SWAN, Circuit Judge
(after stating the facts as above). The parties will be referred to as plaintiff and defendant. One of the errors assigned by the defendant is the finding of infringement. The memorandum of the judge states, not only that the defendant purposely made its picture in close imitation of the plaintiff’s, but also that the slight differences which exist were put in merely for the purpose of attempting to make it possible for defendant to appropriate the essential featuros-of the copyrighted picture. The two pictures appear from inspection to be so similar in subject, coloring, and general effect that wo regard the contention that the decree should be reversed on the ground of noninfringement as wholly untenable. It is no defense that close scrutiny may detect slight differences. See Gross v. Seligman, 212 F. 930 (C. C. A. 2); Dymow v. Bolton, 11 F.(2d) 690 (C. C. A. 2).
Most of the assignments of error are of a highly technical nature; and relate to the alleged failure of plaintiff in its pleadings and proof to make out a prima facie case of the validity of its copyright.
It is objected that the bill alleges certain of the allegations essential to plaintiff’s right only upon information and belief, rather than upon direct affirmation, and that the verification by plaintiff’s president, Gerlach, is similarly limited. A bill for a preliminary injunction is one for special relief pending the suit, within the meaning of federal equity rule No. 25, which requires such a bill to be verified. Scheuerle v. One-Piece Bifocal Lens Co., 241 F. 270, 273 (D. C. Pa.). But verification by a party upon information and belief of such matters as are not within his knowledge is a sufficient compliance. Coty, Inc., v. Parfums De Grande Luxe, 298 F. 865 (C. C. A. 2). That artist Kenyon’s painting was a new and original work of art, and as such copyrightable, is necessarily a matter of opinion, and Gerlach’s averment of this fact npon information and belief was sufficient.
To determine whether plaintiff proved a prima facie case, the affidavits and exhibits, as well as the bill, must be examined. That Kenyon was the author of a painting entitled “Song of the Bluebird” is established by Exhibit C, the certificate of registration, which by section .55 of the act (USCA, title 17, § 55) is made prima facie proof of the facts stated therein. See Berlin v. Evans, 300 F. 677 (D. C. Pa.); Fisher v. Dillingham, 298 F. 145 (D. C. N. Y.). Defendant’s affidavits allege that plaintiff’s president had admitted that the theme of its picture was taken from another picture entitled “Spring Song.” Very likely it was, hut works of art, to ho copyrightable, do not, like patents, need to disclose the originality of invention. While a copy of something in the public domain will not, if it be merely a copy, support a copyright, a distinguishable variation will, even though it present the same theme. See Gross v. Seligman, supra. Kenyon’s picture is a sufficient variant to he the subject of copyright under the act.
Plaintiff must next prove that he is the “proprietor” of the painting. It is objected that the averment upon information and belief that Kenyon sold and assigned to plaintiff all her right in said picture, and any reproductions of the same, is insufficient' to make snch proof. But the bill also alleges affirmatively that, “after receiving the aforesaid picture,” plaintiff duly copied and published the same and gave notice of copyright. This is equivalent to a direet averment that plaintiff obtained possession of the picture by means of what was believed to be a sale and assignment, and proceeded as proprietor to publish and copyright it. Possession of a chattel is prima facie evidence of title. See Wigmore, § 2515. Ownership of an unpublished composition presumptively includes all the rights which the common law recognized therein, among them being the privilege of publication and of securing a statutory copyright. See Drone, Copyright, 239; Turner v. Robinson, 10 Ir. Ch. 121, affirmed 510; Parton v. Prang, Fed. Cas. 10, 784 (C. C. Mass.). The plaintiff made a prima facie case of title, and the burden of going forward with evidence to show that plaintiff’s title
was defective then shifted to defendant. See Drone, op. cit. 498, 499; Reed v. Carusi, Fed. Cas. 11,642. Defendant’s denial upon information and belief cannot be regarded as evidence overcoming plaintiff’s prima facie ■case. Farmer v. Calvert Lith. Co., Fed. Cas. 4,651 (C. C. Mich.); Lake Shore & M. S. Ry. v. Felton, 103 F. 227 (C. C. A. 6).
It is also argued that the bill does not show- compliance with the Copyright Act, which requires in section 12 (17 USCA § 12) the deposit of “two
complete
copies of the best edition
thereof then published.”
