Gathright-Dietrich v. Atlanta Landmarks, Inc.

435 F. Supp. 2d 1217, 2005 U.S. Dist. LEXIS 42657, 2005 WL 4136275
CourtDistrict Court, N.D. Georgia
DecidedJune 30, 2005
Docket1:02-cv-01978
StatusPublished
Cited by6 cases

This text of 435 F. Supp. 2d 1217 (Gathright-Dietrich v. Atlanta Landmarks, Inc.) is published on Counsel Stack Legal Research, covering District Court, N.D. Georgia primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Gathright-Dietrich v. Atlanta Landmarks, Inc., 435 F. Supp. 2d 1217, 2005 U.S. Dist. LEXIS 42657, 2005 WL 4136275 (N.D. Ga. 2005).

Opinion

*1220 ORDER

DUFFEY, District Judge.

This matter is before the Court on Defendant Atlanta Landmarks, Inc. a/k/a The Fox Theatre’s (hereafter “The Fox”) Motion for Summary Judgment [53], Plaintiffs Margo GathrightADietrich’s and Bonnie Bonham’s (hereafter collectively “Plaintiffs”) Brief in Opposition. to The Fox’s Motion for Summary Judgment (“Pls.’ Opp’n”) [74], The Fox’s Reply Brief in Support of its Motion for Summary Judgment [82], Plaintiffs’ Motion for Leave to File Confidential Statement of Additional Facts in Dispute Under Seal [72] and Plaintiffs’ Motion to Supplement Expert Report of James L.E. Terry [104],

I. INTRODUCTION

This action is brought by two wheelchair-using individuals against The Fox Theatre. Plaintiffs allege The Fox violates Title III of the Americans with Disabilities Act, 42 U.S.C. §§ 12182, et seq. (the “ADA”), in a number of particulars ranging from the seating provided by The Fox for wheelchair patrons to the sale of tickets to them. 1 Defendant moves for summary judgment on Plaintiffs’ claims on the grounds that The Fox, a facility which existed on the effective date of the ADA, complies with the requirements of the ADA relating to wheelchair patrons.

II. FACTUAL BACKGROUND

A. The History Of The Fox Theatre

The Fox Theatre has a long and distinguished history in Atlanta. It was designed in the late 1920’s as the headquarters for the Shriner’s organization and was in the late 1920’s leased to movie-mogul William Fox. The theater closed in 1932, but underwent a revival beginning in the 1940’s when it began operating as the premier movie house in Atlanta. In the 1970’s, the facility again experienced economic difficulties, and, early in that decade, it was considered for purchase as the site for Southern Bell Company’s 2 regional headquarters. The proposed sale gave rise to a significant community effort to preserve the facility. In 1974, the “Save the Fox” campaign, orchestrated by Atlanta Landmarks, Inc., a not-for-profit entity, resulted in the preservation of the theater.

Since 1974, The Fox has served Atlanta as a multi-purpose performing arts and entertainment center hosting movies, concerts, dance performances and other events. The Fox contains significant historic features ranging from its seating configuration, to its simulated night-sky ceiling, to its faux-painting techniques, to its original DC current-run elevators with AC converters. 3 While it has served this role, Atlanta Landmarks, Inc., has worked to maintain and preserve the historic features *1221 of the theater and The Fox is regularly compared to nationally recognized historic theaters. Its historic importance is characterized by the designations it has received. In 1974, it was listed in the National Register of Historic Places, and in 1976 it was designated by the federal government as a National Historic Landmark. Only about three percent (3%) of all buildings on the National Register of Historic Places are designated as National Historic Landmarks, the highest historical designation for private property in our country. In 1991, The Fox was designated a Landmark Museum Building by the Georgia Department of Natural Resources Historic Preservation Officer. The building, however, was not preserved to be a static monument to the past. Citizens, businesses and governments collaborated financially and philosophically to ensure The Fox was maintained as an operating arts venue, allowing public audiences to enjoy a variety of events in a unique, historical setting. The nature and uniqueness of The Fox is what gives rise to this lawsuit. Plaintiffs, undisputed patrons of the arts, claim they and other wheelchair patrons are denied access to events at The Fox comparable to the access given to non-wheelchair patrons. On one level, they complain that certain areas designated for wheelchair patrons are physically inaccessible to them and that this denial — as to some seating and some concession areas — is complete. On another level, their complaint is that the quality of their access is inferior — such as the absence of shoulder-to-shoulder companion seats and the fact wheelchair-designated restrooms lack the decor and ambiance of restrooms available to the public generally — which degrades their experience at the theater. The Court understands the continuum of Plaintiffs’ complaints and is required to evaluate them in the context of the prohibitions of the ADA.

B. Wheelchair Modifications

The Fox has made a number of modifications to the theater to improve access for wheelchair patrons. 4 These changes began to be made around 1985 and included designating and modifying certain seats for wheelchair patrons. The Fox also installed an elevator which, among other purposes, could be used by wheelchair patrons to access the theater’s ballrooms, installed a box office with a lower window and shelf for use by wheelchair patrons, installed a wheelchair-accessible telephone, installed four single-user restrooms for wheelchair patrons, provided a wheelchair-accessible concession counter, and installed an access ramp to the stage. 5 In approxi *1222 mately 1996, The Fox started what it calls its “Ambassador Program,” consisting of volunteer ushers who are responsible, in part, for accommodating and assisting disabled, including wheelchair, patrons. The Fox states that during a show there are approximately eight ambassadors on duty although the number varies from show to show. 6

C. Wheelchair Seating

The Fox has at least fifteen (15) to eighteen (18), and sometimes as many as twenty-five (25), wheelchair seating positions with companion seats in the orchestra level of the theater. The number of seats available at any given event depends on whether the orchestra pit area is used for seating. Seventeen of the wheelchair locations are on a level, or near level grade floor. Plaintiffs claim the seating available does not meet the requirements of the Standards and constitutes a “barrier” for wheelchair patrons because it either offers obstructed views, the viewing angles are unacceptable, the seats are segregated from the general public, the seats are not of sufficient size, they do not offer acceptable companion seating, or the seating is not in desirable areas of the theater. The Fox states that the demand for wheelchair seating has not exceeded the number of seats available. Plaintiffs claim if the seats met the Standards, then demand would exceed availability.

D. Other Facilities

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Bluebook (online)
435 F. Supp. 2d 1217, 2005 U.S. Dist. LEXIS 42657, 2005 WL 4136275, Counsel Stack Legal Research, https://law.counselstack.com/opinion/gathright-dietrich-v-atlanta-landmarks-inc-gand-2005.