Downing v. A&E Television Networks LLC

CourtDistrict Court, S.D. New York
DecidedSeptember 10, 2021
Docket1:20-cv-04747
StatusUnknown

This text of Downing v. A&E Television Networks LLC (Downing v. A&E Television Networks LLC) is published on Counsel Stack Legal Research, covering District Court, S.D. New York primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Downing v. A&E Television Networks LLC, (S.D.N.Y. 2021).

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK USDC SDNY -------------------------------------------------------X DOCUMENT RAYMOND DOWNING and STUDIO ELECTRONICALLY FILED MACBETH, INC., DOC #: __________________ DATE FILED: September 10, 2021 Plaintiffs,

-against- 20-CV-4747 (KMW) OPINION & ORDER A&E TELEVISION NETWORKS, LLC, and DIVISA RED SAU d/b/a DIVISA HOME VIDEO,

Defendants. -------------------------------------------------------X KIMBA M. WOOD, United States District Judge: Plaintiffs Ray Downing and Studio Macbeth, Inc., (“Macbeth”) bring this action against Defendants A&E Television Networks, LLC, (“AETN”) and Divisa Red SAU (“Divisa”), alleging copyright infringement in relation to two Spanish-language television programs on the History en Español channel. Defendant AETN asserts that this suit is foreclosed by a prior agreement to arbitrate such disputes, and has moved to compel arbitration and stay proceedings. For the reasons set forth below, AETN’s motion to compel arbitration of Plaintiffs’ claims against AETN is GRANTED and all proceedings are stayed pending arbitration. BACKGROUND Ray Downing is an artist specializing in three-dimensional computer graphics, and the founder, owner, and operator of Macbeth, a firm engaged in this type of graphics work. (First Downing Decl. ¶¶ 1–2, ECF No. 33.) AETN is a television network whose primary business is to operate television channels including the History Channel and History en Español and offer access to its content library through sub-licensing arrangements on other channels and consumer purchases of digital downloads or DVDs. (Id. ¶¶ 5, 7, 16.) Divisa is a Spanish company engaged in the sale and production of Spanish-language videos. (See id. ¶¶ 36–39; Compl. ¶ 10, ECF No. 1.) The parties’ engagement began in 2008, when an AETN executive inquired about using graphics created by Macbeth for a documentary regarding President Abraham Lincoln. (Id. ¶ 7.)

Macbeth began collaborating in 2009 with Left/Right, Inc., (“Left/Right”), a production company creating the planned documentary for AETN. (Id. ¶ 8.) Over the following one and a half years, Macbeth granted licenses to Left/Right for the use of a number of Macbeth’s works in three programs created for AETN: Stealing Lincoln’s Body, The Real Face of Jesus, and Jesus: The Lost 40 Days. (Id. ¶¶ 8, 13–14, 17–18.) After Downing’s working relationship with Left/Right soured, he and Macbeth filed suit in 2012 against AETN and Left/Right, alleging copyright infringement for unauthorized uses of Macbeth’s materials in the three original programs. (See id. ¶ 19; Seibel Decl., Exs. A, B, ECF No. 27.) To resolve the 2012 litigation, Macbeth, Ray Downing, and Maria Downing entered into

a settlement agreement with AETN and Left/Right on July 23, 2014 (the “2014 Agreement”). This agreement granted to AETN and Left/Right a perpetual license to use any and all materials created by Macbeth (the “Macbeth Materials”) for each of Stealing Lincoln’s Body, The Real Face of Jesus, and Jesus: The Lost 40 Days, as those Macbeth Materials already have been included in the three respective programs, including but not limited to the right to publicly perform, transmit . . . or use the Programs.

