Fratelli bvba v. APM Music Services, LLC

District Court, S.D. New York·Decided September 27, 2021·No. 1:20-cv-06208·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ---------------------------------------------------------------------- X : FRATELLI BVBA, : Plaintiff, : : -v- : 20 Civ. 6208 (JPC) : APM MUSIC SERVICES, LLC, MARUICE KEIZER, : OPINION AND ORDER GLENN STONE, DOES 1 THROUGH 10, and ALL : PARTS MOVE, LLC, : Defendants. : : ---------------------------------------------------------------------- X : GLENN STONE, : Cross Claimant, : : -v- : : : MAURICE KEIZER, : Cross Defendant. : : ---------------------------------------------------------------------- X

JOHN P. CRONAN, United States District Judge: Plaintiff Fratelli BVBA (“Fratelli”), a Belgian music distribution company, contracted with a Florida business, Defendant APM Music Services, LLC (“APM Music”), to collect and administer Fratelli’s music royalties in the United States. Fratelli alleges that APM Music and its two co-owners, Defendants Maurice Keizer and Glenn Stone, misappropriated over $150,000 of these royalties. Instead of paying Fratelli, Keizer and Stone allegedly pocketed the royalties by diverting the money to a sister company, Defendant All Parts Move (“All Parts”). Stone has filed crossclaims against Keizer, blaming Keizer for diverting the funds and claiming that he, too, is owed money. Two motions to dismiss have been filed. APM Music, All Parts, and Keizer move to dismiss most of Fratelli’s claims, and Keizer seeks dismissal of Stone’s crossclaims. For reasons stated below, both motions are granted in part and denied in part. The Court also sua sponte dismisses Fratelli’s unjust enrichment claim against Stone. Three claims survive dismissal:

Fratelli’s breach of contract claim against APM Music, Fratelli’s fraud claim against Keizer, and Stone’s breach of fiduciary duty crossclaim against Keizer. I. Background A. Allegations in Fratelli’s Amended Complaint The following facts are taken from Fratelli’s Amended Complaint, see Dkt. 17 (“Fratelli Am. Compl.”), and are presumed true for the purpose of deciding the motion to dismiss Fratelli’s claims that was filed by APM Music, All Parts, and Keizer. See Swierkiewicz v. Sorema N.A., 534 U.S. 506, 508 n.1 (2002). Fratelli is a Belgian music company that assists recording and performing artists in exploiting their musical works. Fratelli Am. Compl. ¶ 13. Scala, a women’s independent rock choir, hired Fratelli to distribute its recordings and collect any resulting payments on its behalf.

Id. In 2010, Fratelli granted non-party Warner Music Group exclusive worldwide rights to distribute Scala’s music. Id. ¶ 14. Also in 2010, Fratelli contracted with All Parts, a Florida LLC, to act as its American intermediary and facilitate the transfer of royalties collected by Warner Music to Fratelli. Id. ¶¶ 4, 15. Keizer is the sole owner and manager of All Parts. Id. ¶ 5. In 2016, All Parts and Keizer ran into financial troubles. Id. ¶ 16. To keep money away from creditors, Keizer convinced Fratelli to switch the contract to another Florida LLC, APM Music, which Keizer managed jointly with Stone. Id. ¶¶ 5-6, 16-17. The Fratelli-All Parts contract was thus terminated, and a new Fratelli-APM Music contract, titled a “Master Recording

2 Administration Agreement,” was signed on February 8, 2016. Id. ¶¶ 18-19, Exh. A (“Recording Agreement”). The Recording Agreement’s key terms were: (1) APM Music was to collect certain royalties owed to Fratelli; (2) APM Music was entitled to deduct from the collected royalties a

