Epidemic Sound, AB v. Meta Platforms, Inc.

District Court, N.D. California·Decided August 28, 2025·No. 3:22-cv-04223·Unknown

Opinion

EPIDEMIC SOUND, AB, Case No. 22-cv-04223-JSC

Plaintiff, ORDER RE: MOTION TO STAY v. Re: Dkt. No. 275 Defendant.

Epidemic Sound, AB sues Meta Platforms, Inc., f/k/a Facebook, Inc. “to stop the theft of music . . . occurring knowingly, intentionally and brazenly by Meta on its Facebook and Instagram social media platforms on a daily basis.” (Dkt. No. 1 ¶ 1.) Now pending before the Court is Meta’s motion to stay the case “pending the Supreme Court’s decision in Cox Communications, Inc. v. Sony Music Entertainment, No. 24-171, 2025 WL 1787701 (U.S. June 30, 2025), or, in the alternative, an order continuing all case deadlines (except for expert discovery cut-off) until after the Supreme Court’s decision in Cox.” (Dkt. No. 275 at 2.) Having carefully considered the parties’ submissions, and with the benefit of oral argument on August 28, 2025, the Court GRANTS in part Meta’s motion. The Court VACATES the trial date and will hold trial after the Supreme Court’s ruling in Cox. However, the Court will proceed with summary judgment on all issues, subject to reconsideration, if appropriate, after Cox is decided. The Court understands the parties will submit a stipulation proposing modified summary judgment deadlines. “Epidemic is the owner of a catalog of over 38,000 top quality music works in over 160 Epidemic requires users to license its tracks.” (Id. ¶ 22.) “Meta has been offering, and continues to offer Epidemic’s music to all users on Meta’s platforms such as Facebook and Instagram, without authorization.” (Id. ¶ 24.) Meta’s “Music Library”—in which Meta curates and stores music for its Instagram and Facebook users to download, stream, and use in video content and posts—contains over 950 Epidemic tracks. (Id. ¶¶ 26-28.) “By including Epidemic’s Tracks in its Music Library without authorization, Meta is actively offering Epidemic’s Tracks for download, streaming, user synchronization, reproduction and distribution to its (unlicensed) users without a proper license or any other authorization from Epidemic.” (Id. ¶ 29.) The complaint alleges Meta “has actively infringed, as well as participated in, encouraged and enabled such infringement,” including by “creat[ing] tools whose primary purpose is to increase the amount of theft on Facebook and Instagram.” (Dkt. No. 1 ¶ 1.) One tool is the Original Audio feature. When a user posts a “Reel” containing music not procured from Meta’s Music Library, “Meta’s Original Audio feature presumes that such music is owned by the user posting the Reel, and then Meta includes a ‘button’ identifying that music as ‘original audio.’” (Id. ¶ 32.) Other users who view the Reel can “click on that ‘button’ to ‘rip,’ or separate that music from the video content, and use a copy of that music for themselves and, upon information and belief, to download or save ‘original audio’ to curate personal music libraries on the Meta platforms for future use.” (Id.) “In other words, the Original Audio feature allows Meta to extract, or separate the music from the original video content in which it was incorporated, and reproduce it for any of their billions of users who wish to incorporate it into their own video content, irrespective of whether Meta (or anyone else) has any authority to offer, reproduce, distribute or otherwise use that music in the first instance.” (Id. ¶ 34.) Meta’s “Reels Remix feature . . . similarly facilitates and enables massive infringements on its platforms” by “allow[ing] and encourag[ing] its users to take another user’s audiovisual content, including any music used therein whether authorized or unauthorized, and incorporate it into their own Reel, irrespective of whether anyone has the authority to synchronize or otherwise reveals that a substantial number of Epidemic’s Tracks being used without authorization on Meta’s platforms have . . . been improperly reproduced in subsequent Reels through Meta’s Original Audio and Reels Remix features.” (Id. ¶ 38.) Epidemic alleges three causes of action: (1) direct copyright infringement, (2) inducement of copyright infringement, and (3) contributory copyright infringement. (Id. at 14-17.) As part of the requested relied, Epidemic seeks “a declaration that Meta has directly and/or secondarily infringed Epidemic’s copyrights under the Copyright Act” and “a declaration that such infringement is and/or was willful.” (Id. at 18.) Epidemic filed suit in July 2022. (Dkt. No. 1.) Under the amended case schedule, the deadline for filing dispositive motions is September 11, 2025, with a hearing on November 6, 2025. (Dkt. No. 273 at 4.) The pretrial conference is scheduled for December 18, 2025, with trial scheduled to commence on January 21, 2026. (Id.) Meta moves to stay the case pending the Supreme Court’s decision in Cox, “or, in the alternative, an order continuing all case deadlines (except for expert discovery cut-off) until after the Supreme Court’s decision in Cox, such that the dispositive motions deadline is 30 days after the Supreme Court’s decision, with all other dates in the remaining schedule shifting accordingly.” (Dkt. No. 275 at 2.) Meta argues “a retrial on liability, damages, or both will likely result if the summary judgment and trial proceedings move ahead without the benefit of the Supreme Court’s forthcoming direction.” (Id. at 4.) The Supreme Court granted certiorari to review the Fourth Circuit’s decision in Sony Music Entertainment v. Cox Communications, Inc., 93 F.4th 222 (4th Cir. 2024). The defendant in that case, Cox Communications, is an internet service provider that “sells internet, telephone, and cable television service to 6 million homes and businesses across the United States.” Id. at 227. The plaintiffs are record companies and music publishers that own copyrighted musical works. Id. “Some users of Cox’s internet service infringed Plaintiffs’ copyrights by downloading internet service provider “to hold it responsible for its customers’ copyright infringement.” Id. “The jury found Cox liable for both willful contributory and vicarious infringement of 10,017 copyrighted works owned by Plaintiffs and awarded $1 billion in statutory damages.” Id. On appeal, the Fourth Circuit affirmed the jury’s contributory infringement finding. Id. at 227. “Under this theory, one who, with knowledge of the infringing activity, induces, causes or materially contributes to the infringing conduct of another is liable for the infringement, too.” Id. at 233 (cleaned up). The Fourth Circuit noted “‘mere[ ] . . . failure to take affirmative steps to prevent infringement’ does not establish contributory liability ‘in the absence of other evidence of intent.’” Id. at 236 (quoting Metro-Goldwyn-Mayer Studios Inc. v. Grokster, Ltd., 545 U.S. 913, 939 n.12 (2005)). But, the court continued, “supplying a product with knowledge that the recipient will use it to infringe copyrights is exactly the sort of culpable conduct sufficient for contributory infringement.” Id. The court concluded the evidence at trial—for example, that Cox knew of specific instances of repeat copyright infringement and chose to continue providing those users with internet access and Cox’s “increasingly liberal policies and procedures for responding to reported infringement”—“showed more than mere failure to prevent infringement.” Id. at 236- 37. The evidence was thus “sufficient to support a finding that Cox materially contributed to copyright infringement occurring on its network and that its conduct was culpable.” Id. at 237. On June 30, 2025, the Supreme Court granted certiorari on the following two questions:

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Epidemic Sound, AB v. Meta Platforms, Inc., (N.D. Cal. 2025).

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