Fahey v. Breakthrough Films & Television Inc.

CourtDistrict Court, S.D. New York
DecidedSeptember 29, 2022
Docket1:21-cv-03208
StatusUnknown

This text of Fahey v. Breakthrough Films & Television Inc. (Fahey v. Breakthrough Films & Television Inc.) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Fahey v. Breakthrough Films & Television Inc., (S.D.N.Y. 2022).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK

SEAN P. FAHEY and DIETERICH GRAY, Plaintiffs, 21 Civ. 3208 (PAE) (SLC) ~ OPINION & ORDER BREAKTHROUGH FILMS & TELEVISION INC., BREAKTHROUGH ENTERTAINMENT, IRA LEVY, and LAUREN LEINBURD, Defendants.

PAUL A. ENGELMAYER, District Judge: This decision resolves a motion to dismiss this case, which brings copyright infringement and defarnation claims, for lack of personal jurisdiction. On September 30, 2021, pro se plaintiffs Sean P. Fahey and Dieterich Gray (collectively, “Plaintiffs” filed an amended complaint against defendants Breakthrough Films & Television, Inc. (“BFTV”), Breakthrough Entertainment (“BE”), Ira Levy, and Lauren Leinburd (collectively, “Defendants’). Dkt. 28 (“AC”). On December 1, 2021, Defendants moved to dismiss for lack of personal jurisdiction, under Federal Rule of Civil Procedure 12(b)(2), and, alternatively, for failure to state a claim, under Rule 12(b)(6). Dkt. 31 (“Motion”). On January 8, 2022, Plaintiffs filed an opposition, secking, as alternatives to dismissal for want of personal jurisdiction, jurisdictional discovery or transfer to the Southern District of California. Dkt. 36. On July 7, 2022, the Hon. Sarah L, Cave, United States Magistrate Judge, to whom this case had been referred for pretrial supervision, issued a Report and Recommendation. Dkt. 45 (“Report”). It recommended, inter alia, dismissal for lack of personal jurisdiction. 7d On July 19, 2022, Plaintiffs objected. Dkt. 46 (“P1. Obj.”). Defendants did not a file a response. For the

reasons that follow, the Court, concurring with the Report, grants the motion to dismiss for lack of personal jurisdiction. L Background A. Factual Background The Court adopts the Report’s account of the facts and procedural history. The following summary captures the limited facts necessary to assess the issues presented.' 1. The Parties Plaintiffs allege that they are television writers and owners of the copyrights for “A Life Worth Living” and “Life is Worth Living,” a television “script/screenplay[] and series pitch” for “a multi-episode historical dramatic TV series” set in the 1950s and focused on the life of Bishop Fulton J, Sheen (“the Series”). AC at 4,6. As described by Plaintiffs, the Series would have dramatized “the greatest untold story of the 20" century”: of the “bitter feud” between “the most popular man on television, Bishop Fulton Sheen” and “the most powerful man in New York, Cardinal Francis Spellman.” Id. at 6. Fahey is a citizen of Minnesota. Dkt. 1 at 2. Gray isa citizen of California. Id. at 10. In spring 2016, Plaintiffs began “negotiating the terms of a one-year pitch option agreement” with BFTV. AC at 10. BFTV and its parent company, BE, are “incorporated under the laws of Canada and maintain[] [their] principal place of business at 35 Britain Street” in Toronto, Ontario, Canada. fd. at 4. Levy, BFTV’s partner and executive producer, and Leinburd, its vice president and general counsel, see id., also resided and worked in Toronto at

The summary is drawn from the initial complaint, Dkt. 1, the AC, Dkt. 28, and attached exhibits, Plaintiffs’ opposition to the Motion, Dkt. 36, the Report, Dkt. 45, and objections to it, Dkt. 46. The Court considers Plaintiffs’ submissions, including factual allegations, with the special solicitude appropriate to pro se plaintiffs. For the purposes of resolving the motion to dismiss, the Court presumes all well-pled facts to be true and draws all reasonable inferences in favor of Plaintiffs. See Koch v. Christie's Int’l PLC, 699 F.3d 141, 145 (2d Cir. 2012).

