De Leon v. San Antonio

CourtDistrict Court, W.D. Texas
DecidedApril 23, 2025
Docket5:24-cv-00849
StatusUnknown

This text of De Leon v. San Antonio (De Leon v. San Antonio) is published on Counsel Stack Legal Research, covering District Court, W.D. Texas primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
De Leon v. San Antonio, (W.D. Tex. 2025).

Opinion

IN THE UNITED STATES DISTRICT COURT FOR THE WESTERN DISTRICT OF TEXAS SAN ANTONIO DIVISION

NEPHTALI DE LEÓN, § Plaintiff § § SA-24-CV-00849-XR -vs- § § CITY OF SAN ANTONIO, KRYSTAL § JONES, EXECUTIVE DIRECTOR OF § THE DEPARTMENT OF ARTS AND § CULTURE OF THE CITY OF SAN § ANTONIO, IN HER INDIVIDUAL § CAPACITY; § Defendants §

ORDER ON MOTION TO DISMISS On this date, the Court considered Defendants’ motion to dismiss in part Plaintiff’s Amended Complaint (ECF No. 14), Plaintiff’s response (ECF No. 24), and Defendants’ reply (ECF No. 25). After careful consideration of the briefing and the parties’ oral arguments on January 7, 2025, the Court GRANTS the motion. BACKGROUND This case involves the City of San Antonio’s (“City”) termination of its Poet Laureate for using the word “mayate,” a well-known racial slur in the Spanish community, in an elegy posted on his personal Facebook page. It requires the Court to consider whether the First Amendment protects this speech, as well as governmental immunity and state-law defamation-by-implication. I. Facts Nephtali De León. Plaintiff Nephtalí De León (“De León”) is a poet, writer, and artist who celebrates Chicano culture and language. ECF No. 10 ¶¶ 23, 28–34. Chicano is an ethnic identity for some Mexican Americans that emerged from the Chicano Movement, which first gained national recognition and a distinct cultural platform in the 1960s and early 1970s. Id. ¶ 28. Among the founding fathers of Chicano literature, De León’s work has examined Chicano history and cultural evolution and reported on racial and social injustices. Id. ¶¶ 29–33. In his work, De León uses a mix of languages, including Chicano Caló, a code-switching dialect which combines English, Spanish, Nahuatal, and Spanish Romani. Id. ¶¶ 26–27, 36. De

León believes that Caló has been erroneously stigmatized by certain segments of American society as “low-class, gang-related, or offensive language,” largely because of the negative stereotypes that arose in the United States directed towards Mexican Americans prior to (and during) the Chicano Movement. Id. ¶ 38. By incorporating Caló in his work, De León contends he promotes its social, historical, and literary functions and redeems its ancient origins, as well as its dynamic role in contemporary society, both within and outside the Chicano community. Id. ¶¶ 6, 39. In 2023, the City selected him to serve as the City’s Poet Laureate from April 2023 until March 2026. Id. ¶ 46. At the time, the City’s Mayor, Ron Nirenberg, praised De León, stating that the role of artists is to “challenge standard views and narratives, and create new approaches to view ourselves in the city,” which is what De León has done “his entire life.” Id. ¶ 9.

San Antonio’s Poet Laureate Program. Operated by the City’s Department of Arts and Culture (“DAC”), the Poet Laureate program was launched in 2012. Id. ¶¶ 40–41. The Poet Laureate “promote[s] poetry and the literary arts in San Antonio and is tasked with developing innovative and inspiring public events and programs in conjunction with local organizations and the [DAC].” Id. ¶ 43. After being selected, De León entered into a professional services agreement (“Agreement”) with the City. Id. ¶ 49. The Agreement provided that De León was a “Contractor” and set forth his duties, which included cultivating interest in the arts and literacy in the City, participating in events, and developing initiatives. Id. ¶ 52. Under the Agreement, De León agreed to be interviewed by news outlets and mention the DAC in “at least three positive social media posts, and whenever applicable in interviews/public appearances.” Id. ¶ 53.1 The Agreement also required De León to comply with the City’s Non-Discrimination Ordinance.2 Termination Clause. The Agreement required that all work be performed “to the