The allegation in the bill omits the italicized words, alleging the deposit of “two copies of the best edition of said picture.” A copy of a best edition of a picture must necessarily be a complete copy. That the picture was published is directly averred in the fourth paragraph. While the copyright law must be strictly complied with, no servile following of its exact terminology is required. See Bentley v. Tibbals, 223 F. 247 (C. C. A. 2). We regard the objection as without merit, and mention it merely to show that it was not overlooked.
The plaintiff was requested by defendant to produce the original copies deposited in the Copyright Office. This was not done because, after being returned to plaintiff from the Library of Congress, they had been destroyed when plaintiff’s- office was moved. The defendant now contends that the plaintiff has failed to establish the identity of its copyright, because neither the original picture nor the copies deposited in the Copyright Office were produced, and because Exhibit A, which purports to be a copy thereof, was not shown to be such by any one having adequate knowledge. Even if we lay aside as a legal conclusion the affidavit of the law clerk that Exhibit A is a print of the copyrighted picture, it remains true that Exhibit A bears the same title and the name of the same author as does the copyrighted picture, and that the description of the copyrighted picture in the bill of complaint correctly describes the picture shown as Exhibit A. The certificate of registration states that the picture is entitled, “Song of the Bluebird,” that the author is Kenyon, and that the first publication was December 26, 1924, all as alleged in the bill of complaint. If Exhibit A is, not the Copyrighted picture, it means that plaintiff has substituted for the copyrighted picture another picture by the same author, with the same title and corresponding in general description, and has fraudulently imprinted a notice of copyright thereon. This is an assumption we should be slow to make, without any proof whatever. Prima facie, the proof that Exhibit A was a copy of the registered picture was enough.
It is further contended by defendant that plaintiff has failed to prove compliance with section 18 of the act (17 USCA § 18) in respect to notice. The bill avers that each and every copy of the picture “has carried this legend” — referring to the copyright notice set out in paragraph 4 — and further alleges in paragraph 5, upon information and belief, that upon every published copy of the picture there' has been inscribed the required notice. The answer denies that plaintiff has complied with the requirements of the act, and asserts it has-published copies of the picture without notice of copyright. The affidavit of Mr. Bendien, defendant’s president, also states:
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SWAN, Circuit Judge
(after stating the facts as above). The parties will be referred to as plaintiff and defendant. One of the errors assigned by the defendant is the finding of infringement. The memorandum of the judge states, not only that the defendant purposely made its picture in close imitation of the plaintiff’s, but also that the slight differences which exist were put in merely for the purpose of attempting to make it possible for defendant to appropriate the essential featuros-of the copyrighted picture. The two pictures appear from inspection to be so similar in subject, coloring, and general effect that wo regard the contention that the decree should be reversed on the ground of noninfringement as wholly untenable. It is no defense that close scrutiny may detect slight differences. See Gross v. Seligman, 212 F. 930 (C. C. A. 2); Dymow v. Bolton, 11 F.(2d) 690 (C. C. A. 2).
Most of the assignments of error are of a highly technical nature; and relate to the alleged failure of plaintiff in its pleadings and proof to make out a prima facie case of the validity of its copyright.
It is objected that the bill alleges certain of the allegations essential to plaintiff’s right only upon information and belief, rather than upon direct affirmation, and that the verification by plaintiff’s president, Gerlach, is similarly limited. A bill for a preliminary injunction is one for special relief pending the suit, within the meaning of federal equity rule No. 25, which requires such a bill to be verified. Scheuerle v. One-Piece Bifocal Lens Co., 241 F. 270, 273 (D. C. Pa.). But verification by a party upon information and belief of such matters as are not within his knowledge is a sufficient compliance. Coty, Inc., v. Parfums De Grande Luxe, 298 F. 865 (C. C. A. 2). That artist Kenyon’s painting was a new and original work of art, and as such copyrightable, is necessarily a matter of opinion, and Gerlach’s averment of this fact npon information and belief was sufficient.