,

all relevant times. See Dkt. 1 at 4; see, e.g, AC at Ex. 237? (email signature); see also Dkt. 33 (Ira Levy declaration). According to a RealScreen.com article published in April 2015, BE opened a New York office in early 2015. See AC at 5; id. at Ex. 307, 2. The Agreement Plaintiffs hired entertainment lawyer Josh Sandler to represent them in negotiations towards an agreement, See id. at 12. Thereafter, all “correspondence, negotiation and execution” of the agreement took place via Sandler, who communicated with Plaintiffs and Defendants remotely from his law firm’s office in New York. See Dkt. 36 at 11. On September 1, 2016, Plaintiffs entered into a one-year pitch option agreement (“Agreement”) with BE. AC at 14; see id. at Ex. 2. Relevant here, it granted BFTV the “exclusive right” to pitch “a television mini-series created by [Plaintiffs] for a 12-month period, with a pre-expiration option to extend that period, by mutual written agreement, for another six months. /d at Ex.2. The Agreement also authorized BFTV “49 change” Plaintiffs’ pilot script “if BFTYV feels... that it would assist in [] development and/or licensing.” Id. The Agreement provided that, upon its expiration, BFTV would negotiate in good faith, should Plaintiffs seek to acquire “creative materials (such as scripts or other materials)” for which BFTV had “pafid] out of its own pocket.” But, it provided, Plaintiffs had no “obligation to acquire such materials from BFTV” and could proceed with their original materials after the Agreement’s expiration, and “neither BFTV nor any such affiliate shall make any claim with respect thereto.” Jd The Agreement included a California choice-of-law clause. See id, Pursuant to the Agreement, BFETV hired Angus Fraser to rewrite Plaintiffs’ pilot script. fd at 14.

* The AC and exhibits were filed as a single document. Accordingly, “AC” followed by a page number refers to the AC’s substance, and “AC” followed by an exhibit number refers to the corresponding exhibit.

; .

The parties did not choose to exercise the Option Extension. /d@ at 25. On August 31, 2017, the Agreement expired. fd. 3. The 2020 Letter On January 6, 2020, the Sheen Center for Thought and Culture in New York City (“Sheen Center”) entered a contract with Plaintiffs to be artists in residence for spring 2020. Id. at 34. On February 26, 2020, the AC alleges, the Sheen Center received a letter from BFTV general counsel Leinburd (“the Letter”). /d. It made “defamatory and libelous claims with regard to BFTV’s ownership of the ‘Bishop Sheen Project’” and “threatened potential liability toward The Sheen Center.” Jd. at 25-26; id. at Ex. 302. According to the AC, BFTV’s Letter falsely claimed that a script in development by Plaintiffs “directly lift[ed]” from BFTV- developed scripts—in particular, creative elements dramatizing the rise of Catholic power throughout the United States that BFTV employee Fraser had “brought to the project” and were “owned by Breakthrough.” Id. at 26-27. The Letter also allegedly “libelously claim[ed]” that Fraser had added Cardinai Spellman as a character to BFTV’s script, whereas in fact, Plaintiffs owned the copyright to “[a]ny story elements used by Fraser related to Spellman and his relationship to Sheen.” fd. at 28. “Fearing litigation,” the Sheen Center exercised its contract right to terminate Plaintiffs as artists in residence. Jd. at 26. In spring 2020, BE, through its distribution head, Nat Abraham, initiated “license commitments with major US networks and cable channels including Discovery, CBS, Lifetime, and A&E,” each headquartered in New York. Jd. at 5; id. at Ex. 308.

B. Procedural History 1. Fahey and Gray’s Claims and Defendants’ Motion to Dismiss On April 13, 2021, Plaintiffs filed the original complaint. Dkt. 1. On May 11, 2021, the case was reassigned to this Court, which, on May 12, 2021, referred it to Judge Cave for general pretrial supervision. Dkt. 8. On August 2, 2021, Defendants moved to dismiss the complaint under Fed. R. Civ. P.

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Fahey v. Breakthrough Films & Television Inc., Counsel Stack Legal Research, https://law.counselstack.com/opinion/fahey-v-breakthrough-films-television-inc-nysd-2022.