Duenewald Printing Corp. v. G. P. Putnam's Sons

276 A.D.2d 26

This text of 276 A.D.2d 26 (Duenewald Printing Corp. v. G. P. Putnam's Sons) is published on Counsel Stack Legal Research, covering Appellate Division of the Supreme Court of the State of New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Duenewald Printing Corp. v. G. P. Putnam's Sons, 276 A.D.2d 26 (N.Y. Ct. App. 1949).

Opinions

Van Voorhis, J.

Judgment has gone against defendant-appellant upon the decision of the court after a trial without a jury, in an action for work, labor and services in printing. Defendant employed plaintiff to print a book entitled “ Beginners Bird Guide ”, which defendant was under contract to publish for a professor specializing in ornithology in Rutgers University, named Leon Augustus Hausman. Dr. Hausman had transferred to defendant his manuscript of this hook, accompanied by drawings in color for the 160 color plates of birds to be identified. This bird guide classified birds according to color, being divided into seven different color sections. All of the birds which were red or reddish were grouped into one section, others which were blue or bluish into another, and so forth. At the beginning of the volume were instructions under the caption: How to Use the Color Guide in this Book.”

The printing of the book was completed, and about 6,000 volumes were hound and delivered to defendant and by it distributed to booksellers. The remaining sheets for 9,000 copies were placed in a warehouse for future binding instruc[28]*28tions. Objections were raised by Dr. Hausman to colors of birds as printed in many of the final volumes, and thereupon defendant ordered all of the volumes to be returned which had been distributed to booksellers. Defendant refused to pay the purchase price to plaintiff, and demanded that plaintiff reimburse-it for the expense of advance advertising and shipping the 6,000 copies of the book to and from the booksellers, together with the profit which defendant estimated it would have derived from the sale of that number of copies. The answer also counterclaims for the value of the color drawings prepared by Dr. Hausman, possession of which was retained by plaintiff.

It is not disputed that final copies of the book exhibited important color deviations from the author’s drawings. Plaintiff has been held to have performed its contract, nevertheless, on the theory that before this work was undertaken, defendant and Dr. Hausman were informed that the colors were to be reproduced by a cheap process which would not be faithful to the originals, and that they examined and approved proofs or final press sheets before the pages came from the press or were bound in book form. The final press sheets submitted contained important variances from issued volumes of the book.

Defendant’s production manager, named Wendell Boos, testified that he consulted with plaintiff before contracting with the author to publish this bird guide, in order to ascertain the cost, which had to be kept down so that the book could be sold at a popular price. In response to this inquiry, plaintiff made an offer at a satisfactory price, which ripened into a contract and stated respecting color:

“ Plates: We make all plates for lithography. You supply us with colored sketches of the birds and good black and white proofs. We will make all color separations.
Presswork: Bun by lithography in four colors on one side of the sheet and one color reverse. The small form of 16 pages will run in black.”

No question has been raised concerning the sufficiency of the color sketches cr black and white proofs submitted to the plaintiff.

There was preliminary conversation concerning the nature of the color process to be employed, and plaintiff’s representative, P. Edward Ernest, testified that he told Boos and Dr. Hausman that if this book were to be done by the so-called manual separation method, a lithographic process, it would cost less than half as much as by photographic processes. Ernest was told that Boos knew nothing about ornithology, and [29]*29that Hausman was the man to be satisfied concerning the color reproductions. Hausman knew nothing about color processes in printing or lithography. Boos possessed some knowledge upon that subject, but was not engaged, like Ernest, in that line of work. Ernest testified that he told the other two men that with this process there were going to be many variations in color throughout the job, to which Dr. Hausman replied (according to Ernest) that it didn’t matter too much if the brown was a little darker or lighter, or if the background of the pictures was not exactly as they were drawn, and that he was willing to compromise by abandoning any requirement that different shades of the same color should be shown, and would be satisfied with flat colors since the purpose of the book was only so that the buyer could tell that a bird was yellow or red or blue or black or green. In other words, they were not to be perfect, in that the plumage of a bird has many variations of a certain color * * Ernest’s direct testimony continues:

“ Q. Instead of shading all different hues of red, different intensities of red, it was understood that just plain, flat red would be used throughout the job? A. That’s right. If a bird was red, it would be printed in red.
Q. As you stated, the purpose of the coloring was simply to indicate that the particular bird was a red bird instead of being a black bird; is that the idea? A. That’s right. That is the way I was given to understand it by Doctor Hausman.”

When the printer’s proofs were presented, there were not only variations in shades of color, but in numerous instances the colors themselves were wrong. Ernest testified that he then, for the first time, told defendant and Dr. Hausman that they could not expect to get a job that did not vary in color as well as in shades of color. They would have to be satisfied, in other words, with red blue jays and crows in shiny bluish green. This last testimony is against the weight of the evidence. According to Ernest, he then told defendant’s president, Melville Minton, that these proofs were about as good as they could get. Minton recalled no such conversation, but Boos testified that Ernest told him and Dr. Hausman: “ This is the first proof. Don’t be alarmed. We know the colors are off. We intend to show you another proof and will correct it.” Following receipt of another set of proofs, he and Boos went to Ernest’s office, and Dr. Hausman stated that the second proofs were so bad that he would not publish a book with his name on it in that condition. According to Boos, Ernest replied: “ We know that all the birds aren’t right. We know that there are varia[30]*30tions in the color. This is only a proof. When we get the job on the press, we will make the corrections so that the birds will be satisfactory.” Then bird by bird, Dr. Hausman pointed out what was wrong. The next set of proofs, also in evidence, shows that Dr. Hausman made explicit corrections of their colors in more than seventy birds. Following that, the so-called final press sheets were presented, which were better than the previous proof sheets. For example, they showed the blue jay to be predominantly blue, and the crow as black. Although there is no evidence that Dr. Hausman saw these final press sheets, a half dozen were submitted to Mr. Boos, who approved them for the defendant, according to Ernest. An examination of these sheets, in evidence, indicates that they were free from the worst of the color defects about which defendant complains, and which are so apparent in many of the completed volumes. The sheets submitted to defendant were not representative of the final result of the printing of the hook. There were material variances between different copies, and only the best press sheets were evidently selected for defendant’s eye.

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276 A.D.2d 26, Counsel Stack Legal Research, https://law.counselstack.com/opinion/duenewald-printing-corp-v-g-p-putnams-sons-nyappdiv-1949.