To determine whether plaintiff proved a prima facie case, the affidavits and exhibits, as well as the bill, must be examined. That Kenyon was the author of a painting entitled “Song of the Bluebird” is established by Exhibit C, the certificate of registration, which by section .55 of the act (USCA, title 17, § 55) is made prima facie proof of the facts stated therein. See Berlin v. Evans, 300 F. 677 (D. C. Pa.); Fisher v. Dillingham, 298 F. 145 (D. C. N. Y.). Defendant’s affidavits allege that plaintiff’s president had admitted that the theme of its picture was taken from another picture entitled “Spring Song.” Very likely it was, hut works of art, to ho copyrightable, do not, like patents, need to disclose the originality of invention. While a copy of something in the public domain will not, if it be merely a copy, support a copyright, a distinguishable variation will, even though it present the same theme. See Gross v. Seligman, supra. Kenyon’s picture is a sufficient variant to he the subject of copyright under the act.
Plaintiff must next prove that he is the “proprietor” of the painting. It is objected that the averment upon information and belief that Kenyon sold and assigned to plaintiff all her right in said picture, and any reproductions of the same, is insufficient' to make snch proof. But the bill also alleges affirmatively that, “after receiving the aforesaid picture,” plaintiff duly copied and published the same and gave notice of copyright. This is equivalent to a direet averment that plaintiff obtained possession of the picture by means of what was believed to be a sale and assignment, and proceeded as proprietor to publish and copyright it. Possession of a chattel is prima facie evidence of title. See Wigmore, § 2515. Ownership of an unpublished composition presumptively includes all the rights which the common law recognized therein, among them being the privilege of publication and of securing a statutory copyright. See Drone, Copyright, 239; Turner v. Robinson, 10 Ir. Ch. 121, affirmed 510; Parton v. Prang, Fed. Cas. 10, 784 (C. C. Mass.). The plaintiff made a prima facie case of title, and the burden of going forward with evidence to show that plaintiff’s title
was defective then shifted to defendant. See Drone, op. cit. 498, 499; Reed v. Carusi, Fed. Cas. 11,642. Defendant’s denial upon information and belief cannot be regarded as evidence overcoming plaintiff’s prima facie ■case. Farmer v. Calvert Lith. Co., Fed. Cas. 4,651 (C. C. Mich.); Lake Shore & M. S. Ry. v. Felton, 103 F. 227 (C. C. A. 6).
It is also argued that the bill does not show- compliance with the Copyright Act, which requires in section 12 (17 USCA § 12) the deposit of “two
complete
copies of the best edition
thereof then published.”
The allegation in the bill omits the italicized words, alleging the deposit of “two copies of the best edition of said picture.” A copy of a best edition of a picture must necessarily be a complete copy. That the picture was published is directly averred in the fourth paragraph. While the copyright law must be strictly complied with, no servile following of its exact terminology is required. See Bentley v. Tibbals, 223 F. 247 (C. C. A. 2). We regard the objection as without merit, and mention it merely to show that it was not overlooked.
The plaintiff was requested by defendant to produce the original copies deposited in the Copyright Office. This was not done because, after being returned to plaintiff from the Library of Congress, they had been destroyed when plaintiff’s- office was moved. The defendant now contends that the plaintiff has failed to establish the identity of its copyright, because neither the original picture nor the copies deposited in the Copyright Office were produced, and because Exhibit A, which purports to be a copy thereof, was not shown to be such by any one having adequate knowledge. Even if we lay aside as a legal conclusion the affidavit of the law clerk that Exhibit A is a print of the copyrighted picture, it remains true that Exhibit A bears the same title and the name of the same author as does the copyrighted picture, and that the description of the copyrighted picture in the bill of complaint correctly describes the picture shown as Exhibit A. The certificate of registration states that the picture is entitled, “Song of the Bluebird,” that the author is Kenyon, and that the first publication was December 26, 1924, all as alleged in the bill of complaint. If Exhibit A is, not the Copyrighted picture, it means that plaintiff has substituted for the copyrighted picture another picture by the same author, with the same title and corresponding in general description, and has fraudulently imprinted a notice of copyright thereon. This is an assumption we should be slow to make, without any proof whatever. Prima facie, the proof that Exhibit A was a copy of the registered picture was enough.
