Elvin Associates v. Franklin

680 F. Supp. 121, 1988 U.S. Dist. LEXIS 1506, 1988 WL 16810
CourtDistrict Court, S.D. New York
DecidedMarch 1, 1988
DocketNo. 85 Civ. 5723 (WK)
StatusPublished

This text of 680 F. Supp. 121 (Elvin Associates v. Franklin) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Elvin Associates v. Franklin, 680 F. Supp. 121, 1988 U.S. Dist. LEXIS 1506, 1988 WL 16810 (S.D.N.Y. 1988).

Opinion

WHITMAN KNAPP, District Judge.

In this action, plaintiff Elvin Associates, whose principal is Ashton Springer,1 alleg[122]*122es that defendants Aretha Franklin and Crown Productions, Inc. breached a contract under which Franklin was to star in a New York musical production entitled “Sing Mahalia Sing” (“Mahalia”), which plaintiff was to produce and manage. Defendants have denied that they entered into the contract upon which plaintiff is suing and have asserted a counterclaim alleging breach by plaintiff of a second contract relating to the same production.

The case is before us on defendants' motion (a) for leave to amend their answer to assert as an affirmative defense that the alleged contract, even if proven, would be unenforceable as against public policy, and (b) for summary judgment dismissing the complaint on the basis of that defense.2 For the reasons stated below, we deny leave to amend, and, of necessity, summary judgment. Plaintiff’s cross-motion for summary judgment dismissing the counterclaim due to the lack of factual basis for the damages alleged on that claim is also denied.3

BACKGROUND

The facts pertaining to defendants’ instant motions are that on or about September 22, 1982, the Attorney General of the State of New York brought suit against Springer alleging that he had engaged in unlawful and fraudulent activities with respect to the handling of funds invested by former limited partners in his production of the musical “Eubie.” Springer responded by consenting to the entry of a judgment of permanent injunction and by agreeing to make an offer of full restitution of $123,-745.95 to his former limited partners in “Eubie.” The judgment was entered in the Supreme Court, New York County, on September 27, 1982, stating that its purpose was to permanently enjoin and restrain Springer from the

issuance, offering for sale, sale, promotion, negotiation, advertisement and distribution of syndication interests in any theatrical production to the public within and from the State of New York pursuant to Article 26-A of the General Business Law of this State.

The judgment provides, inter alia, that Springer

“is restrained and enjoined permanently from directly or indirectly engaging or attempting to engage in the issuance, offering for sale, sale, promotion, negotiation, advertising and distribution of any offering of syndication interests in any live-staged dramatic plays or dramatic musical production which hereafter are intended to be shown to the public for profit, and are financed wholly or in part by the offering or sale in or from this State, directly or through agents or distributors, of investment agreements, evidences of interest, limited partnerships, producer’s shares, equity or debt securities, pre-organization subscriptions or any other syndication participation when any persons are offered, solicited to purchase or sold directly or indirectly such syndication interests for money or services within or from the State of New York unless and until [Springer has] complied with Article 26-A of the General Business Law including the filing of certified [123]*123financial statements with the Department of Law for ‘Daddy Goodness,’ and ‘Whoopee’ within one year from the entry of this Judgment; and ... that [Springer shall] make an offer of full restitution to all investors in the Eubie Company who have not executed a waiver of their right to receive full restitution ...” Id.

Defendants contend that Springer’s plan for financing the production of “Mahalia” violated the September 1982 injunction. Defendants claim that, notwithstanding the injunction, Springer sought to finance the musical show at issue in this action (“Mahalia”) by soliciting funds from potential limited partner investors throughout the country, including the Nederlander Organization, Irwin Meyer, Steven Friedman, Ronald Avis, Sam L’Hommedieu, Greg Reed and Moe Septee. They assert that Springer circulated an investment agreement in the form of a proposed Limited Partnership Agreement to most of the prospective investors, seeking a capitalization of $500,000-$600,000. They further contend that Springer spent approximately $93,000 of his own money on the production of “Mahalia,” instead of paying restitution to the “Eubie” investors, and that he failed to make the filings called for by the consent judgement.

Plaintiff admits that he has not entirely complied with all the requirements of the injunction, but denies that his financing of “Mahalia” violated the injunction. Plaintiff first argues that the correct interpretation of the injunction is that it only prevents him from attempting to solicit funds from “the public.” He claims he is permitted under the terms of the decree to finance a theatrical production with his own funds or those of private investors. In support of this claim, plaintiff argues that the safeguard and enforcement provisions of Article 26-A of the General Business Law and its successor statute Article 23 of the Arts and Cultural Affairs Law of New York are intended to protect members of the general public who lack the expertise and familiarity the entertainment industry necessary to evaluate the risks inherent in investing in legitimate stage productions.

Plaintiff further contends that he did not finance “Mahalia” with funds solicited from the public, but instead sought financing entirely from sources within the entertainment industry who were to co-produce “Mahalia” with him. These sources included Irwin Meyer and Steven Friedman, who are experienced Broadway producers of such productions as “Annie,” and the Nederlander Organization, which owns or controls legitimate state theatres throughout the United States and which co-produced “La Cage Aux Folies.” Plaintiff also intended to approach for funds local promoters or presenters in other cities who would also be co-producers, including Sam L’Hommedieu, Moe Septee and Greg Read. In addition, plaintiff claims he borrowed money from various private sources in order to keep the production of “Mahalia” going.

At oral argument, it was learned that the Attorney General of the State of New York has been alerted by defendants to plaintiff’s conduct in financing “Mahalia,” and that the Attorney General has thus far taken no steps to bring contempt proceedings against Springer.

DISCUSSION

Defendants assert that the contract Springer alleges to have entered into with Franklin is unenforceable as against public policy, because his ability to perform the contract depended upon his violation of the injunction. Defendants rely primarily on Reiner v. North American Newspaper Alliance (1932) 259 N.Y. 250, 181 N.E. 561, the so-called “Graf Zeppelin” case, in arguing that a court may not aid a wrongdoer or lawbreaker by enabling him to recover on a contract that derives from or depends upon his unlawful conduct. In Reiner, plaintiff sued to obtain payment for news dispatches he had sent during the Graf Zeppelin’s first transatlantic voyage. However, by contracting to send those dispatches, plaintiff had knowingly violated a third party’s exclusive right to transmit news reports from the zeppelin. Plaintiff had also violated an express condition of his passage, namely, that he refrain from [124]*124wiring news dispatches during the voyage.

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Bluebook (online)
680 F. Supp. 121, 1988 U.S. Dist. LEXIS 1506, 1988 WL 16810, Counsel Stack Legal Research, https://law.counselstack.com/opinion/elvin-associates-v-franklin-nysd-1988.