Eastman Kodak Company, a Corporation v. John C. Hendricks

262 F.2d 392, 1958 U.S. App. LEXIS 3441
CourtCourt of Appeals for the Ninth Circuit
DecidedDecember 2, 1958
Docket15476
StatusPublished
Cited by8 cases

This text of 262 F.2d 392 (Eastman Kodak Company, a Corporation v. John C. Hendricks) is published on Counsel Stack Legal Research, covering Court of Appeals for the Ninth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Eastman Kodak Company, a Corporation v. John C. Hendricks, 262 F.2d 392, 1958 U.S. App. LEXIS 3441 (9th Cir. 1958).

Opinion

*393 CHAMBERS, Circuit Judge.

Eastman Kodak Company has developed 1,000 feet (10 reels) of color film which it originally sold to Hendricks, the sale price including the developing service. Eastman refuses to return the film to Hendricks, although he owns it. The reason given for the refusal is that Eastman believes that which is depicted on the film after developing is obscene; that to return the film would put it in the unhappy situation of having violated the obscenity statutes of California and the City of Los Angeles.

Hendricks does not question Eastman’s good faith in the matter, just its judgment. A complaint seeking recovery of the film and damages for retention was filed in the United States District Court for the Southern District of California. Diversity of citizenship plus requisite value was the basis of jurisdiction there. Damages went out of the case below, but the district court after a jury trial with special interrogatories entered judgment for the plaintiff. Eastman, dissatisfied, appeals.

As a preface for a discussion of the jury verdict, the judge’s decision and the applicable law, some description of the films should be given. Each roll of film involves a wriggling young woman doing a solo “strip tease” dance. It would appear that three women take their turns in portraying various types of burlesque dances. One is a tall blonde with extremely large bust, approaching bovinity. A second is a tall, slender brunette with medium bust, and the third is a very slender brunette with small bust.

There is no testimony that the films were produced for men’s smokers and one cannot say that such was the purpose. However, one would not have to be too worldly, in looking for a short description of the films, to come up with the description: “Cheap movies made for men’s smokers,” with the connotations such description would bear. Each reel with its dancer has some poor background music. A few pieces of mean scenery are shifted from here to there from film to film, sufficing to portray' most any period, most any place.

As the music proceeds with its monotonous grind, the star of the act comes on and writhes and wriggles as she sometimes awkwardly, sometimes deftly peels off clothing item by item. Complete nudity is never achieved. Usually the shoes are retained, but the clothing left would amount to no more in size than two fifty cent pieces for the upper anterior part of the torso and a fig leaf, junior size. The dancing, about as lacking in merit as the scenery, does not achieve what might be called in the trade, “hard bumps and grinds;” just soft ones. The blonde perverting her breasts from the use for which they were intended and throwing them into, first, clockwise and then, counterclockwise motion puts on a show most apt to be remembered. Further, as an attempt to state the facts, it seems fair to say that when the films are exhibited in sequence, the first minute or two the product tends at least to be provocative. But as the films grind on their weary way, one is soon surfeited and eventually nausea begins to stir. What one’s reaction would be if partially or wholly inebriated while viewing the films has not been researched.

Further, by way of statement of fact rather than law, it is probably fair to say that the product does not reach the status of “hard core pornography,” which term is probably understandable by all and to the proscription of which there is no judicial dissent anywhere in this country.

The jury (requested by defendant) was given special interrogatories, and answered each. The interrogatories and answers on the verdict were as follows:

“Special Verdict
“We, the jury in this action, unanimously find the following special verdict:
“Question 1. Is the film lewd, obscene, indecent, lascivious, or immoral?
*394 “Answer: Yes.
“Question 2. Does said film tend to corrupt the morals of youth?
“Answer: Yes.
“Question 3. Does said film tend to corrupt the morals of others than youth ?
“Answer: No.
“Question 4. Does the film depict any immoral, indecent, lewd or lascivious act or suggestion ?
“Answer: Yes.
“Question 5. Does the film delineate any material in such a manner as to offend public morals or decency?
“Answer: Yes.
“Question 6. Is the exhibition of said film contrary to good morals?
“Answer: Yes.”

(The interrogatories submitted were agreed to by counsel.)

Parenthetically, one can muse that the jury’s answer that the film does not tend to corrupt the morals of others than youth is the average human being’s reaction that: “Of course such things can’t corrupt me.”

The district court on December 18, 1956, filed a written opinion and judgment was entered on December 26, 1956, directing the return of the film by Eastman to Hendricks. It is apparent that Eastman does have a problem with the various films of the burlesque type which come to it for processing. The company looks for a definitive decision, a guide which it can rely upon in other cases. In that, it would be a good guess that it may never be satisfied. The law would seem to be in a state of flux and if one can settle upon words for a test, still there will be many, many borderline cases wherein an individual’s judgment cannot be an insurable risk.

Adverting to the ground of decision below, the trial court was greatly impressed with the plaintiff’s contention that the reels in suit were just part of a production to be entitled, “A Day in the Life of Jennie Lee.” (Jennie Lee was described by Hendricks as one of the most prominent burlesque stars on the circuit today.) It thought the incompleteness of the segments and the fact that they were unedited was important. Apparently the thought of the court was that in context the film might be redeemed when “A Day in the Life of Jennie Lee” was complete. Such reasoning this court cannot accept. Here Hendricks, while expansive about his film, was nonetheless vague about how he would have any theme or plot over and above a strip tease presentation. If one assumes arguendo, that the film depicts hard core pornography, surely the burden would shift to Hendricks to show that his ultimate product in context would be something different. Similarly, it would seem the same rule would apply if the film as it is now transcends applicable standards.

This Court has no desire to set itself up as a censor of literature, of art or of such alleged art as is to be found here. It is a dangerous power.

But one must try to find the law — and apply it. Since the trial court handed down its decision herein on the purported “Day in the Life of Jennie Lee” the Supreme Court has been in the field at least six times. The first recent case is Kingsley Books, Inc., v. Brown, corporation counsel, 354 U.S. 436, 77 S.Ct. 1325, 1326, 1 L.Ed.2d 1469, decided June 24, 1957.

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262 F.2d 392, 1958 U.S. App. LEXIS 3441, Counsel Stack Legal Research, https://law.counselstack.com/opinion/eastman-kodak-company-a-corporation-v-john-c-hendricks-ca9-1958.