Fredricks v. Mayer

13 How. Pr. 566
CourtThe Superior Court of New York City
DecidedFebruary 15, 1857
StatusPublished
Cited by9 cases

This text of 13 How. Pr. 566 (Fredricks v. Mayer) is published on Counsel Stack Legal Research, covering The Superior Court of New York City primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Fredricks v. Mayer, 13 How. Pr. 566 (N.Y. Super. Ct. 1857).

Opinion

Hoffman, Justice.

The plaintiffs state themselves to be partners, doing business in Paris, as photographists, and in the city of New-York under the name of Charles D. Fredricks. That on the 2d of June., 1855, they entered into a written contract with the defendant Mayer, which is annexed to the complaint, and is as follows:—

“ Fredricks, Penabert & Le Blanc, photographists, 40 Rue Basse au Rempart, Paris, New-York and St. Louis, United States, of the first part, and Constant Mayer, artiste painter, of the second part, do hereby agree to the following, viz.:—

“Art. 1. Fredricks, Penabert & Le Blanc agree to employ, for three years, Mr. Mayer, as artist painter.

“Art. 2. Mr. Mayer agrees, on his part, to retouch in oil the photographic proofs, and everything which appertains to an artist in that style, for the house in New-York, United States; and he hereby binds himself not to work for any other house or person during the term of this contract, excepting Fredricks, Penabert & Le Blanc.

“Art. 3. Mr. Mayer, at the requisition of Fredricks, Penabert & Le Blanc, will proceed to New-York, United States, where he will place himself at the disposition of Mr. Fredricks for the above-mentioned term of three years, commencing from the day of the arrival of Mr. Mayer at New-York; the expenses of the voyage in going will be paid by Fredricks, Penabert & Le Blanc. Mr. Mayer is entitled to a passage in the second cabin of a steamer for passengers.

“Art. 4. Fredricks, Penabert & Le Blanc agree to pay to Mr. Mayer the sum of eight thousand francs per annum, payable monthly.

“Art. 5. Mr. Mayer agrees to execute his work in all good conscience.

“ Do’he in triplicate between us in good faith, Paris, 2 June, 1855.”

Signed by the parties.

[568]*568The defendant arrived in New-York about the 10th of July, 1855, and was employed by Fredricks immediately, and so remained till about the 1st of September, 1856, when he left such employ, and went into that of the defendant Gurney, in violation of his agreement with the plaintiffs.

The plaintiffs allege, that he was for that period of time in their employ, was paid by them, and broke his contract with them by entering into the service of Gurney. The action is to compel him to fulfil that'eontract', to enjoin him (for such purpose) from serving any other person, in his business, and for damages.

The case is first to be considered upon the supposition that the facts alleged by the plaintiffs are uncontroverted and unmodified. It is insisted that the law gives the plaintiffs a full right to an injunction in cases of this character.

In England, till the late decisions of Lumley agt. Wagner, (1852, 23 Law & Ex. Rep. 252,) Hooper agt. Broderick, (11 Simons, 47,) Rolfe agt. Rolfe, (15 Simons, 88,) the question could not be treated as settled in favor of the jurisdiction. The case of Kemble agt. Kean, (6 Simons, 333,) was, however, supposed to decry it. In our own courts, there are the cases of Rivafinoli agt. Casetti, (4 Paige, 264,) of Hamblin agt. Dinneford, (2 Edw. Ch. Rep. 529,) and of Sanquirico agt. Benedetti, (1 Barb. Rep. 315, special term.)

In Rivafinoli agt. Casetti, Chancellor Wat.worth discharged a ne exeat, which had been issued to prevent a singer at an opera from leaving the country. This was done upon the ground that the contract itself had not yet come into force, and the party could not be arrested in anticipation of an intent to break it. The learned chancellor did indulge in the flight of fancy that a law upon the case might be found in the adage, that a bird, who could sing, and would not sing, might be made to sing. But his- reasoning soon put down his humor.

In Hamblin agt. Dinneford, Vice-Chancellor M‘Coun dissolved an injunction, which he had granted, in the case of a contract with an actor to perform at one theatre, and not to perform at any other. He did so expressly on the ground that [569]*569as he could not enforce the agreement to act, he could not that to refrain. It was a case between employer and employee, and the parties must be left to law.

The same decision was made by Mr. Justice Edwards, in Sanguirico agt. Benedetti, where the contract was to sing at operas and concerts, and not to make engagements with any other persons. He cites Kemble agt. Kean in point.

On the other hand, the English cases I have referred to have, upon great consideration, laid down a different rule: the last (Lumley agt. Wagner) is the most important. The plaintiff had entered into a written contract with Ma'lle Wagner, cantatrice of the king of Prussia, for her services for three months, at his theatre in London, upon certain terms; and there was a condition inserted that she should not use her talents at any other theatre, nor in any concert nor re-union, public or private, without the written authorization of the plaintiff. Ma’lle Wagner subsequently entered into an agreement with the defendant Gye, to abandon her contract with the plaintiff, and to sing at the Royal Italian Opera,” Covent Garden.

The bill was for an injunction, to restrain her from performing or singing at the latter place, or any other place, without the written permission of the plaintiff. Vice-Chancellor Parker granted the writ, and a motion to dissolve it was heard before the lord chancellor, Lord St. Leonards. He adverts to the many cases, such as upon leases, in which there may be numerous affirmative covenants, and perhaps but one negative covenant, such as not to cut timber. The court does not ask what is to be performed under the contract, but gives effect to the negative contract, and specifically executes it by prohibition. The contract here was one contract. Without the express relation to that effect, an agreement to perform for three months at one theatre, must exclude the right to perform, during that time, at any other. Her capacity and physical powers were to be exerted to aid the theatre to which she had attached herself; and she would have violated the true spirit and meaning of her contract by entering into any other.

" The principle of the jurisdiction of the court was, to bind [570]*570men’s consciences to a fair and liberal performance of their engagements. I have always thought that you might attribute much of the right feeling and fair dealing which exists between Englishmen to the exercise of this jurisdiction. Men are not suffered, by the law of this country, to depart from their contracts at their pleasure. It does not leave the party, with whom the contract has been broken, to the mere chance of what a jury may give in the shape of damages; but it enforces, where it can, the literal performance of the contract: and this, I believe, has mainly tended to -produce the good faith which exists to a greatef extent in this country than in many others.”

After going through many other cases, the lord chancellor observed, “Where is the mischief of exercising this jurisdiction? I cannot compel her to perform, of course. That is a jurisdiction the court does not possess ; and it is very proper it should not possess it.

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Bluebook (online)
13 How. Pr. 566, Counsel Stack Legal Research, https://law.counselstack.com/opinion/fredricks-v-mayer-nysuperctnyc-1857.