Flo & Eddie, Inc. v. Pandora Media, LLC
Opinion
FILED
NOT FOR PUBLICATION
JUN 2 2022
UNITED STATES COURT OF APPEALS MOLLY C. DWYER, CLERK U.S. COURT OF APPEALS
FOR THE NINTH CIRCUIT
FLO & EDDIE, INC., a California No. 20-56134 corporation, individually and on behalf of all others similarly situated, D.C. No.
2:14-cv-07648-PSG-GJS
Plaintiff-Appellee,
v. MEMORANDUM*
PANDORA MEDIA, LLC, a Delaware corporation,
Defendant-Appellant.
Appeal from the United States District Court for the Central District of California Philip S. Gutierrez, Chief District Judge, Presiding
Argued and Submitted May 20, 2022 Pasadena, California
Before: LEE and BRESS, Circuit Judges, and FITZWATER,** District Judge. Concurrence by Judge BRESS.
*
This disposition is not appropriate for publication and is not precedent except as provided by Ninth Circuit Rule 36-3.
**
The Honorable Sidney A. Fitzwater, United States District Judge for the Northern District of Texas, sitting by designation.
Defendant-Appellant Pandora Media, LLC (“Pandora”) appeals the district court’s order denying Pandora’s renewed motion to strike under California’s anti-SLAPP statute. We have jurisdiction under 28 U.S.C. § 1291 and the collateral order doctrine, DC Comics v. Pacific Pictures Corp., 706 F.3d 1009, 1015 (9th Cir. 2013), and we affirm.
Plaintiff-Appellee Flo & Eddie, Inc. (“Flo & Eddie”) is a corporation that is owned and controlled by two of the founding members of the well-known 1960s rock band “The Turtles.” Flo & Eddie filed a series of lawsuits around the country in which it claimed that various defendants (here, Pandora) had failed to pay to reproduce, broadcast, and perform Flo & Eddie’s pre-1972 music. In the instant case, which is still pending after more than seven years, Pandora filed a renewed motion seeking dismissal under California’s anti-SLAPP statute, which the district court denied. We review the district court’s decision de novo. Makaeff v. Trump Univ., LLC, 715 F.3d 254, 261 (9th Cir. 2013).
1. To succeed on its anti-SLAPP motion, Pandora must first demonstrate that Flo & Eddie’s claims arise from Pandora’s protected conduct. Bonni v. St. Joseph Health Sys., 491 P.3d 1058, 1065 (Cal. 2021). If Pandora meets this burden, Flo & Eddie must then show that its claims have “at least ‘minimal merit.’” Id. (citation omitted). We conclude that Pandora has not met its initial burden.
2. Pandora maintains that its conduct—broadcasting songs by The Turtles—is protected under Cal. Civ. Proc. Code § 425.16(e)(4), the “catch-all” provision of the anti-SLAPP statute.
To satisfy the “catch-all” provision, Pandora must show that its relevant conduct (the conduct from which Flo & Eddie’s claims arise) was speech on an issue of public interest, and that its speech had a functionally close relationship to the public issue. FilmOn.com Inc.v. DoubleVerify Inc., 439 P.3d 1156, 1165 (Cal. 2019). As a part of this burden, Pandora must demonstrate that its speech furthered debate on the public issue. Id. at 1166 (“[A] statement is made ‘in connection with’ a public issue when it contributes to—that is, ‘participat[es]’ in or furthers—some public conversation on the issue.” (alteration in original) (citation omitted)).
