Dills v. Delira Corp.

302 P.2d 397, 145 Cal. App. 2d 124, 1956 Cal. App. LEXIS 1311
CourtCalifornia Court of Appeal
DecidedOctober 16, 1956
DocketCiv. 20771
StatusPublished
Cited by28 cases

This text of 302 P.2d 397 (Dills v. Delira Corp.) is published on Counsel Stack Legal Research, covering California Court of Appeal primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Dills v. Delira Corp., 302 P.2d 397, 145 Cal. App. 2d 124, 1956 Cal. App. LEXIS 1311 (Cal. Ct. App. 1956).

Opinion

*126 MOORE, P. J.

Appellant sued for a declaration that Dills, Dowd and Hire are associated as partners and that the partnership owns the idea, format and style for the Wild Bill Hickok radio shows. His demands rejected, he appeals.

In order fairly to appraise the contentions now urged for a reversal of the judgment, a glimpse into the background of the controversy is necessary.

During 1949 Dills and Dowd were merchandise manager and buyer for a popular emporium. After a conference with other merchants, a group of them agreed that a new name and personality should be originated and advertised for the purpose of promoting sales of the products of such merchants by the use of a label bearing the imprint of the new hero. In February 1950, Dills having learned of David Hire’s success as a motion picture producer invited him to join the group. Six manufacturers agreed upon the plan and furnished $25,000 to finance a California corporation. On April 13th, the nine persons organized the Delira Corporation and distributed its 25,000 shares equally among themselves. In June 1950 Hire suggested “Wild Bill Hickok” as the promotional hero. By reason of the duties of Dills and Dowd in the emporium, neither could participate in the technical work of developing a radio and television show. Hire was entrusted with the management thereof. By August 1950, Delira’s capital had been practically consumed in the production of a “television pilot film and five 15-minute recordings of radio programs.” The latter had been produced by “David Hire Productions,” which then meant produced by Hire for Delira. At the same time he was vice president of Delira and manager of its productions, while Dowd was its president. Although by February 8, 1951, Kellogg Company, a cereal food manufacturer, had agreed to sponsor the television programs, finance was needed for the production of the radio show. After learning that the mercantile stockholders were not interested in such productions, Hire told Dills that, if the radio show could not be financed through Delira, he, Dills and Dowd “could handle it.”

All three of them were stockholders, officers or promoters of, and therefore in a fiduciary relationship to, Delira which relied upon the skill, ability, knowledge and honesty of each of them and for that reason entrusted them with the care and management of its property and affairs. On behalf of Delira they contributed to the conception and development of the radio show and its programs and transcriptions. All were *127 made under the supervision of Hire on behalf of Delira. He always used the words “David Hire Productions” to designate that Delira was the producer. Its rights and interests in the radio show were a principal asset.

To produce and finance the radio show during the spring of 1951, Hire required $12,000. Late in March, Dills and Dowd agreed with David Hire Productions to advance $8,000 to be used to produce the radio show. For the loan of such money, Hire’s company agreed to repay the loan and to pay Dills and Dowd out of the profits of the first runs of the first 39 shows to the extent of 26% per cent thereof to each for the services of Dills and Dowd. Dills insisted upon a promissory note by David Hire Productions in the amount of $8,000 to his favor and upon notes by Hire and Dowd individually to his favor guaranteeing the $8,000 corporate obligation in the amount of $2,666.66 each. The court found that Hire fully performed his promises and that neither Dills nor Dowd had a claim against David Hire Productions on any other account nor any interest in or claim against the profits of the radio show.

After Hire’s agreement with Dills and Dowd, a contract was executed by Delira and David Hire Productions whereby the latter was given the exclusive right “to produce the said series of electrical transcriptions” to be broadcast on the radio for 39 weeks; by its terms Delira was released from the obligation to finance the productions or to pay Hire for the transcriptions. However, the contract was never authorized or approved by Delira and none of its shareholders or directors except Hire knew of it, although, on its face, it was a transfer of a principal asset of Delira to David Hire Productions. Furthermore, Hire supplied other stockholders with misleading information calculated to convince them that the production of the radio show would be a speculative venture and not at all to be profitable, notwithstanding Kellogg had agreed to pay for all radio shows produced. As a result of the inaccurate information supplied to the stockholders by those in a fiduciary capacity to Delira, about March 1, 1951, they renounced any intention of financing such radio shows and left the matter to the attention of the David Hire Productions. That event was followed by Dowd and Dills’ agreement to advance "the $8,000.

Despite the conflict of the evidence as to the extent of the ownership of Dills and Dowd in the radio shows, the court *128 determined that Hire offered them merely a share in the profits to be derived therefrom for their assistance in advancing the $8,000. As shown above, he paid them two thirds of the net profits. They were not promised an ownership interest but only a share of the profits from the first runs of the first 39 shows produced for Kellogg. Such agreement did not grant to Dills and Dowd reissue or world rights.

The evidence discloses that Hire, acting through an attorney who was ostensibly representing Delira, purchased from it all the rights to Wild Bill Hickok shows but Delira finally asserted its rights and resolved to produce shows for its own account after 1952. Such action was understood to have settled the issue of ownership of Wild Bill Hickok and the shows to be made until this action was filed.

. Was Dills Wrongfully Denied A Jury Trial ?

Appellant complains that the trial court unconstitutionally denied his demand for a jury trial. (Cal. Const., art. I, §7.) Whether or not appellant was entitled to a jury depends upon the nature of his action. The constitutional provision for a jury trial grants that right only in actions based upon the common law of 1850, in the event the cause of action, or one essentially similar, existed. (Ripling v. Superior Court, 112 Cal.App.2d 399, 402 [247 P.2d 117]; Grossblatt v. Wright, 108 Cal.App.2d 475, 483 et seq. [239 P.2d 19].) If the action is addressed to equity powers of the court, the matter is one for the trial court alone or sitting with an advisory jury. (Bettencourt v. Bank of Italy, 216 Cal. 174, 179 [13 P.2d 659]; Ripling v. Superior Court, supra; Olson v. Foster, 42 Cal.App.2d 493, 498 [109 P.2d 388].)

Does this action sound in equity? Since certain facts are neither legal nor equitable, what is the nature of the claim? (Pacific Indem. Co. v. McDonald, 107 F.2d 446 [131 A.L.R. 208].) This may be determined from the relief sought as well as from the nature of the facts stated. (Bettencourt v. Bank of Italy, supra, p. 179; Bank of America v.

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Bluebook (online)
302 P.2d 397, 145 Cal. App. 2d 124, 1956 Cal. App. LEXIS 1311, Counsel Stack Legal Research, https://law.counselstack.com/opinion/dills-v-delira-corp-calctapp-1956.