Golan v. Holder

611 F. Supp. 2d 1165, 37 Media L. Rep. (BNA) 1513, 90 U.S.P.Q. 2d (BNA) 1202, 2009 U.S. Dist. LEXIS 28263, 2009 WL 928327
CourtDistrict Court, D. Colorado
DecidedApril 3, 2009
DocketCivil Case 01-cv-01854-LTB
StatusPublished
Cited by6 cases

This text of 611 F. Supp. 2d 1165 (Golan v. Holder) is published on Counsel Stack Legal Research, covering District Court, D. Colorado primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Golan v. Holder, 611 F. Supp. 2d 1165, 37 Media L. Rep. (BNA) 1513, 90 U.S.P.Q. 2d (BNA) 1202, 2009 U.S. Dist. LEXIS 28263, 2009 WL 928327 (D. Colo. 2009).

Opinion

MEMORANDUM OPINION AND ORDER

BABCOCK, District Judge.

This case — as now presented — concerns the validity of Section 514 of the Uruguay Round Agreements Act (“URAA”), 17 U.S.C. § 104A. Section 514 restores the United States copyrights of foreign authors who lost those rights to the public domain for any reason other than the expiration of a copyright term. Plaintiffs filed this suit in September 2001, asserting claims challenging Section 514 — as well as the Copyright Term Extension Act of 1998 — under the Copyright Clause and the First Amendment. This Court granted summary judgment in favor of the Government or dismissal as to each of those claims. [Docket ## 28, 109]. On appeal, the Tenth Circuit affirmed this Court’s rulings as to Plaintiffs’ Copyright Term Extension Act claims and Plaintiffs’ Copyright Clause claims, but reversed this Court’s rulings as to Plaintiffs First Amendment challenge to Section 514. See Golan v. Gonzales, 501 F.3d 1179 (10th Cir.2007). The Tenth Circuit remanded to this Court with instructions to assess whether Section 514 — which the Tenth Circuit determined interfered with Plaintiffs’ “First Amendment interest in using works in the public domain” — passed First Amendment scrutiny. The parties have filed cross-motions for summary judgment on this issue [Docket ## 147, 148] as well as responses/replies [Docket ##154, 155]. An amicus brief was filed in support of the Government [Docket # 152], The motions are adequately briefed and oral argument would not materially assist their determination. After consideration of the motions, the papers, and the case file, and for the reasons stated below, I GRANT Plaintiffs’ motion [Docket #148] and DENY the Government’s motion [Docket # 147].

I. BACKGROUND

Plaintiffs in this case represent a broad range of artisans and businesses that rely upon works in the public domain for their trade. As relevant to the issue presented here, these works were produced by for *1168 eign authors and, for varying reasons— including the authors’ failure to renew the copyrights with the Copyright Office, or failure to include a notice of copyright on the copyrighted works — did not enjoy copyright protection in the United States prior to the enactment of the URAA in 1994. Section 514 of the URAA ostensibly implements Article 18 of the Berne Convention for the Protection of Literary and Artistic Works — an international treaty first enacted in 1886, but not joined by the United States until 1988. Article 18 requires member nations to provide copyright protection to works by foreign authors so long as the term of copyright protection in the country of origin has not expired as to a specific work. See Berne Convention, Art. 18. Section 514 of the URAA — by granting copyright protection to these foreign authors — removed from the public domain the works upon which Plaintiffs relied. As the subject works are now protected by United States copyright laws, Plaintiffs find themselves in the position of having to either pay for their previously royalty-free use, or cease using the works altogether. Plaintiffs argue their First Amendment rights were violated by Congress when these works were removed from the public domain.

On April 20, 2005, 2005 WL 914754, I granted summary judgment to the Government on Plaintiffs’ First Amendment claims, holding: “I see no need to expand upon the settled rule that private censorship via copyright enforcement does not implicate First Amendment concerns.” [Docket # 109]. On appeal, the Tenth Circuit reversed, holding: “since § 514 has altered the traditional contours of copyright protection in a manner that implicates plaintiffs’ right to free expression, it must be subject to First Amendment review.” Golan, 501 F.3d at 1197.

II. TENTH CIRCUIT OPINION

The Tenth Circuit began its review with an outline of basic principles of copyright law and how those principles interconnect with the First Amendment:

Under the Copyright Clause, Congress may “promote the Progress of Science and useful Arts, by securing for limited Times to Authors ... the exclusive Right to their [respective] Writings.” U.S. Const, art. I, § 8, cl. 8----“[0]nce the ... copyright monopoly has expired, the public may use the ... work at will and without attribution.” Dastar Corp. v. Twentieth Century Fox Film Corp., 539 U.S. 23, 33-34, 123 S.Ct. 2041, 156 L.Ed.2d 18 (2003). These imaginative works inspire new creations, which in turn inspire others, hopefully, ad infinitum. This cycle is what makes copyright “the engine of free expression.” Harper & Row Publishers, Inc. v. Nation Enters., 471 U.S. 539, 558, 105 S.Ct. 2218, 85 L.Ed.2d 588 (1985).
Congress’s power to bestow copyrights is broad. See Eldred [v. Ashcroft ], 537 U.S. [186] at 205, 123 S.Ct. 769 [154 L.Ed.2d 683 (2003) ] (“[I]t is Congress that has been assigned the task of defining the scope of the limited monopoly that should be granted to authors ... in order to give the public appropriate access to their work product.”) (internal quotation marks omitted). But it is not boundless.... The Supreme Court has recognized that the First Amendment can limit Congress’s power under the Copyright Clause. Eldred, 537 U.S. at 219-21, 123 S.Ct. 769 (indicating that copyright acts are not “categorically immune from challenges under the First Amendment”) (internal quotation marks omitted). The Court has emphasized, however, that “copyright’s built-in First Amendment accommodations” — the idea/expression dichotomy and the fair *1169 use defense — generally protect the public’s First Amendment interest in copyrighted works. Id. at 219-20, 128 S.Ct. 769.
Although these built-in free speech safeguards will ordinarily insulate legislation from First Amendment review, the Eldred Court indicated that such review is warranted when an act of Congress has “altered the traditional contours of copyright protection.” Id. at 221, 123 S.Ct. 769. The Court did not define the “traditional contours of copyright protection.” However, as we discuss in detail below, one of these traditional contours is the principle that once a work enters the public domain, no individual — not even the creator — may copyright it.

Golan, 501 F.3d at 1183-84.

In reaching its conclusion that Section 514 — by removing works from the public domain — “altered the traditional contours of copyright protection,” the court first noted “the bedrock principle of copyright law that works in the public domain remain there.” See Golan, 501 F.3d at 1187. Indeed, the primary purpose of the Copyright Clause is to incentivize authors to produce works to benefit the public good. See id. at 1188.

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Related

Golan v. Holder
132 S. Ct. 873 (Supreme Court, 2012)
Golan v. Holder
609 F.3d 1076 (Tenth Circuit, 2010)

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611 F. Supp. 2d 1165, 37 Media L. Rep. (BNA) 1513, 90 U.S.P.Q. 2d (BNA) 1202, 2009 U.S. Dist. LEXIS 28263, 2009 WL 928327, Counsel Stack Legal Research, https://law.counselstack.com/opinion/golan-v-holder-cod-2009.