Desiste v. Sobande

District Court, S.D. New York·Decided September 28, 2022·No. 1:20-cv-06947·Unknown

Opinion

UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK BRUCE DESISTE, Plaintiff, 20 Civ. 6947 (KPF) -v.- OPINION AND ORDER SOLOMON SOBANDE,

Defendant. KATHERINE POLK FAILLA, District Judge: Plaintiff Bruce Desiste brings this action against Defendant Solomon Sobande for breach of a profit-sharing agreement that Plaintiff claims the parties entered into after he introduced Defendant to two emerging artists: the late rapper Jahseh Dwayne Ricardo Onfroy, known professionally as “XXXTentacion” (“Onfroy”); and Stokely Clevon Goulbourne, known professionally as “Ski Mask the Slump God” (“Goulbourne”). Plaintiff claims that, under the terms of the alleged agreement, Defendant owes Plaintiff 20% of Defendant’s earnings from his management of Onfroy and Goulbourne. Defendant denies ever entering into such an agreement with Plaintiff. Now before the Court is Defendant’s motion for summary judgment. For the reasons that follow, the Court finds that there is a genuine dispute of material fact as to whether an enforceable profit-sharing agreement existed between the parties, and thus denies Defendant’s motion for summary judgment. BACKGROUND1 A. Factual Background The parties’ submissions are rife with factual disputes. This section notes the few facts on which the parties agree and specifies where their understandings diverge.

1. The Relationship Between the Parties Plaintiff is an aspiring rapper and recording artist known professionally as “Kridakal” or “Krida.” (Pl. 56.1 ¶ 1; Def. Counter-56.1 ¶ 69). Defendant is an artist manager and the co-founder and CEO of Sounds Music Group, Inc. (Pl. 56.1 ¶¶ 2, 6). The two men attended the same high school. (Def. Counter- 56.1 ¶ 67).

1 The facts set forth in this Opinion are drawn from the parties’ submission in connection with Defendant’s motion for summary judgment. The Court draws primarily from Defendant’s Local Civil Rule 56.1 Statement of Material Undisputed Facts (Dkt. #42 (“Def. 56.1”)), Plaintiff’s Response to Defendant’s Local Civil Rule 56.1 Statement and Statement of Additional Material Facts pursuant to Local Civil Rule 56.1(b) (Dkt. #59 (“Pl. 56.1”)), and Defendant’s Local Civil Rule 56.1 Counterstatement of Material Undisputed Facts (Dkt. #67 (“Def. Counter-56.1”)). Citations to a party’s Rule 56.1 Statement incorporate by reference the documents cited therein. In addition, “[e]ach numbered paragraph in the statement of material facts ... will be deemed to be admitted for purposes of the motion unless specifically controverted by a correspondingly numbered paragraph in the statement required to be served by the opposing party.” Local Civil Rule 56.1(c). The Court sources additional facts from the declarations submitted by the parties and the exhibits attached thereto, including Defendant’s declaration in support of his motion for summary judgment (Dkt. #45 (“Def. Decl.”)), Plaintiff’s declaration in opposition to Defendant’s motion for summary judgment (Dkt. #54 (“Pl. Decl.”)), Defendant’s declaration in further support of his motion for summary judgment (Dkt. #69 (“Def. Reply Decl.”)), the declaration of Defendant’s expert Jordan Mills (Dkt. #46 (“Mills Decl.”)), the declaration of Robert Celestin, Esq., in support of Defendant’s motion for summary judgment (Dkt. #70 (“Celestin Decl.”)), and the March 14, 2017 email and attachment that purportedly constitutes the agreement at issue in this case (Dkt. #54-5). Other facts sourced from the declarations and their accompanying exhibits are cited using the convention “[Name] Decl., Ex. [ ].” For ease of reference, the Court refers to Defendant’s brief in support of his motion for summary judgment as “Def. Br.” (Dkt. #43), to Plaintiff’s opposition brief as “Pl. Opp.” (Dkt. #58), and to Defendant’s reply brief as “Def. Reply” (Dkt. #68). In or around 2015,2 Plaintiff began visiting a recording studio that Defendant operated out of his mother’s home in Elmont, New York. (Pl. 56.1 ¶¶ 4, 12). On several occasions, Defendant permitted Plaintiff to record his

