Frohman v. Payton

New York Supreme Court

Frohman v. Payton

34 Misc. 275, 68 N.Y.S. 849

CourtNew York Supreme Court

DecidedMarch 15, 1901

StatusPublished

Cited by5 cases

This text of 34 Misc. 275 (Frohman v. Payton) is published on Counsel Stack Legal Research, covering New York Supreme Court primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook

Frohman v. Payton, 34 Misc. 275, 68 N.Y.S. 849 (N.Y. Super. Ct. 1901).

Pincite

Opinion

McAdam, J.

The plaintiff, a well-known theatrical manager, purchased from Edmond Rostand, the composer, the sole right in this country to his celebrated play “ L’Aiglon,” and caused it to be translated and adapted for America. He organized a company for its production, and after the investment of a large amount of money placed the play upon the stage, where it has achieved unusual success. The defendant, the proprietor of a theater in the borough of Brooklyn, has announced the production of a play in his theater entitled “ L’Aiglon.” It is conceded that the play the defendant proposes to produce is not the plaintiff’s The complaint which the plaintiff makes is in the application of the name “ L’Aiglon ” to the defendant’s production, and he therefore seeks to enjoin such use by the defendant. The name is French, and signifies in English “ The Eaglet.” While the plaintiff has had the play translated into the English language, he has retained the French title, and adopted it as a trademark [276]*276for his organization. It must be inferred from the moving papers that the defendant’s purpose in appropriating the name of the plaintiff’s organization to the play to be produced by said defendant, is to secure to himself the eclat and benefit of plaintiff’s meritorious and well-known advertised organization, a feature which gives rise to equitable relief. The question, “ What’s in a name ? ” has been answered by the courts in many well-considered cases, wherein the exclusive right to a name possessed or owned by a successful business enterprise has been maintained against imitators and wrongdoers who sought by an unauthorized use to deceive the public and profit by the wrong. While courts have in some instances refused injunctive relief to protect the use of a title where plays were dissimilar and the appropriation a mere coincidence (Frohman v. Miller,. 8 Misc. Rep. 379), they have uniformly enjoined such use where deception of the public and injury to the plaintiff. were likely to follow a refusal to grant equitable aid. Shook v. Wood, 32 Leg. Int. 264; Hier v. Abrahams, 82 N. Y. 519. The established facts show that the plaintiff will in all probability establish his claim at the trial, and he is entitled to the injunctive relief applied for now to make the final decree effective. Motion granted. Arnheim v. Arnheim, 28 Misc. Rep. 399.

Motion granted.

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McAdam, J.

The plaintiff, a well-known theatrical manager, purchased from Edmond Rostand, the composer, the sole right in this country to his celebrated play “ L’Aiglon,” and caused it to be translated and adapted for America. He organized a company for its production, and after the investment of a large amount of money placed the play upon the stage, where it has achieved unusual success. The defendant, the proprietor of a theater in the borough of Brooklyn, has announced the production of a play in his theater entitled “ L’Aiglon.” It is conceded that the play the defendant proposes to produce is not the plaintiff’s The complaint which the plaintiff makes is in the application of the name “ L’Aiglon ” to the defendant’s production, and he therefore seeks to enjoin such use by the defendant. The name is French, and signifies in English “ The Eaglet.” While the plaintiff has had the play translated into the English language, he has retained the French title, and adopted it as a trademark [276]*276for his organization. It must be inferred from the moving papers that the defendant’s purpose in appropriating the name of the plaintiff’s organization to the play to be produced by said defendant, is to secure to himself the eclat and benefit of plaintiff’s meritorious and well-known advertised organization, a feature which gives rise to equitable relief. The question, “ What’s in a name ? ” has been answered by the courts in many well-considered cases, wherein the exclusive right to a name possessed or owned by a successful business enterprise has been maintained against imitators and wrongdoers who sought by an unauthorized use to deceive the public and profit by the wrong. While courts have in some instances refused injunctive relief to protect the use of a title where plays were dissimilar and the appropriation a mere coincidence (Frohman v. Miller,. 8 Misc. Rep. 379), they have uniformly enjoined such use where deception of the public and injury to the plaintiff. were likely to follow a refusal to grant equitable aid. Shook v. Wood, 32 Leg. Int. 264; Hier v. Abrahams, 82 N. Y. 519. The established facts show that the plaintiff will in all probability establish his claim at the trial, and he is entitled to the injunctive relief applied for now to make the final decree effective. Motion granted. Arnheim v. Arnheim, 28 Misc. Rep. 399.

Motion granted.

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34 Misc. 275, 68 N.Y.S. 849, Counsel Stack Legal Research, https://law.counselstack.com/opinion/frohman-v-payton-nysupct-1901.

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