Friedley-Voshardt Co. v. Reliance Metal Spinning Co.

238 F. 800, 1916 U.S. Dist. LEXIS 1166
CourtDistrict Court, S.D. New York
DecidedJuly 26, 1916
StatusPublished
Cited by7 cases

This text of 238 F. 800 (Friedley-Voshardt Co. v. Reliance Metal Spinning Co.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Friedley-Voshardt Co. v. Reliance Metal Spinning Co., 238 F. 800, 1916 U.S. Dist. LEXIS 1166 (S.D.N.Y. 1916).

Opinion

AUGUSTUS N. HAND, District Judge.

[1] This is a suit to restrain the defendant from infringing design letterá patent No. 47,244 to Holton issued on the 20th day of April, 1915. There is no doubt that a design patent, like every other, requires' invention, [801]*801and, if the design in question for a gas and electric fixture known as a shower pan is a ihere aggregation of well-known elements which could he assembled without ingenuity or artistic skill, it cannot be regarded as one showing invention. It is to be remembered that ornaments resulting, from the varied juxtaposition of curves and angles, like the musical combinations resulting from the sequence of notes and chords, all contain certain intervals — ornaments intervals of space, music intervals of sound — which are traditional and well known. It is difficult, if not impossible, after years of development, to imagine any article of ornament or any production of music of which this is not true. It is in the arrangement, or, to use the technical term of the patent law, the combination, of elements, and probably at this late day in that alone, that originality and aesthetic skill may be evidenced." Mr. Ainsworth, the designer of Caldwell & Co., well expressed .this idea when he said in his testimony at the trial:

“ * * * All motives are old. We have inherited them, and we combine them in such a way as to produce an artistic result and a new result; combining them in such a way as to make proper intervals in the spacing of ornaments and the proper emphasis of different ornaments, and to keep the play of light and shade so as to make on the whole a pleasing design, rand its merit would depend a great'deal on how thoughtful and how different it was from the stereotyped combinations.”

Now coming to the design under consideration, it is very difficult to put in words a description which so differentiates it from the prior art as to convey any vivid impression to one reading this opinion. This is largely due to the inherent difficulty of describing visual impressions in words, which is, of course, heightened where the person attempting it is without technical training in drawing or art. The nearest resemblance to the shower pan in suit is found in the so-called canopy No. 20,650 of Fensterer & Ruhe. This, from some points of view, is not dissimilar to the'Holton design which the complainant sues to protect. When, however, the Holton shower pan is looked at, not from a side view, but directly, as would be the case if it were suspended as a shower pan, the difference between the two is very apparent and the. superiority of the Holton design quite manifest. This is, I think, due to the concave portion of the shower pan next to the outer beading. The ribbed or melon effect of the convex portion is common, and the beading is common; but the prior designs have in a general way a plane surface mounting toward the apex of the melon, while in the Holton design it is broken by the circular trough.

Mr. Ainsworth has, I think, truly said:

“In bolding that up, we get a shadow inside here, and then a high light, and .then we get shadows again. It gives more play of light and .shadow, whereas on this canopy the light strikes it full on this side.”

If the Fensterer & Ruhe canopy had been an attractive design for shower pans, it would doubtless have been popular. As a matter of fact, however, the Holton pan has met with great commercial success and been sold by both complainant defendant and their customers in large numbers, while the Fensterer & Ruhe design has apparently [802]*802never been put out as a shower pan. This consideration is by no means controlling, but the commercial success of the Holton pan certainly tends to confirm my judgment that the design is novel and pleasing.

To quote from Mr. Ainsworth again:

“ * * * That is the function, of a design, from an artistic line, pleasing both to the eye, the intellect, and if possible pleasing to the emotions, and to make a pleasant impression.”

Chief Justice Fuller said, in the case of Smith v. Whitman Saddle Co., 148 U. S. 679, 13 Sup. Ct. 770, 37 L. Ed. 606:

“If * * * the geiection and adaptation of an existing form is more than the exercise of the imitative faculty and the result is in effect a new creation, the design may be patentable.”

Judge Grosscup remarked, in the case of Pelouze Scale Mfg. Co. v. American Cutlery Co., 102 Fed. at page 916, 43 C. C. A. 52:

“ ‘Design,’ in the view of the patent law, is that characteristic of a physical substance which, by means of lines, images, configuration, and the like, taken as a whole, makes an impression, through the eye, upon the mind of the observer. The essence of a design resides, not in the elements individually, nor in their method of arrangement, but in the tout ensemble — in that indefinable whole that awakens some sensation in the observer’s mind. * * * But whatever the impression, there is attached in the mind of the observer, to the object observed, a sense of uniqueness and character.”

It is, however, principally urged that Holton was not the inventor of the shower pan, because the Reliance Metal Spinning Company was given a rough sketch of a similar shower pan not drawn to scale by some customer early in 1913, and that from this sketch a plaster model was made in March, 1913; whereas, Holton’s drawings were not made until May of that year.

In reply to my questions at the trial, the defendant’s witness Samuel Shapiro said that he could not testify where he got the design, or who gave it to him, so that the defendant does not now claim to have itself originated it, yet Shapiro, in his affidavit to oppose the preliminary injunction in this suit, said:

“We bave in our employ a designer who is constantly engaged in originating and contriving new and ornamental designs for the parts manufactured by us.”

And further deposed:

“With' regard to the particular design known as the Adams shower pan here at issue and shown in the cut attached thereto, that design was made by us as early as December, 1913.”

[2] Furthermore, no shower pans were put on the market by the defendant until December, 1913, while the complainant put out some of them in June and July of that year. These fixtures of the complainant may have contained the design before the beading was changed, but that is, I think, unimportant. I am not satisfied with the defendant’s explanation of its delay from the spring of 1913 to December of that year in putting out this new shower pan which has proved so successful commercially, and I am inclined to the belief [803]*803that the dies were not made until a much later date than some of the defendant’s testimony would indicate. The defendant produced a number of witnesses who swore to the making of the plaster pattern and dies in the spring of 1913, but I do not think this testimony will bear a close scrutiny. It is to be borne in mind that a defense of a prior use, when introduced to invalidate an existing patent,' must be established by the most convincing evidence. As the Supreme Court has said in tire Barbed Wire Patent Case, 143 U. S. 284, 12 Sup. Ct. 447, 36 L. Ed. 154:

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238 F. 800, 1916 U.S. Dist. LEXIS 1166, Counsel Stack Legal Research, https://law.counselstack.com/opinion/friedley-voshardt-co-v-reliance-metal-spinning-co-nysd-1916.