Hammerstein v. Sylva

66 Misc. 550, 124 N.Y.S. 535
CourtNew York Supreme Court
DecidedMarch 15, 1910
StatusPublished
Cited by2 cases

This text of 66 Misc. 550 (Hammerstein v. Sylva) is published on Counsel Stack Legal Research, covering New York Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Hammerstein v. Sylva, 66 Misc. 550, 124 N.Y.S. 535 (N.Y. Super. Ct. 1910).

Opinion

Gerard, J.

On July 1, 1909, Hammerstein, the plaintiff, operatic impresario, entered into a contract in Paris with Marguerita Sylva, singer, the defendant. By this contract Hammerstein hired Marguerita Sylva for his season of opera 11909-1910, beginning October 30, 1909, for thirty weeks, at a salary of $200 per week for eleven weeks and $250 jper week for twenty weeks, she to sing in opera or j opera comique and in concerts in the Manhattan ■ Opera House, New York; Philadelphia Opera House, ■or in any opera house or hall in the Hnited States of ¡which Hammerstein might be manager. This contract con,'tained a negative covenant which provided that Marguerita Sylva agreed not to sing under any other management than ■ that of Hammerstein; she acknowledged that her dramatic ■ and vocal abilities were unique, and she gave Hammerstein ‘the right to obtain an injunction in case she broke the contract. Here it may be material to decide that if her services are not unique and extraordinary the contract could not make them so, nor is the fact that she gave Hammerstein the right to injunctive relief material, if in fact he is not entitled to such relief. The defendant thereafter came to the Hnited States and sang the leading soprano role in Carmen ” in plaintiff's opera house about September 2, 1909. On Novem- ¡' her twenty-first she sang the principal role of Nedda in ■ “ Pagliacci,” but since that time has refused to sing for the plaintiff. She has entered the employ of one Russel and is i [552]*552singing under Ms management. Plaintiff asks an injunction to restrain her from singing for any other manager. For answer to plaintiff’s application defendant contends that under the laws of France a contract made by a married woman without the consent of her husband is void; that this contract was made in France; that at the time she was a married woman, and that therefore the contract is void and cannot bind her. She also alleges that plaintiff broke his contract with her, first by not paying her, and second, that the conduct of the plaintiff and his son toward her was such that she was justified in breaking the contract. As to the question of payment, whatever disputes the parties may have had, it is unquestioned that for the number of weeks she was in plaintiff’s employ she has received more than the amount of money contracted to be paid her. What the money was called, whether salary or advance, is immaterial. The fact remains that she received the money. The alleged insulting conduct of plaintiff and Ms son consisted, as defendant alleges, in the fact that when she appeared in the part of Hedda plaintiff’s son complained in strong language of her appearance in a blonde wig. She also alleges that plaintiff charged her with improper conduct. Plaintiff denies defendant’s version of the wig incident, and denies that he charged defendant with maintaining improper relations with men. But whether these alleged criticisms of defendant’s wigs or morals were such as to justify her in abandoning her contract does not seem material in view of the letter written by the defendant to Hammerstein after the date of the alleged occurrences. This letter reads as follows:

“Nov. 28, 1909.
“My Dear Mr. Hammersteie.— In view of our friendly interview of last Friday, and of your assurance that I shall be properly featured and receive cordial treatment hereafter, I shall be pleased to continue under the contract. I am very glad that our differences have been amicably arranged, as I feel certain that the result will be mutually beneficial.
With kind regards,
“Marquesita Sylva.”

[553]*553Of course no woman who had been accused of maintaining improper relations with men could, shortly after the charges wero made, write such a letter to the man who had made the charges. It is probable that the real grievance of defendant was that plaintiff did not “ feature ” her as she desired, and had suggested that she sing the secondary role in the opera of “Griseldis.” To come then to the law of the ease: This contract, although made in Paris, was by its terms to be performed entirely in the United States. Defendant is a married woman, her husband is a citizen of the United States, but for four years has resided in Paris. The defendant does not live with her husband, and has not lived with him for four years, and defendant alleges that by French law she cannot contract without her husband’s consent. Under these circumstances, which law determines the validity of the contract — the law of the place where it was made or the law of the place where it is to be performed % Or is the capacity of parties to contract to be determined by the law of their domicil ? Story, in his Conflict of Laws, says (p. 280) : But where the contract is either tacitly or expressly to be performed at some other place (than the place of contract), then the general rule is in conformity to the presumed intention of the parties, and the contract as to its validity, nature, obligation and interpretation is to be governed by the place of performance.” The Court of Appeals of the State has stated this principle in Manhattan Life Ins. Co. v. Johnson, 188 N. Y. 113: The general rule of law in this state is that a ‘ purely personal contract is to be governed by the law of the place where by its terms it is to be performed ’ * * *. It has been the general rule that ‘the validity, the nature, the interpretation and the obligations of contracts are to be governed by the law of the place in which they are to be performed.’ ” See also Dyke v. Erie R. R. Co., 45 N. Y. 113. In Union National Bank v. Chapman, 169 N. Y. 538, the Court of Appeals said that: “ 1. All matters bearing upon the execution, the interpretation and the validity of contracts, including the' capacity of the parties to contract, are determined by the law^ of the place where the contract is made. 2. All matters con-^ nected with its performance, including presentation, notice,. [554]*554demand, etc., are regulated by the law of the place where the contract by its terms is to be performed. 3. All matters respecting the remedy to be pursued, etc., depend upon the law of the place where the action is brought.” It would, therefore, seem that the Court of Appeals in one case says that the validity of contracts is to be determined by the law of the place of performance, and in another case says that the capacity of persons to contract is included in the term “ validity of the contract.” In the Chapman case Mrs. Chapman joined in the making of the note with her husband’s firm; the note was dated in Alabama, but payable in Illinois. By Alabama law a wife could not become surety for her husband. The Court of Appeals held that Mrs. Chapman did not authorize the note to be discounted in Illinois, that her contract to become á surety was complete when the instrument was signed and delivered to the payee, both of which events took place in Alabama. The question of domicil was not raised in the Chapman case. I think that the Court of Ap- ' peals in laying down general rules in the Chapman case did 'not intend to overrule the principle often enunciated by it that where there is a place of performance expressed in the contract the law of that place governs. In Pritchard v. Norton, 106 U. S. 124

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Bluebook (online)
66 Misc. 550, 124 N.Y.S. 535, Counsel Stack Legal Research, https://law.counselstack.com/opinion/hammerstein-v-sylva-nysupct-1910.