Flatscher v. The Manhattan School of Music

CourtDistrict Court, S.D. New York
DecidedJuly 20, 2021
Docket1:20-cv-04496
StatusUnknown

This text of Flatscher v. The Manhattan School of Music (Flatscher v. The Manhattan School of Music) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Flatscher v. The Manhattan School of Music, (S.D.N.Y. 2021).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ALINA FLATSCHER, Individually and on Behalf of All Others Similarly Situated, Plaintiff, 20 Civ. 4496 (KPF)

-v.- OPINION AND ORDER THE MANHATTAN SCHOOL OF MUSIC, Defendant. KATHERINE POLK FAILLA, District Judge:1 Plaintiff Alina Flatscher brings this putative class action against Defendant The Manhattan School of Music (“MSM”) for injuries allegedly suffered as a result of the school’s response to the COVID-19 pandemic during the Spring 2020 semester, during which semester Defendant ceased in-person instruction, restricted access to school facilities, and transitioned to online learning. Plaintiff alleges that these changes deprived her and other MSM students of the educational experiences for which they had bargained and paid. She asserts claims for (i) breach of implied contract, (ii) unjust enrichment, (iii) conversion, and (iv) deceptive business practices in violation of Section 349 of the New York General Business Law (“NYGBL”). Now before the Court is Defendant’s motion for judgment on the pleadings. For the reasons set forth below, Defendant’s motion is granted in part and denied in part.

1 Maggie Lederer, a rising second-year student at Duke Law School and an intern in my Chambers, provided substantial assistance in researching and drafting this Opinion. BACKGROUND2 A. Factual Background 1. Plaintiff’s Education at MSM Plaintiff is a vocalist currently residing in Austria. (Am. Compl. ¶ 18). In the fall of 2016, Plaintiff enrolled in a Bachelor of Music degree program at

MSM. (Id.). Defendant describes itself as a “premier international conservatory” located in New York City. (Id. at ¶ 20). Obtaining an education at MSM is not inexpensive: For the 2019-2020 academic year, Defendant charged each student $48,280 in tuition. (Id. at ¶ 48). In addition, Defendant imposes various fees on its students, including a general student fee, a student health insurance fee, a doctoral program fee, a thesis research fee, a thesis examination fee, an application/audition fee, a fee for credits exceeding degree credit limits, a course audit fee, a damage/judicial fines fee, a graduation fee,

an instrument maintenance fee, and a qualifying examination fee. (Id. at ¶ 52). Defendant also requires students to select and pay for one of the school’s four meal plans. (Id. at ¶ 49).3

2 The facts set forth herein are drawn from Plaintiff’s Amended Complaint (“Am. Compl.” (Dkt. #21)), which is the operative pleading in this matter. The Court also considers Defendant’s Answer and Defenses to the Amended Complaint (“Answer” (Dkt. #25)) and, as appropriate, the exhibits attached thereto. For ease of reference, Defendant’s opening memorandum is referred to as “Def. Br.” (Dkt. #27); Plaintiff’s opposition memorandum is referred to as “Pl. Opp.” (Dkt. #30); and Defendant’s reply memorandum is referred to as “Def. Reply” (Dkt. #32). 3 Of these fees, Plaintiff alleges that she was charged a student health insurance fee, qualifying examination fee, graduation fee, and general student fee. (Am. Compl. ¶ 54). Plaintiff was also assessed a commuter meal plan. (Id. at ¶ 51). Pursuant to Defendant’s 2019-2020 course catalogue, “Annual Fees are required of all students” (id. at ¶ 53), but the parties do not direct the Court to any specific contract or agreement that they claim governs any of these particular fees. 2 Upon enrolling at MSM, each student enters into a Financial Responsibility Agreement (“FRA”) with Defendant, wherein the student “accept[s] full responsibility to pay all tuition, fees[,] and other associated costs

assessed as a result of [their] registration and/or receipt of services[.]” (Answer Ex. G (FRA)). If a student fails to make a payment, Defendant “will place a business office hold on [the] student account, preventing [the student] from attending private studio lessons, classes, auditions, rehearsals[,] and participating in other [s]chool activities … or using [Defendant’s] facilities (including practice rooms).” (Id.). In exchange for students’ tuition and fees, Defendant promises a campus “designed to meet all the needs of young performers.” (Am. Compl. ¶ 22). In its

course catalogue, Defendant assures students that “[t]uition payment provides access to Manhattan School of Music facilities ... when classes are in session[.]” (Id. at ¶ 20). With particular respect to its campus, Defendant guarantees students that its practice rooms will be open for 24 hours each day. (Id. at ¶ 27). Similarly, students enroll for a degree at MSM expecting access to “a state-of-the-art digital multi-track facility capable of recording events in all of [Defendant’s] main performance spaces.” (Id. at ¶ 33; see also id. at ¶ 45). In conjunction with this offering, Defendant promises that its staff will “work to

ensure that every student leaves MSM with a portfolio of professional audio and video recordings that … serve to further their professional careers.” (Id. at ¶ 33). In addition, Defendant requires each student to satisfy a concert attendance requirement in order to graduate. (Id. at ¶ 61). To Defendant, 3 “[a]ttending concerts is a vital and important part of the total educational experience,” and to satisfy the requirement, students must attend seven major concerts or master classes for at least six semesters. (Id.). Defendant tracks

students’ attendance through their student identification cards, requiring ushers to physically scan each identification card at the end of each concert. (Id.). As such, students must be physically present with their identification cards to fulfill the concert attendance requirement. (See id.). To attract students, Defendant makes several representations about its classes and the educational opportunities it offers. (See Am. Compl. ¶¶ 59-60). As a musical conservatory, many of Defendant’s classes “require” “hands-on” instruction in Defendant’s facilities and “in-person” performance. (Id. at ¶ 60).

For example, Defendant’s “Jury” class requires students to complete a “final in- person performance/examination … in front of a panel of jurors, consisting of faculty at MSM.” (Id. at ¶ 59 (emphasis added)).4 Classes in studio techniques expect students to utilize “independent lab time” — in Defendant’s lab — “for hands-on practice in MIDI [Musical Instrument Digital Interface] composition and recording techniques.” (Id. at ¶ 60). Similarly, instrumental lessons provide “hands-on learning in [Defendant’s] vocal and instrumental studios on a weekly basis.” (Id.). Defendant offers classes that require “small studio

performance[s] at the end of the semester” and “live hearings of student works,”

4 The Jury class appears to be a graduation requirement for all Bachelor of Music students (see Am. Compl. ¶ 59 (using the notation “BM Graduation” in the course description)), but the Court cannot confidently draw this inference on the record currently before it. 4 as well as full-length recitals. (Id. at ¶¶ 59-60). Still other classes expect “visits from guest artists who [will] present … music in live performance” for students. (Id. at ¶ 60).

Further, Defendant entices students by advertising “an ongoing roster of luminaries invited to lead MSM’s high-profile master class series” and by offering “singular performance opportunities at venerable venues such as Jazz at Lincoln Center[.]” (Am. Compl. ¶ 21). Defendant describes itself as a “first- rate performing arts center” that “provides … more than 700 live performances a year,” hosted in one of “MSM’s nine performance venues” or at “off-site partner venues.” (Id.). Like many universities, Defendant attracts students by advertising its

location and community. Defendant markets itself as a “vibrant place to study and live,” offering students access to “social activities, study groups, recreation, clubs, and student organizations.” (Am. Compl. ¶ 21).

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