satisfaction of [DAC’s Executive Director, Krystal Jones].” Id. ¶ 56. If Jones found De León’s work unsatisfactory, the City could terminate the Agreement, subject to two protections: (1) ten days’ written notice for termination without cause, and (2) written notice with a fifteen-day cure period for defaulting—failure to perform or comply with the Agreement or unsatisfactory performance. Id. ¶¶ 56–60; ECF No. 10-1 (Agreement) §§ 7.2, 7.4.3 De León Posts an Elegy of His Friend on Facebook. On July 31, 2023, around four months into his tenure as Poet Laureate, De León’s long-time friend and another prolific Chicano writer, passed away. Id. ¶ 64. The next day, De León posted an elegy on his personal Facebook account titled “Dr. Roberto ‘Cintli’ Rodriguez (asiosito carnal), which he asserts means “goodbye brother” in Caló. Id. ¶ 65 & n.30; ECF No. 10-2.

The poem was written in English, Spanish, and Caló and celebrated Dr. Rodriguez as a unifying force in the Chicano community. The elegy did not mention the City, the DAC, or De León’s position as Poet Laureate. But the elegy included a line that Dr. Rodriguez “touched so many Raza[,] gavachos y mayates, he touched everyone between two cultures and two nations.” Id. ¶ 68. According to De León, the English translation of “Raza[,] gavachos y mayates” in the

1 De León received $10,500 for his services as well, to be paid in three installments of $3,500. Id. ¶ 54. To date, De Leon has been paid one installment. Id. ¶ 55. De León seeks the remaining installments as damages.

2 This Ordinance prohibits discrimination “on the basis of race, color, religion, national origin, sex, sexual orientation, gender identity, veteran status, age or disability, unless exempted by state or federal law, or as otherwise established in this Agreement.” Id. ¶ 62.

3 The Court considers documents De León attached to his pleading on a motion to dismiss, including the Agreement. Gomez v. Galman, 18 F.4th 769, 775 (5th Cir. 2021). context of his elegy is “Chicanos, Whites, and Blacks.” Id. ¶ 68. Initially, De León received some positive community feedback. Id. ¶ 71. But others began questioning the use of the word “mayates.” Id. ¶ 72. One commentor, while acknowledging that “the same word can mean different things for different Spanish-speaking

cultures,” asked De León’s Facebook followers: “How about the rest of you? How do you feel about using the word mayate for Black people? Is it racist?” Id. ¶ 72. This sparked online debate. Some users condemned De León’s use of “mayates” as an offensive and racist term, while others defended De León and his use of a Caló term in an elegy. Id. ¶ 73. A week later, on August 9, 2024, De León responded to this discussion. He apologized “to anyone that may [have been] offended by [his] use of Caló words” but disagreed that it was a “racist” term, describing the root of “mayate,” social biases surrounding its use, and his intent behind using the word. Id. ¶¶ 74–76; ECF No. 10-3. According to De León, designating the Caló word “mayate” as racist exemplifies the over-policing imposed by the predominately English- speaking American populace, which stifles spontaneity and dampens creativity. Id. ¶¶ 81, 83; ECF

No. 10-3 at 2. As opposed to the “n-word” in the United States, according to De León, the word “mayate” did not originate in racism or slavery and those who speak Caló do not assign a derogatory meaning to the word when they use it. ECF No. 10 ¶ 77. According to De León, “mayate” in Caló is comparable to the Spanish term “negro/negra,” used as a neutral or endearing descriptor for Black people. Id. ¶ 78. De León is Terminated. De León alleges that the City learned of his elegy from two letters that were sent to the DAC, which urged the City to act. Id. ¶ 87. The specifics of these letters are unknown. But five days after he posted his elegy, Jones called De León into her office. Id. ¶ 89. When he arrived, Jones told him that his elegy was “counter to the City’s ethics” because it used a “racial slur.” Id ¶ 90.

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De Leon v. San Antonio, Counsel Stack Legal Research, https://law.counselstack.com/opinion/de-leon-v-san-antonio-txwd-2025.