tattooed Millionaire Ent.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Sixth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hanover Am. Ins. Co. v. Tattooed Millionaire Ent., (6th Cir. 2025).

Opinion

RECOMMENDED FOR PUBLICATION Pursuant to Sixth Circuit I.O.P. 32.1(b) File Name: 25a0263p.06

UNITED STATES COURT OF APPEALS FOR THE SIXTH CIRCUIT

┐ HANOVER AMERICAN INSURANCE COMPANY, │ Plaintiff-Appellant/Cross-Appellee, │ │ v. │ > Nos. 24-5452/5453 │ TATTOOED MILLIONAIRE ENTERTAINMENT, LLC; │ CHRISTOPHER C. BROWN, │ Defendants-Appellees/Cross-Appellants, │ │ │ JOHN FALLS, │ Defendant-Appellee (24-5452). │ ┘

Appeal from the United States District Court for the Western District of Tennessee at Memphis. No. 2:20-cv-02834—Jon Phipps McCalla, District Judge.

Argued: January 30, 2025

Decided and Filed: September 25, 2025

Before: CLAY, GIBBONS, and STRANCH, Circuit Judges.

_________________

COUNSEL

ARGUED: Jeremy T. Grabill, PHELPS DUNBAR LLP, New Orleans, Louisiana, for Hanover American Insurance Company. Malcolm B. Futhey, III, FUTHEY LAW FIRM PLC, Memphis, Tennessee, for John Falls. ON BRIEF: Jeremy T. Grabill, Mark C. Dodart, PHELPS DUNBAR LLP, New Orleans, Louisiana, for Hanover American Insurance Company. Malcolm B. Futhey, III, FUTHEY LAW FIRM PLC, Memphis, Tennessee, for John Falls. John W. Christopher, CHRISTOPHER LAW OFFICE, PLLC, Jackson, Mississippi, Charles E. Waldman, Memphis, Tennessee, for Tattooed Millionaire Entertainment and Christopher C. Brown. Nos. 24-5452/5453 Hanover Am. Ins. Co. v. Tattooed Page 2 Millionaire Ent. et al.

OPINION _________________

JULIA SMITH GIBBONS, Circuit Judge. This appeal concerns the allocation among different parties of an insurance payout resulting from a 2018 trial in the Western District of Tennessee. In that first case, the jury verdict included a $2.5 million award to John Falls, a Memphis musician and music businessman, under an insurance policy issued by Hanover American Insurance Company. Hanover moved under Rule 50(b) to set aside the verdict, and the district court granted its motion. On appeal, this court reversed and ordered the district court to reinstate the jury verdict. We held in that case that because Hanover had failed to make an initial 50(a) motion, it was therefore barred from making its Rule 50(b) motion.

The $2.5 million payout then became the subject of an interpleader action (and a parallel state action between two of the three parties in this appeal). The district court initially enjoined the state action, but this court reversed. Then, the district court, on summary judgment, held that, applying principles of res judicata, the first trial and decision by this court precluded Hanover from making certain arguments against Falls as to the distribution of funds. After a bench trial, the district court found facts as to the value of the interests at stake and divided the funds, with the majority going to John Falls and the remainder to Christopher C. Brown, who owned the equipment insured by the policy. Hanover and Tattooed Millionaire Entertainment appeal.

We affirm the district court’s decision. First, Hanover may not challenge Falls’s recovery, directly or indirectly, based on grounds and arguments it could have brought in the first case. Although the district court erred by interpreting the wrong lease for the purposes of its later analysis, we find this error harmless, because in the circumstances of this case it was correct to allocate the funds based on the value of the leasehold. Finally, the district court’s determination of the value of the leasehold and its resulting allocation was not clearly erroneous. We affirm the district court’s judgment. Nos. 24-5452/5453 Hanover Am. Ins. Co. v. Tattooed Page 3 Millionaire Ent. et al.

I.

A.

In 2014, musician and producer Christopher C. Brown, through his company Tattooed Millionaire Entertainment (TME), bought the House of Blues music studio in Memphis, Tennessee. Hanover Am. Ins. Co. v. Tattooed Millionaire Ent., LLC, 974 F.3d 767, 771 (6th Cir. 2020) (“Hanover I”). Brown, through TME, also purchased an insurance policy on the studio and the music equipment it contained from Hanover American Insurance Company. Id. Brown insured the studio premises for $4.65 million, the music instruments and recording studio equipment inside for $5.5 million, and the studio’s business income for $600,000. Id. The instruments and equipment were termed Business Personal Property (“BPP”). Id.1 The House of Blues building contained three studios: Studios A, B, and C. Id. Brown operated Studio A, leased Studio B to John Falls, and leased Studio C to Daniel Mott. Id. at 771–72. Brown and Falls, the lead singer of the band Egypt Central, had once been “cordial rivals,” but by 2014 built a strong working relationship around launching a record label and producing music. Id. at 771. Falls separately leased Studio B for his own independent music production operations. Id. Falls also obtained insurance from Hanover for the specific BPP in Studio B and for lost business income. Id.2

Falls’s lease agreements with Brown and the BPP insurance policy he obtained from Hanover for the Studio B equipment are central to this case. Falls leased the studio space for $500 a month, with automatic renewals, and the equipment for $1000 a month, with an option to renew. Id.3 Falls’s policy from Hanover had a limit of $2.5 million for the BPP in Studio B and $500,000 for business income. Id.

1 We use the terms “BPP” and “gear” interchangeably. 2 To be clear, this BPP was insured both by Brown (through his own policy) and by Falls (through the policy at stake in this case). This fact is relevant to our determination that the district court did not err in its allocation. See infra Section III.C.2. 3 Falls and Brown had created an arrangement that was highly advantageous to Falls, who was paying a far- below-market rate to lease high-end recording equipment owned by Brown; he had an automatically renewing lease to the Studio B space in which the equipment was housed, and he had the option to renew the equipment lease at terms to be agreed. The insurance on the BPP in studio B was a policy protecting the parties’ respective interests, Nos. 24-5452/5453 Hanover Am. Ins. Co. v. Tattooed Page 4 Millionaire Ent. et al.

In 2015, the studio suffered a break-in and a fire determined to be arson; the building was damaged, and a great deal of the equipment was damaged or stolen. Id. at 772. Together, Brown, Mott, and Falls compiled their insurance claims into one document with the help of a public adjustor, but separately signed proofs of loss, with each claiming losses up to their policy limit—eventually totaling $10.5 million in BPP alone. Id. Hanover made an advance payment of around $2.7 million: Falls and Mott each received $250,000, and Brown received the remaining $2.2 million. Id. But problems soon arose. Hanover discovered that Brown had forged the receipts detailing his underlying purchases of the lost equipment. Id. at 773. And Brown had recently suffered two other suspicious insurance losses, including a “remarkably similar loss to arson” in the previous calendar year. Id. Hanover sued, seeking recovery of its advance payments and a declaratory judgment that it did not owe any remaining payments to either Brown, TME, or Mott. Id. Brown, Falls, and Mott counter-sued, seeking the remainder of their claims under breach of contract. Id.

The five-day trial in the Western District of Tennessee involved testimony from Brown and Falls, among others. Id. Brown’s testimony gave an impression of untrustworthiness, even beyond the forgery of the receipts, to which he admitted. Id. In the words of the court in Hanover I, the falsifying of the receipts constituted “forgery . . . on a grand scale,” because “the receipts were not just recreations of lost originals, but forged representations of transactions that had never occurred.” Id.

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