(Seibel Decl., Ex. C ¶ 3.) The contract also had a mutual release provision, by which Macbeth and the Downings released AETN from all claims and causes of action “known or unknown, that arose or may have arisen prior to the date of this Agreement.” (Id. ¶ 7.) An arbitration clause in the 2014 Agreement provided that “[t]he Parties agree that any disputes regarding the enforcement, interpretation, or effect of this Settlement Agreement will be submitted to arbitration through JAMS, The Resolution Experts (“JAMS”) . . . for binding arbitration pursuant to JAMS rules[.]” (Id. ¶ 14.) While the 2014 Agreement put an end to the earlier litigation, it paused the parties’ intellectual property disputes only temporarily. After AETN aired a new program in early 2017,

The Face of Jesus Uncovered?, which contained materials created by Macbeth that had appeared in The Real Face of Jesus, Macbeth’s counsel wrote to AETN asserting claims for copyright infringement. (Seibel Decl., Ex. D, at 1.) AETN and Macbeth entered into a second settlement agreement in June 2018 to resolve these claims. (See id. at 1, 10.) One provision clarified the parties’ understanding that the license in the 2014 Agreement “authorizes AETN to air each of the three programs as is or with non-material edits, including but not limited to edits to shorten or lengthen the program to fit current scheduling requirements, but does not authorize airing the programs with material edits.” (Id. ¶ 9.) Each party again released the other of liability, this time covering any “claim or potential claim related in any way to” the 2012 litigation, 2014

Agreement, copyright claims asserted in the 2017 letter, or The Face of Jesus Uncovered?. (Id. ¶ 3.) The contract included an arbitration clause nearly identical to the one found in the 2014 Agreement. (See id. ¶ 10.) The peace bought by the second settlement did not last. In October 2019, Macbeth’s counsel sent a letter asserting that AETN’s airing of El Verdadero Rostro de Jesús and Los 40 Días Ignorados de Jesús during the November 2016 re-launch of the History en Español channel infringed Macbeth’s copyrights by using sixty-four of Macbeth’s materials without the studio’s consent. (See Seibel Decl., Ex. E, at 3.) Plaintiffs Macbeth and Downing filed suit in the U.S. District Court for the Southern District of New York in June 2020 alleging one count of copyright infringement under 17 U.S.C. § 501 against AETN and its purported Spanish-language partner, Divisa.1 (Compl. ¶ 24.) Defendant AETN has moved to compel arbitration and stay proceedings pending arbitration. (ECF No. 25.)

LEGAL STANDARD The Federal Arbitration Act requires courts to enforce arbitration agreements according

to their terms, “save upon such grounds as exist at law or in equity for the revocation of any contract.” 9 U.S.C. § 2; see Rent-A-Ctr., W., Inc. v. Jackson, 561 U.S. 63, 67 (2010). Still, “[a]rbitration is strictly a matter of consent, and thus is a way to resolve those disputes—but only those disputes—that the parties have agreed to submit to arbitration.” Granite Rock Co. v. Int’l Bhd. of Teamsters, 561 U.S. 287, 299 (2010) (internal quotation marks, citations, and emphasis omitted). Such agreements to arbitrate disputes are construed under state contract law. See Meyer v. Uber Techs., Inc., 868 F.3d 66, 73–74 (2d Cir. 2017). When adjudicating a motion to compel arbitration, “courts apply a standard similar to that applicable for a motion for summary judgment,” considering “all relevant, admissible evidence submitted by the parties and contained in pleadings, depositions, answers to interrogatories, and

admissions on file, together with . . . affidavits” and “draw[ing] all reasonable inferences in favor of the non-moving party.” Nicosia v. Amazon.com, Inc., 834 F.3d 220, 229 (2d Cir. 2016) (internal quotation marks and citations omitted). Courts in this circuit undertake a two-part

1 Plaintiffs once again assert that the two Spanish-language programs exploited sixty-four copyrighted works but, in contrast to the 2019 assertion that all of the violated copyrights were held by Macbeth, now list as relevant one copyright held in Downing’s name alone. (Compl. ¶¶ 18, 21.) It is unclear precisely to which copyright Plaintiffs refer. The complaint states that Downing’s copyright is registered under the number PAu-3-640-355, (id.

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Downing v. A&E Television Networks LLC, Counsel Stack Legal Research, https://law.counselstack.com/opinion/downing-v-ae-television-networks-llc-nysd-2021.