Estate of Margaret Kainer v. Christies Inc.

CourtAppellate Division of the Supreme Court of the State of New York
DecidedJune 4, 2026
DocketIndex No. 650026/13|Appeal No. 6402|Case No. 2025-02278|
StatusPublished
AuthorHiggitt

This text of Estate of Margaret Kainer v. Christies Inc. (Estate of Margaret Kainer v. Christies Inc.) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Estate of Margaret Kainer v. Christies Inc., (N.Y. Ct. App. 2026).

Opinion

Estate of Margaret Kainer v Christies Inc. - 2026 NY Slip Op 03506
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Law Reporting
Bureau
Thomas J.K. Smith, State Reporter

Estate of Margaret Kainer v Christies Inc.

2026 NY Slip Op 03506

June 4, 2026

Appellate Division, First Department

Higgitt, J.

Published by New York State Law Reporting Bureau pursuant to Judiciary Law § 431.

This decision is uncorrected and subject to revision before publication in the Official Reports.

Estate of Margaret Kainer et al., Plaintiffs-Appellants,

v

Christies Inc., Defendant-Respondent, John Doe et al., Defendants.

Supreme Court, Appellate Division, First Judicial Department

Decided and Entered: June 04, 2026

Index No. 650026/13|Appeal No. 6402|Case No. 2025-02278|

Sallie Manzanet-Daniels

John R. Higgitt LlinÉT M. Rosado Kelly O'neill Levy Margaret A. Chan

Krauss PLLC, New York (Geri S. Krauss of counsel), for appellants.

Womble Bond Dickinson (US) LLP, New York (Joseph A. Patella of counsel), for respondent.

Plaintiffs appeal from an order of Supreme Court, New York County (Melissa A. Crane, J.), entered on or about April 3, 2025, which denied their motion to renew so much of defendant Christie's Inc.'s motion to dismiss the action pursuant to CPLR 327, to the extent that motion was resolved by the imposition of a stay of this action against Christie's pending resolution of a final determination in the European court(s) regarding whether plaintiffs are the lawful heirs of Margaret Kainer, or, alternatively, to vacate the stay.

Higgitt, J. [*1]

In this action, plaintiffs, the putative heirs of the owner of a Nazi-looted painting, seek the painting's return and damages from those they allege deprived them of their rights to the work. Approximately nine years ago, a stay was issued suspending the proceedings to permit European courts to resolve the issue of the identity of the lawful heirs to the owner of the painting. Notwithstanding that no such resolution has been achieved, we agree with plaintiffs that the stay should be vacated, and this long-dormant New York action seeking justice for a plunder that occurred in the "unique and horrific circumstances of World War II and the Holocaust" should move forward (Estate of Kainer v UBS AG, 37 NY3d 460, 467 [2021] [internal quotation marks omitted]). Public policy, the particular circumstances of this case, and fundamental fairness compel that conclusion.

I.

The facts, based largely on plaintiffs' allegations and the parties' representations in their respective court filings, have previously been recounted by this Court and the Court of Appeals (see id., affg 175 AD3d 403 [1st Dept 2019]). The information critical to the resolution of this appeal bears repeating.

Over 90 years ago, Ludwig and Margaret Kainer, a Jewish couple, lived in Germany. The Kainers left Germany in 1932 and did not return. After living as refugees in Switzerland during World War II, the Kainers moved to France. Ludwig predeceased Margaret, who died a French domiciliary in 1968, childless and without a will.

At the time the Kainers left Germany, Margaret owned an impressive art collection comprising over 400 works. One of those works was a painting by Edgar Degas entitled Danseuses (the painting). In 1935, Margaret's art collection was looted by the Nazis, and sold at an auction of valuables stolen from Jewish victims. Over the years following the 1935 sale of Margaret's art collection, the works have dispersed throughout the international art community.

According to plaintiffs, defendants UBS AG and UBS Global Asset Management (Americas), Inc. or their predecessors (the UBS defendants) were entrusted by Margaret's father, Norbert Levy, to manage particular trusts for the benefit of the father's family, including Margaret. Those defendants, however, created a trust, defendant Norbert Stiftung (the Foundation), that they then used to obtain, control, and own — and thereby misappropriate — all of the family's assets, including the painting. To facilitate the misappropriation of the assets, the UBS defendants and the Foundation represented to Swiss and German authorities that Margaret had no heirs. The Foundation claims that it owned the rights to the painting by virtue of, among other things, a 1972 "certificate of partial inheritance" issued by German authorities.

[*2]

In 2009, defendant Christie's Inc., a world-renowned auction house, solicited and facilitated a "restitution settlement agreement" with the Foundation. Purporting to act under color of right, the Foundation renounced any rights it had as the heir to the painting. That renunciation removed any cloud on the title of the painting, making it marketable for the Japanese gallery that then possessed it.

Utilizing the restitution settlement agreement, Christie's facilitated a November 2009 private sale of the painting for $6 million. It is not obvious whether the sale entailed the Japanese gallery's purchase of the painting from the Foundation or the Japanese gallery's sale of the painting to a third party. Under the restitution settlement agreement, the Foundation received $1.8 million as a result of the private sale. Shortly after the private sale, the painting was put up for public auction at Christie's in New York, yielding a winning bid of over $10 million by an undisclosed bidder. Christie's received a commission or commissions for the private and public sales. Plaintiffs, unaware of these transaction, received nothing.

II.

A.

In 2013, plaintiffs, putative heirs of Margaret or their estates' executors, commenced this action against the UBS defendants, the Foundation, and Christie's, seeking redress for an alleged scheme to deprive plaintiffs of their rights to recover the painting. Plaintiffs, who insist that they are the only lawful owners of Margaret's property, rest their assertions of heirship on "certificates of inheritance" issued to them in 2012 in a quasi-judicial French legal proceeding.

As against Christie's, plaintiffs asserted causes of action for unjust enrichment, conversion, and aiding and abetting breach of fiduciary duty. Plaintiffs claim that Christie's played an integral role in the scheme to deprive them of their rights with respect to the painting: Christie's knew that victims of Nazi thefts or their heirs were seeking to recover looted artwork or restitution for it; that the art market was seriously impacted by questions of title relating to Nazi-looted artwork; that in order to facilitate a robust market for a work of art associated with Nazi theft, title to the work had to be quieted; and that Christie's was well-positioned to aid in legitimizing title to a suspect work. Moreover, plaintiffs claim that in light of its expertise in vetting artwork, Christie's knew or should have known that the Foundation did not have rights to the painting.

B.

[*3]

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