music at the Elmont studio for free. (Id. at ¶¶ 12, 14). Defendant also helped Plaintiff book shows and promote his music by connecting him with agencies and marketing professionals. (Id. at ¶ 16). Plaintiff asked Defendant to manage his music career multiple times, but Defendant declined. (Id. at ¶ 17). The two became friends and communicated often. (Def. Counter-56.1 ¶ 70). 2. Defendant’s Management of XXXTentacion and Ski Mask the Slump God The parties also dispute many of the facts surrounding Defendant’s introduction to and eventual management of Onfroy and Goulbourne. They agree on three points: (i) Plaintiff gave Defendant the phone number of Onfroy’s friend, Christian Gotay, in or around 2016 (Pl. 56.1 ¶ 27); (ii) Gotay connected Defendant with Onfroy (id. at ¶ 28); and (iii) Defendant signed management agreements with both Onfroy and Goulbourne in early 2017 (id. at ¶¶ 36, 40).

They differ as to almost everything else. The Court begins with Plaintiff’s point of view. Plaintiff takes credit for introducing Defendant to Onfroy and Goulbourne. He claims that he recognized the artists’ musical potential after meeting them at Gotay’s home in Fort Lauderdale, Florida, in 2015. (Pl. 56.1 ¶¶ 73-76). Plaintiff recalls

2 Plaintiff maintains that he began visiting the Elmont studio between 2012 and 2014. (Pl. 56.1 ¶ 68). Defendant believes that their first formal meeting was not until 2015. (Def. Counter-56.1 ¶ 68). Because the events that form the basis of this suit occurred in 2015 and later, this dispute is not material. speaking with both Gotay and Defendant on multiple occasions in 2015 and 2016 about the possibility of Defendant managing Onfroy and Goulbourne. (Id. at ¶¶ 80-89). Plaintiff reports that Defendant was unfamiliar with the artists

and initially did not like their music (id. at ¶¶ 83-85), but changed his mind after Onfroy began receiving popular attention following his October 2016 arrest (id. at ¶¶ 92-95). At Defendant’s insistence, Plaintiff facilitated Defendant’s introduction to Onfroy by connecting him with Gotay. (Id. at ¶¶ 95, 98-101). Plaintiff and Gotay then arranged for Defendant to visit Onfroy in a Florida prison on January 28, 2017. (Id. at ¶ 102). Defendant signed a management agreement with Onfroy during that visit. (Id. at ¶ 103). Plaintiff also purports to have played a key role in introducing Defendant

and Goulbourne. Plaintiff avers that in January 2017, Defendant expressed interest in managing Goulbourne (Pl. 56.1 ¶ 105), and texted Plaintiff “get ski mask” and “Let’s make Ski Mask a star” (Pl. Decl., Ex. 1).3 Plaintiff claims to have facilitated their introduction by calling Defendant on several occasions while with Goulbourne so that the two could chat. (Pl. 56.1 ¶ 108). Defendant began managing Goulbourne in February 2017. (Id. at ¶ 109). Defendant recalls those events differently. He maintains that he was aware of Onfroy’s talent before hearing about him from Plaintiff. (Def.

56.1 ¶ 26). Although Defendant acknowledges that Plaintiff connected him with Gotay, he claims to have developed an independent relationship with

3 Defendant denies sending those texts to Plaintiff. (Def. Counter-56.1 ¶ 106). Gotay that eventually led Gotay to introduce him to Onfroy. (Id. at ¶¶ 27-28). Defendant says that he invested significant time building relationships with Onfroy and his mother, Cleopatra Bernard, and arranged his own travel to

Florida to sign the management agreement with Onfroy. (Id. at ¶¶ 30-36; Def. Counter-56.1 ¶ 102). Defendant also denies that Plaintiff played a role in facilitating his professional relationship with Goulbourne. (Def. Counter-56.1 ¶ 108). Defendant avers that he introduced himself to Goulbourne by direct messaging him on Instagram. (Id.). In Defendant’s view, Goulbourne signed with Defendant because he was aware of Defendant’s work with Gotay. (Def. 56.1 ¶¶ 39-40).

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