33.33% commission, plus allowed expenses, with the remaining balance to be remitted to Fratelli; (3) APM Music was required to maintain a single bank account for Fratelli’s royalties and give Fratelli online access to review the account’s activity; (4) APM Music was required to provide an accounting to Fratelli at certain times; and (5) New York law governs the contract, with exclusive venue in state or federal court in New York. Recording Agreement ¶¶ 2-3, 7, 12. Fratelli’s Amended Complaint alleges that APM Music twice received money from Warner Music, totaling over $229,000. Fratelli Am. Compl. ¶¶ 23-29. Per the contract, APM Music should have deducted its 33.33% commission, plus allowed expenses, and paid Fratelli the remainder, which would have come to over $150,000. See id. ¶¶ 24, 27; Recording Agreement ¶ 3. But APM Music paid Fratelli nothing. Fratelli Am. Compl. ¶¶ 25, 28, 30. Instead, APM

Music retained the money “for its benefit and enjoyment and/or for the benefit and enjoyment of Keizer and Stone.” Id. ¶¶ 25, 28. Fratelli further alleges that some or all of this money was diverted to pay for expenses incurred by All Parts or was diverted to Keizer. Id. ¶ 35. In addition, APM Music failed to provide Fratelli with the required accounting and did not maintain a single bank account set aside for payments received on Fratelli’s behalf, as required by the contract. Id. ¶¶ 25, 28, 32; see Recording Agreement ¶ 7. Instead, as alleged, APM Music conducted all its business through All Parts’s bank accounts. Fratelli Am. Compl. ¶ 9. Fratelli’s Amended Complaint asserts three claims: (1) a breach of contract claim against APM Music, (2) a fraud claim against APM Music and Keizer, and (3) an unjust enrichment claim

3 against APM Music, All Parts, Keizer, and Stone. Id. ¶¶ 40-41, 54, 63. On December 4, 2020, APM Music, All Parts, and Keizer moved to dismiss all claims but the breach of contract claim against APM Music. Dkt. 34. B. Allegations in Stone’s Amended Crossclaims Stone has not moved to dismiss, instead electing to answer Fratelli’s claims and to file his

own crossclaims against Keizer.1 The following facts are taken from Stone’s Amended Crossclaims, see Dkt. 47 at 11-19 (“Stone Am. Crossclaims”), and are presumed true for the purpose of Keizer’s motion to dismiss those claims. See Amusement Indus., Inc. v. Stern, 786 F. Supp. 2d 741, 747 (S.D.N.Y. 2011). In 2016, Stone and Keizer entered into an oral agreement to form APM Music for the purpose of handling the Scala account. Stone Am. Crossclaims ¶ 8. Stone and Keizer agreed to equally split APM Music’s 33.33% commission. Id. ¶ 9. They also agreed that Keizer would oversee APM Music’s bank account and be responsible for the distribution and accounting of payments received on Fratelli’s behalf. Id. ¶ 10. Accordingly, Stone alleges that he has never “exercised any control over, or executed any transactions by or through, APM’s bank account.”

Id. Stone asserts that Keizer twice diverted to himself money APM Music received on Fratelli’s behalf, without paying Stone his share of APM Music’s commission. Id. ¶¶ 12-13. Stone alleges that instead, Keizer took this money for his own personal use, either directly or through

1 Stone is proceeding pro se. Stone has acknowledged that he was licensed to practice law in New York in 1985 and that he maintains an active bar membership, although he claims not to have practiced law since around 1990. Dkt. 67. Though courts must construe pro se pleadings liberally, that rule does not apply when the pro se litigant is a licensed attorney. See Abbas v. Orrick, Herrington & Sutcliffe, LLP, No. 15 Civ. 1545 (RJS), 2016 WL 1071033, at *3 (S.D.N.Y. Mar. 16, 2016), aff’d sub nom. Abbas v. Martin, 689 F. App’x 43 (2d Cir. 2017). 4 companies Keizer controlled. Id. Stone brings five crossclaims against Keizer. Id. ¶¶ 14-34. Four of these crossclaims—breach of contract, breach of fiduciary duty, conversion, and civil theft— relate to Keizer’s alleged failure to pay Stone his share of the royalties. Id. ¶¶ 14-25, 29-34. The last crossclaim—indemnity—seeks recompense from Keizer for any liability that Stone may face

to Fratelli. Id. ¶¶ 26-28. C. Procedural Background Fratelli filed its initial Complaint on August 7, 2020. Dkt. 1.

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