Fort Knox Music, Inc. v. Baptiste

139 F. Supp. 2d 505, 59 U.S.P.Q. 2d (BNA) 1067, 2001 U.S. Dist. LEXIS 4817, 2001 WL 396429
CourtDistrict Court, S.D. New York
DecidedApril 18, 2001
Docket97 Civ. 5560(JES)
StatusPublished
Cited by8 cases

This text of 139 F. Supp. 2d 505 (Fort Knox Music, Inc. v. Baptiste) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Fort Knox Music, Inc. v. Baptiste, 139 F. Supp. 2d 505, 59 U.S.P.Q. 2d (BNA) 1067, 2001 U.S. Dist. LEXIS 4817, 2001 WL 396429 (S.D.N.Y. 2001).

Opinion

MEMORANDUM OPINION AND ORDER

SPRIZZO, District Judge.

Plaintiffs Fort Knox Music, Inc. and Trio Music Company, Inc. (“plaintiffs”) bring the instant action seeking to prohibit defendant songwriter Philip Baptiste (“defendant”) from interfering with plaintiffs’ rights and copyright in the musical composition Sea of Love (“Sea of Love”). By Memorandum Opinion and Order dated April 27, 1999, this Court held that defendant is time-barred from asserting any right arising from his claim of sole authorship of Sea of Love under the U.S. Copyright Act, 17 U.S.C. § 101 (2000) et seq., and enjoined defendant from commencing any action challenging plaintiffs’ rights on this basis. On appeal before the United States Court of Appeals for the Second Circuit, defendant argued that this Court did not have personal jurisdiction over him as a citizen of Louisiana, and on February 7, 2000, the Second Circuit remanded to this Court for supplementation of the record regarding this issue. The following constitutes this Court’s finding that personal jurisdiction was improperly asserted over defendant and that transfer to the Western District of Louisiana pursuant to 28 U.S.C. § 1404(a) is appropriate.

BACKGROUND

Familiarity is assumed with the Court’s original decision, Fort Knox Music, Inc. v. Baptiste, 47 F.Supp.2d 481 (S.D.N.Y.1999) (Sprizzo, J.). The following facts, however, are noted for purposes of this remand.

This action for declaratory and injunc-tive relief arises from several attempts by defendant to assert sole ownership over Sea of Love and to thereby reclaim property ownership from plaintiffs and terminate any royalty payments to named co-author George Khoury (“Khoury”). Both defendant and Khoury are residents of Louisiana, and Kamar Publishing Company (“Kamar”), plaintiffs’ predecessor-in-interest, was located in Louisiana when the agreement at issue (“the Songwriting Agreement”) was signed on February 3, 1959. See Answer dated February 25, 1997 (“Answer”) at ¶ 4; Answer, Exhibit (“Exh.”) 2, Songwriting Agreement at 1. Plaintiff Fort Knox Music, Inc. is a New York corporation with offices located in New York City that is engaged in the business of publishing and licensing copyrighted musical compositions. See Complaint dated July 28, 1999 (“Complaint”) at ¶ 2. Plaintiff Trio Music Company, Inc. is a California corporation with offices in the State of California that is also engaged in the business of publishing and licensing copyrighted musical compositions. See id. at ¶ 3. By virtue of assignments from Ka-mar, plaintiffs acquired the exclusive right to administer and exploit Sea of Love, together with an undivided 50% copyright interest in Sea of Love. See id. at ¶ 8.

Among other provisions, the Songwriting Agreement contained clauses specifying that “Publisher [Kamar] agrees to pay the Writer” a percentage of proceeds from licensing and sales of records, plus “50% of the royalties earned by the musical composition [Sea of Love ] for public performances for profit ... licensed by the Publisher through Broadcast Music Inc.” Songwriting Agreement at ¶¶ 3(a-d). The Songwriting Agreement further provided that such “earned royalties shall be computed in accordance with reports rendered to the Writer by Broadcast Music Inc.” Id. at ¶ 3(d). Consistent with such terms, over the course of the next thirty-eight years, defendant was paid royalties by either Kamar or plaintiffs which had been originally collected by New York-based li *508 censing clearinghouse Broadcast Music Inc. (“BMI”). 1 See Complaint at ¶ 8.

Plaintiffs first learned of defendant’s claim to sole authorship of Sea of Love on or about July 16,1976 through a phone call from defendant and a follow-up letter. See Complaint at ¶ 11; Answer, Exh. 5, Letter from Plaintiff to Mr. Lester Boles dated July 16, 1976. Nearly nine years later, in January of 1985, defendant wrote to both plaintiffs and BMI, again stating that he was the sole author of Sea of Love and demanding that Khoury no longer receive royalties and be removed from all subsequent published versions of the composition. See Answer, Exh. 5, Letters from Plaintiff to Mr. Lester Boles and Mr. Mark Siklianos dated January 7, 1985. Approximately twelve years later, defendant again began writing letters to plaintiff regarding this matter, and between April 5 and June 6, 1997, defendant’s agent, Kirk Menard of Act III Productions (“Menard”), wrote eleven letters to plaintiffs on defendant’s behalf asserting defendant’s claims of sole authorship. 2 See Complaint. Exh. 2, Letters from Kirk Menard to Plaintiffs and BMI.

Among other things, such letters noted that if the parties could not “resolve this matter between [them]selves, [defendant would] begin litigation against the current publishers for a change in publishing,” and that “[a]ny attempt to license [Sea of Love\ will result in civil and/or criminal copyright infringement.” Id. In other letters, defendant advised plaintiff that he was “reclaiming his creation,” and that he was “terminat[ing] [plaintiffs’] rights granted as publisher to ... ‘Sea of Love’ under local, state, and federal regulations.” Id. Plaintiffs subsequently brought the instant action, seeking a declaration of their rights under the Songwriting Agreement and to enjoin further proceedings by defendant.

Upon remand, the. Court requested that the parties submit additional briefing to address whether personal jurisdiction was properly asserted over defendant pursuant to N.Y.C.P.L.R. sections 301 and 302(a)(3), respectively regarding whether defendant’s conduct constituted a systematic and continuous course of doing business in New York or the commission of a tort from without the state causing injury within the state. See Order dated December 20, 2000. The Court also requested that the parties address whether this action should be properly transferred to the Western District of Louisiana pursuant to 28 U.S.C. § 1404(a). See id. The parties have each submitted memoranda in accordance with this Order, and in addressing the instant remand the Court has reviewed such materials and the record previously before this Court and the Second Circuit.

DISCUSSION

Absent an evidentiary hearing on the matter of jurisdiction, a plaintiff bears the burden of making a prima facie case that jurisdiction exists. See Hoffritz for Cutlery, Inc. v. Amajac, Ltd., 763 F.2d 55, 57 (2d Cir.1985). In assessing whether this burden has been met, a Court is to construe all pleadings and affidavits in the light most favorable to plaintiff.

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Bluebook (online)
139 F. Supp. 2d 505, 59 U.S.P.Q. 2d (BNA) 1067, 2001 U.S. Dist. LEXIS 4817, 2001 WL 396429, Counsel Stack Legal Research, https://law.counselstack.com/opinion/fort-knox-music-inc-v-baptiste-nysd-2001.