Edelmania Production, LLC v. Jordan Service

CourtDistrict Court, C.D. California
DecidedJanuary 26, 2023
Docket2:22-cv-02484
StatusUnknown

This text of Edelmania Production, LLC v. Jordan Service (Edelmania Production, LLC v. Jordan Service) is published on Counsel Stack Legal Research, covering District Court, C.D. California primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Edelmania Production, LLC v. Jordan Service, (C.D. Cal. 2023).

Opinion

Case 2:22-cv-02484-ODW-PVC Document 38 Filed 01/26/23 Page 1 of 16 Page ID #:386

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8 United States District Court 9 Central District of California

11 EDELMANIA PRODUCTIONS, LLC et Case № 2:22-cv-02484-ODW (PVCx) al., 12 Plaintiffs, ORDER DENYING MOTION FOR 13 v. JUDGMENT ON THE PLEADINGS 14 AS TO COMPLAINT [25] AND JORDAN SERVICE, 15 GRANTING IN PART AND 16 Defendant. DENYING IN PART MOTION TO

DISMISS COUNTERCLAIM [24] 17 18 I. INTRODUCTION 19 Plaintiffs Josh Edelman and Edelmania Productions, LLC initiated this suit 20 against Defendant Jordan Service, and Service, proceeding pro se, answered and 21 counterclaimed against Plaintiffs. (See Compl., ECF No. 1; Answer & Countercl., 22 ECF No. 22.) Plaintiffs move for judgment on the pleadings as to their Complaint 23 under Federal Rule of Civil Procedure (“Rule”) 12(c), (Mot. J., ECF No. 25), and also 24 to dismiss Service’s Counterclaim under Rule 12(b)(6), (Mot. Dismiss, ECF No. 24). 25 For the following reasons, the Motion for Judgment on the Pleadings is DENIED, and 26 the Motion to Dismiss is GRANTED IN PART and DENIED IN PART.1 27

28 1 Having carefully considered the papers filed in connection with the motions, the Court deemed the matters appropriate for decision without oral argument. Fed. R. Civ. P. 78; C.D. Cal. L.R. 7-15. Case 2:22-cv-02484-ODW-PVC Document 38 Filed 01/26/23 Page 2 of 16 Page ID #:387

1 II. BACKGROUND 2 For purposes of Plaintiffs’ Rule 12(b)(6) and Rule 12(c) motions, the Court 3 accepts Service’s well-pleaded counterclaim allegations as true. Lee v. City of Los 4 Angeles, 250 F.3d 668, 688 (9th Cir. 2001) (Rule 12(b)(6)); McGlinchy v. Shell Chem. 5 Co., 845 F.2d 802, 810 (9th Cir. 1988) (Rule 12(c)). By contrast, for the purpose of 6 Plaintiffs’ Rule 12(c) motion, the Court accepts as true the allegations in Plaintiffs’ 7 Complaint to the extent Service had an opportunity to respond and did not object. 8 Qwest Commc’ns Corp. v. City of Berkeley, 208 F.R.D. 288, 291 (N.D. Cal. 2002). 9 Plaintiffs request judicial notice of the pleadings and attached exhibits in this 10 case. (Reqs. Judicial Notice, ECF Nos. 24-4, 25-2.) Service does not object or 11 oppose. (See generally Opp’n, ECF No. 28.) The Court takes judicial notice of the 12 copyright registrations, as documents issued by the Copyright Office. See Fed. R. 13 Evid. 201; Marcus v. ABC Signature Studios, Inc., 279 F. Supp. 3d 1056, 1063 14 (C.D. Cal. 2017). The Court does not take judicial notice of the pleadings in this case, 15 but instead considers them pursuant to the appropriate legal standards. Finally, the 16 remaining documents Plaintiffs identify in their Requests are materials that have been 17 incorporated by reference in the Complaint or Counterclaim, and the Court considers 18 them accordingly. United States v. Ritchie, 342 F.3d 903, 908 (9th Cir. 2003) (“Even 19 if a document is not attached to a complaint, it may be incorporated by reference into 20 a complaint if the plaintiff refers extensively to the document or the document forms 21 the basis of the plaintiff’s claim.”). 22 A. FACTUAL BACKGROUND 23 Edelman and Service are both producers and directors in the movie industry. 24 (Countercl. ¶ 1.) In 2015, Edelman contacted Service regarding filming a 25 documentary about comedian Al Lubel (“Documentary”). (Id. ¶¶ 3–5.) In the 26 beginning, Edelman and Service discussed the Documentary as a co-production, with 27 Edelman acting as the director and producer, and Service as the cinematographer and 28