Pandora has failed to demonstrate that its mere broadcasting of Flo & Eddie’s music constitutes speech on an issue of public interest that has a functionally close relationship to the public issue and that furthers debate on the public issue. At most, Pandora has shown that it broadcasts songs performed by The Turtles, which in itself is insufficient. See Rivero v. Am. Fed’n of State, Cnty., & Mun. Emps., AFL-CIO, 130 Cal. Rptr. 2d 81, 91 (Cal. Ct. App. 2003) (“If publication were sufficient, anything the Union published would almost automatically become a matter of public interest.”). In cases involving broadcasting where the court has found protected conduct, there
has been at least some furtherance of the debate or issue. See Hall v. Time Warner, Inc., 63 Cal. Rptr. 3d 798, 805-06 (Cal. Ct. App. 2007) (“The defendants’ television broadcast contributed to the public discussion of the issue by identifying Hall as a beneficiary and showing her on camera.”); Belen v. Ryan Seacrest Prods., LLC, 280 Cal. Rptr. 3d 662, 672 (Cal. Ct. App. 2021) (holding that creation of TV show about the “experience of being a model” was of public interest and the TV show depicted the struggles of a model). No such furtherance of a debate or issue has been shown to have occurred here.
This case is distinguishable from those in which the publication of music was determined to be protected conduct. For example, in Serova v. Sony Music Entertainment, 257 Cal. Rptr. 3d 398 (Cal. Ct. App. 2020), the defendants were sued for marketing a Michael Jackson album. Id. at 402. The album cover represented that Jackson was the lead singer on all of the songs, despite a debate among fans over whether Jackson was actually the singer on three tracks. Id. at 402-03. The court held that the speech at issue—marketing an album that claimed that Jackson was a singer on three tracks—“stated a position on a disputed issue of public interest” and “helped shape the experience of the music that consumers purchased . . . . [Because] whether the singer was Michael Jackson mattered to consumers.” Id. at 403, 414. The speech therefore furthered the debate on that issue and was protectable. Id. at 414-15.
The instant case is more like those in which speech refers to, but does not further, debate on a public issue. In All One God Faith, Inc. v. Organic & Sustainable Industry Standards, Inc., 107 Cal. Rptr. 3d 861 (Cal. Ct. App. 2010), which the Supreme Court of California cited in FilmOn, the defendant sought protection under the anti-SLAPP statute for claims targeting its use of an “organic” label. Id. at 865, 872-73. The court held that merely producing a label that said “organic” on it did not contribute to the debate on what it means for a product to be considered organic. Id. at 875 (“[The defendant] fail[s] to show how the application of an ‘OASIS Organic’ seal on a particular product helps to advance or foster a debate . . . [or] will in some fashion contribute to a broader debate on the meaning of the term ‘organic.’”).
3. Although we do not reach the merits of Flo & Eddie’s challenge because Pandora has not met its initial burden under the anti-SLAPP statute, Pandora forcefully argues that decisions post-dating the district court’s decision foreclose Flo & Eddie’s claims as a matter of law. See Flo & Eddie, Inc. v. Sirius XM Radio, Inc., 9 F.4th 1167, 1177 (9th Cir. 2021) (holding that a public performance right does not exist under California law); Flo & Eddie, Inc. v. Sirius XM Radio, Inc., 849 F.3d 14, 16-17 (2d Cir. 2017) (per curiam) (holding that a public performance right does not exist and therefore that Flo & Eddie’s copying claims fail because of fair use); Flo & Eddie, Inc. v. Sirius XM Radio, Inc., 229 So. 3d 305, 320 (Fla. 2017) (holding that Flo
& Eddie’s copying claims fail because the ultimate use of the internal copies is permissible); Flo & Eddie, Inc. v. Sirius XM Radio, Inc., 709 F. App’x 661, 663 (11th Cir. 2018) (per curiam) (holding same and affirming summary judgment for Sirius XM). Because this matter has been pending for more than seven years, we direct the district court to consider expedited motions practice on the legal validity of Flo & Eddie’s claims in light of intervening precedent.
AFFIRMED.
FILED
Flo & Eddie, Inc. v. Pandora Media, LLC, No. 20-56134 JUN 2 2022 MOLLY C. DWYER, CLERK
Bress, Circuit Judge, concurring. U.S. COURT OF APPEALS
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