Edwards v. Hall

234 Cal. App. 3d 886, 285 Cal. Rptr. 810, 91 Cal. Daily Op. Serv. 7837, 91 Daily Journal DAR 11928, 19 Media L. Rep. (BNA) 1969, 1991 Cal. App. LEXIS 1116
CourtCalifornia Court of Appeal
DecidedSeptember 26, 1991
DocketB050513
StatusPublished
Cited by12 cases

This text of 234 Cal. App. 3d 886 (Edwards v. Hall) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Edwards v. Hall, 234 Cal. App. 3d 886, 285 Cal. Rptr. 810, 91 Cal. Daily Op. Serv. 7837, 91 Daily Journal DAR 11928, 19 Media L. Rep. (BNA) 1969, 1991 Cal. App. LEXIS 1116 (Cal. Ct. App. 1991).

Opinion

*890 Opinion

DEVICH, Acting P. J .

Plaintiff Willis Edwards appeals from the summary judgment entered in favor of defendant Arsenio Hall in this defamation action. We find that triable issues of material fact exist and, accordingly, reverse the judgment.

Background

In November 1988, Hall was in the preproduction phase of “The Arsenio Hall Show” (AHS), a nationally syndicated talk show. Edwards, who was then the president of the Beverly Hills/Hollywood chapter of the National Association for the Advancement of Colored People (NAACP), requested a meeting with Hall to discuss allegations that the hiring practices of AHS were discriminatory against Blacks. Such a meeting occurred on November 30, 1988 (the November 30 meeting). 1

On January 5, 1989, following the premier of AHS, The Los Angeles Sentinel (The Sentinel) published an article wherein Edwards was quoted as stating: “ ‘Once again, we are being utilized as a viewing audience and as on-camera talent, but ignored in the key positions such as directors, producers or writers.’ ” 2

Hall, upset both by Edwards’s comments and by The Sentinel’s failure to obtain his side of the story, arranged for an interview with The Sentinel, which took place on January 12, 1989 (The Sentinel interview). The following is a portion of the colloquy which transpired between one of the two reporters and Hall during the course of The Sentinel interview:

“[Hall:] I have a letter that Benjamin Hooks and a couple people in the higher levels at the NAACP sent me and made [Edwards] sign it, apologizing for his behavior.
“[Reporter:] Got copies of this?
*891 “[Hall:] Yes. I have copies of that letter. I also have a copy from the second in charge at the Beverly Hills branch of NAACP apologizing for the way he’s handled the situation. Apologizing for going and making statements to the press that he said I said, um, and asking me if they could talk to me and start all over. And I’ll explain something. Because there were things that were done that are good. Like in a meeting, he asked me for $40,000. See this wouldn’t even . .
“[Reporter:] Why?
“[Hall:] He wanted a donation.
“[Reporter:] Did you give the man 40 k?
“[Hall:] No, absolutely. And I told my manager I’d whip his ass if he gave him 40. Cause what happened is I found out Ed Weinberger, who is the producer for . . Amen, which is a Carson production, see, I start wondering, why hasn’t anybody been going to Merv and Carson. A lot of these people give donations to the NAACP. And they get left alone. They get left alone.
“[Hall:] Find out how much Ed Weinberger has given a donation to Willis Edwards recently and see if he’s been fucked with. See if Johnny Carson’s been fucked with, see if Carson Productions gave some money.
“[Reporter:] [W]here [did Edwards] get the, the notion, that only six [Black] people [work for AHS?]
“[Hall:] He got it because he asked me for $40,000 and I said kiss my Black ass. I hope the tape recorder is working.
“[Reporter:] Did you, did you give him a reason why, formally, why you didn’t give him the money?
“[Hall:] You know what. . . you know what. Okay, let me, let me clarify the situation so that you. First of all, I think he’s a fuckin’ extortionist and think he uses his position to ah. . . to take advantage . . .
*892 ((
“[Hall:] Of a lot of people . .
“[Hall:] And they’re afraid of the pressure that he’ll bring down.
“[Hall:] Because, think about it. I’m the first Black man ever to do a late night talk show and you’ve never heard this in relationship to Johnny Carson, Merv Griffin or anybody. There is something going on, brother. Think about it. I ain’t givin’ up no money. Now, let me tell you something else. Let me tell you something else. We aint goin to get into the fact that he was drunk when he came to my office.
“[Reporter:] Once again, don’t get me wrong, but right, you didn’t give him a reason why . . .
“[Hall:] That I didn’t give him the money?
“[Reporter:] Yeah.
“[Hall:] Because I felt I was being extorted.
“[Reporter:] Okay. Great.
“[Hall:] Extorted.
“[Reporter:] Okay.
“[Hall:] Okay?
“[Reporter:] Great.
“[Hall:] I felt I was being extorted. I felt that, um, I felt that there had to be a reason why nobody before I was alive had been, you know, why ain’t somebody on Johnny’s case. I done a Johnny Carson Show. I went on there and they tried to make me act white, you know . . . it’s like, that’s how white it was. It was like when you get there, they try to make Black people white. It’s like nobody has come down . . . And I was wondering, why is this happening? Somebody told me on the QT, they said, ‘You know Ed Weinberger, Amen, you know, Ed Weinberger is with Carson Productions.’ I *893 said, ‘So?’ Willis gets donations from them. And I said. ‘Oh. I said Willis did ask me for $40,000.’ ’’
On January 19, 1989, The Sentinel published an article discussing its interview with Hall under the headline “Hall: NAACP President ‘An Extortionist.’ ” 3

*894 On January 14, 1989, Hall was interviewed by radio station KACE. The following excerpts are from the taped interview (the KACE interview):

“[Interviewer]: Well, there’s an article on your wall outside, and you talk about black people and how much we must stick together. You come from Cleveland—a black neighborhood there—and it’s obvious that you have the aims and objectives to help other black people get to positions that you are in, or producers, writers, etcetera. We know where your heart is. We just want to know what the timetable is.
“[Hall]: The timetable on what?
“[Interviewer]: Trying to hire more blacks so, you know, the ones—the positions that you have control over, trying to get blacks into those positions.
“[Hall]: How many blacks do I have working for me?
“[Interviewer]: I have no idea. I am here for you to set the record straight.

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Bluebook (online)
234 Cal. App. 3d 886, 285 Cal. Rptr. 810, 91 Cal. Daily Op. Serv. 7837, 91 Daily Journal DAR 11928, 19 Media L. Rep. (BNA) 1969, 1991 Cal. App. LEXIS 1116, Counsel Stack Legal Research, https://law.counselstack.com/opinion/edwards-v-hall-calctapp-1991.