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1 producer. (Id. ¶ 6.) Filming began in 2016, and by 2017, Edelman and Service were 2 completing post-production. (Id. ¶¶ 7–8.) 3 In December 2017, Edelman and Service developed pitch decks to market the 4 Documentary. (Id. ¶¶ 8–9.) Service added a copyright notice to the draft pitch deck. 5 (Compl. ¶¶ 24–26; Answer 4:5.2) Edelman did not object. (Answer 4:5.) Thus, the 6 draft pitch deck, dated December 8, 2017, and the revised pitch deck, dated 7 December 31, 2017, both included: “(c) 2017 Joshua Edelman, Jordan Service, Al 8 Lubel.” (See Compl. ¶¶ 26, 28, Exs. E (12/8/17 pitch deck), G (12/31/17 pitch deck); 9 see also Answer 4:4–5, 15–16.3) 10 In the spring of 2018, Edelman and Service began to disagree about Service’s 11 role in the Documentary, particularly with respect to submitting to film festivals and 12 sales efforts going forward. (See Countercl. ¶¶ 10–13.) Despite these tensions, on 13 May 7, 2018, Edelman assured Service that he was not trying to renegotiate their 14 agreement. (Id. ¶ 14.) On May 16, 2018, at their next meeting in the normal course of 15 business, Edelman presented Service with a one-page agreement (the “Agreement”), 16 which Edelman explained authorized Edelman to market and sell the Documentary. 17 (Id. ¶¶ 15–17; Compl. ¶¶ 34–35.) The Agreement included the following provisions. 1. Jordan Service is to receive 20%, in perpetuity, of the sale of the Al 18 Lubel Documentary currently titled “Mentally Al.” His percentage is 19 based on a 40/40/20 split between Al Lubel, Joshua Edelman, and Jordan 20 Service. [“Profit-Sharing Provision” or “clause-1”] . . . 21 8. Joshua Edelman is 100% in control of all creative and financial 22 decisions involving the documentary and comedy special. 23 9. Joshua Edelman maintains 100% of the rights to the intellectual property of the documentary and comedy special. [“Ownership 24 Provisions”] 25 26

2 Service does not use paragraphs in the Answer-portion of his responsive pleading. Thus, when 27 citing Service’s Answer, the Court cites page and line numbers. 28 3 Service denies the allegations in paragraphs 26 and 28 of the Complaint only in part; he does not deny that he added the copyright notice or that it appears in the revised pitch deck.

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1 (Compl. Ex. A (“Agreement”), ECF No. 1-1.) Edelman downplayed the significance 2 of the Agreement, but Service could tell it was important to Edelman, and Service felt 3 pressured to sign in order to keep the peace. (Countercl. ¶ 16.) Service was 4 “reassured” that the first clause “establishe[d]” Lubel, Edelman, and Service as a 5 “team,” and confirmed “100 [sic] of the project belong[ed] to” the team “based on a 6 40/40/20 split.” (Id.) He also observed, and was similarly reassured, that “[t]here was 7 no mention of ‘work for hire’ nor ‘transference of copyright.’” (Id.) Accordingly, 8 Service signed the Agreement. (See Countercl. ¶¶ 16–17; Compl. ¶ 34; Answer 5:22.) 9 Sixteen months later, on September 1, 2020, Edelman’s production company, 10 Edelmania, entered into a ten-year exclusive license agreement with Comedy 11 Dynamics, for “all distribution and exploitation rights of every kind in and relating to” 12 the Documentary. (Compl. ¶¶ 1, 37.) Comedy Dynamics licensed the Documentary 13 to various video-on-demand platforms, including Amazon and Vimeo. (Id.) Service 14 denies “any specific knowledge” regarding these allegations. (Answer 9:21–23.) 15 However, he alleges he was aware of the Comedy Dynamics deal, although he played 16 no substantive part in the negotiations and never saw a “detailed plan” or formal 17 paperwork relating to the deal. (Id.; Countercl. ¶¶ 21–29.) 18 On February 11, 2021, after attempting unsuccessfully to obtain more 19 information regarding the Comedy Dynamics deal, Service registered the 20 Documentary with the U.S.

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Edelmania Production, LLC v. Jordan Service, Counsel Stack Legal Research, https://law.counselstack.com/opinion/edelmania-production-llc-v-jordan-service-cacd-2023.