Federal Trade Commission v. Magui Publishers, Inc. Pierre Marcand

9 F.3d 1551, 1993 U.S. App. LEXIS 36166
CourtCourt of Appeals for the Ninth Circuit
DecidedOctober 22, 1993
Docket91-55474
StatusUnpublished

This text of 9 F.3d 1551 (Federal Trade Commission v. Magui Publishers, Inc. Pierre Marcand) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Federal Trade Commission v. Magui Publishers, Inc. Pierre Marcand, 9 F.3d 1551, 1993 U.S. App. LEXIS 36166 (9th Cir. 1993).

Opinion

9 F.3d 1551

NOTICE: Ninth Circuit Rule 36-3 provides that dispositions other than opinions or orders designated for publication are not precedential and should not be cited except when relevant under the doctrines of law of the case, res judicata, or collateral estoppel.
FEDERAL TRADE COMMISSION, Plaintiff-Appellee,
v.
MAGUI PUBLISHERS, INC.; Pierre Marcand, Defendants-Appellants.

No. 91-55474.

United States Court of Appeals, Ninth Circuit.

Argued and Submitted Oct. 6, 1993.
Decided Oct. 22, 1993.

Before: HALL and RYMER, Circuit Judges, and FITZGERALD,* District Judge.

MEMORANDUM**

Magui Publishers and Pierre Marcand (collectively, "Magui") appeal from a final judgment after a bench trial in an action by the Federal Trade Commission (FTC) under sections 5 and 13(b) of the FTC Act, 15 U.S.C. §§ 45 and 53(b), for injunctive relief and disgorgement of earnings on account of deceptive practices in the sale of art prints. We affirm.

* Beginning in approximately 1983, Magui Publishers and Pierre Marcand, its president and owner, distributed a series of limited edition etchings and lithographs which reproduced works by Salvador Dali. The works were reproduced on paper which Dali had purportedly pre-signed. Each work was accompanied by a Certificate of Authenticity and Tirage which identified the artist as "Salvador Dali." In fact, Dali had no connection with the production of Magui's prints.

Twenty-eight of the thirty-two Dali editions at issue are etchings; the other four editions are lithographs. The etchings were produced in France by Pierre Spalaikovitch, an engraver, and Pascal Giraudon, a printmaker. Each etching includes an attribution line stating that it was "by Dali," that it was "engraved by atelier Spalaikovitch," and that Giraudon was the printer and Magui the publisher. The lithographs do not include an attribution line.

The district court entered a temporary restraining order and then a preliminary injunction appointing a receiver for Magui and freezing its assets. Following a bench trial, the district court entered final judgment on March 29, 1991, ordering Magui and Marcand to pay $1.96 million in restitution and enjoining them from further misrepresentations. This timely appeal followed.

II

Magui contends that because the district court adopted verbatim the FTC's proposed findings of fact and conclusions of law, the findings should be reviewed under a less deferential standard than the clearly erroneous standard. The Supreme Court stated in Anderson v. City of Bessemer City, 470 U.S. 564 (1985) that "even when the trial judge adopts proposed findings verbatim, the findings are those of the court and may be reversed only if clearly erroneous." Id. at 572. However, this court has stated that although review is for clear error when findings are adopted verbatim, " 'close scrutiny' of the record is appropriate." Kern Oil & Refining Co. v. Tenneco Oil Co., 792 F.2d 1380, 1385-86 (9th Cir.1986), cert. denied, 480 U.S. 906 (1987); see also General Signal Corp. v. Donallco, Inc., 787 F.2d 1376, 1379 n. 2 (9th Cir.1986) ("When, as in this case, the district court has adopted the findings of the prevailing party verbatim we review the findings with special scrutiny.").

A district court's evidentiary rulings "are reviewed for abuse of discretion and will not be reversed absent prejudice." Roberts v. College of the Desert, 870 F.2d 1411, 1418 (9th Cir.1988).

Questions of law are reviewed de novo. Anderson v. United States, 966 F.2d 487, 489 (9th Cir.1992).

III

and

Magui argues that the FTC was not permitted to take judicial action in this case, but was instead required to forbid the practices in which Magui had engaged by administrative rulemaking. Magui relies on the decision in Ford Motor Co. v. FTC, 673 F.2d 1008 (9th Cir.1981), cert. denied, 459 U.S. 999 (1992), but Ford is inapplicable to the present case, in which the practices which the FTC seeks to forbid--misrepresentation of the origin of works of art--are plainly illegal. The present adjudication does not "change[ ] existing law" or "ha[ve] widespread application." Id. at 1010. Judicial action by the FTC was therefore proper.

B

Section 5 of the FTC Act prohibits "unfair or deceptive acts or practices in or affecting commerce." 15 U.S.C. § 45(a). Deception is found "if there is a representation, omission or practice that is likely to mislead the consumer acting reasonably in the circumstances." Southwest Sunsites, Inc. v. FTC, 785 F.2d 1431, 1435 (9th Cir.) (original emphasis), cert. denied, 479 U.S. 828 (1986).

Magui contends that it never suggested that its prints were created by Dali. It argues that the FTC's customer witnesses acknowledged that they knew that the prints were not created by Dali; that the attribution line of its etchings disclosed the identity of the artists who created the prints; and that its promotional materials and 1987 letter to retailers specifically stated that the prints were produced on paper pre-signed by Dali.

These arguments are not persuasive, because the district court's decision did not rest on a finding that Magui represented that Dali actually created the prints which it sold. Rather, it turned on Magui's misrepresenting that Dali was involved in or authorized the production of Magui's prints.

Even under "close scrutiny," the court did not clearly err in finding that Magui misrepresented Dali's involvement in the production of its prints. The certificate accompanying each print referred to the artist as "Salvador Dali" and each etching contained "by Salvador Dali" as part of its attribution line. These representations are misleading both as a matter of common sense and under the definition of "artist" in state print statutes. See Cal.Civ.Code § 1740(d) (" 'Artist' means the person who created ... or conceived of, and approved the image which is contained in, or constitutes, the master."); N.Y. Arts & Cult.Aff.Law § 11.01(1) (" 'Artist' means ... the person who conceived or created the image which is contained in or which constitutes the master from which the individual print was made."). It is undisputed that Dali had no involvement, supervisory or otherwise, in the production of Magui's master etching and lithograph plates. Second, regardless of whether the Dali signatures on Magui's prints were real, the signatures contributed to the impression that Dali had approved Magui's prints. Third, Marcand and other Magui employees stated or implied to customers that Dali was involved in the printmaking process.

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Federal Trade Commission v. Winsted Hosiery Co.
258 U.S. 483 (Supreme Court, 1922)
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Waltham Watch Company v. Federal Trade Commission
318 F.2d 28 (Seventh Circuit, 1963)
General Signal Corporation v. Donallco, Inc.
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