It is further contended by defendant that plaintiff has failed to prove compliance with section 18 of the act (17 USCA § 18) in respect to notice. The bill avers that each and every copy of the picture “has carried this legend” — referring to the copyright notice set out in paragraph 4 — and further alleges in paragraph 5, upon information and belief, that upon every published copy of the picture there' has been inscribed the required notice. The answer denies that plaintiff has complied with the requirements of the act, and asserts it has-published copies of the picture without notice of copyright. The affidavit of Mr. Bendien, defendant’s president, also states:
“The'plaintiff herein is a calendar manufacturer, and when reproductions of plaintiff’s said picture were put on the market they were applied to calendars. I remember seeing these calendars for the year 1926, which were without any copyright notice whatsoever. It was for this reason that I took up the matter of obtaining the right to reproduce -copies of this picture in print form with the plaintiff. * * * ”
Five copies of the picture were presented as exhibits by defendant, bearing no notice of copyright. One of these is affixed to a form for a calendar, and on the calendar form is printed plaintiff’s name. None of the other copies,bears any name. It is not enough to show that the picture was without the statutory notice when it came into the defendant’s possession; it must appear that it left the plaintiff’s possession in that condition. Falk v. Gast Lith. & Eng. Co., 54 F. 890 (C. C. A. 2). Bendien’s affidavit is open to the same objection. It merely shows that the calendars he saw in 1926 lacked the notice. There is no evidence in the record to show where any of these exhibits came from, or to eonneeLplaintiff with them in any way, unless the imprint of plaintiff’s name upon the calendar form is sufficient to do so with respect to that one. The appearance of plaintiff’s name upon this may be some evidence that it emanated from plaintiff’s establishment. See Wigmore, op. cit. §§ 150, 150a. But it is not sufficient, in the absence of other testimony connecting plaintiff with it, to upset the holding of the eourt below. See Falk v. Gast Lith. & Eng. Co., 40 F. 168 (C. C. N. Y.). No calendar is attached to the calendar form. Indeed, an inspection of it leaves us in some doubt whether it is more than a sample advertisement, from which dealers might place orders for calendars mounting the picture. If merely a
sample, it did not require the statutory notice. See Werckmeister v. Springer Lith. Co., 63 F. 808 (C. C. N. Y.); Stecher Lith. Co. v. Dunston Lith. Co., 233 F. 601 (D. C. N. Y.).
Under the former law it was provided that no person should maintain a suit for injunction, unless he affixed to the several copies of every edition the statutory notice. Rev. St. §' 4962. Even an ineffectual attempt to affix the notice barred suit against an infringer with knowledge of the plaintiff’s claim of copyright. Thompson v. Hubbard, 131 U. S. 123, 149, 9 S. Ct. 710, 33 L. Ed. 76. The act now in force has introduced an amelioration. Section 9 (17 USCA § 9) requires notice to he affixed to each copy. Section 18 gives the form of notice, and section 20 (17 USCA § 20) provides what happens in ease of an inadvertent omission of the notice, as follows:
“Where the copyright proprietor has sought to comply with the provisions of this title with respect to notice, the omission by accident- or mistake of the prescribed notice from a particular copy or copies shall not invalidate the copyright or prevent recovery for infringement against any person who, after actual notice of the copyright, begins an undertaking to infringe it, but shall prevent the recovery of damages against an innocent infringer who has been misled by the omission of the notice; and in a suit for infringement no permanent injunction shall be had unless the copyright proprietor shall reimburse to the innocent infringer his reasonable outlay innocently incurred if the court, in its discretion, shall so direct.”
Under this section, if the* plaintiff “has sought to comply,” he may enjoin an infringer who had actual knowledge, even though copies of the picture have inadvertently been published without the notice. Plaintiff’s averment that each copy has carried the notice justifies a finding that ho has sought to comply. Do defendant’s affidavits and exhibits raise sufficient doubt, so that the granting of a preliminary injunction was an abuse of discretion? We think not. Defendant’s affidavits and exhibits are consistent with the view that any copies omitting notice were published inadvertently or without plaintiff’s authority. There is no allegation in answer or affidavit that plaintiff intentionally omitted the notice. None of the exhibits are connected with the plaintiff. Actual notice of the copyright prior to the infringement is brought home to the defendant. Therefore we think the plaintiff made out a prima facie case for the injunction. We cannot say the injunction was improvidently granted. This does not preclude defendant from establishing upon final hearing, if it can, that plaintiff has published copies of the picture without notice of its copyright. Whether the effect of such proof will, under the present act, put upon plaintiff the burden of proving the omission to have been inadvertent, or what the effect of failure to prove the omission inadvertent, we need not now say. See Weil, Copyright Law, 349, 350. No decision under the present law has come to our attention.
The decree is affirmed, with costs.