Davis v. R.K.O. Radio Pictures, Inc.

191 F.2d 901, 1951 U.S. App. LEXIS 2652
CourtCourt of Appeals for the Eighth Circuit
DecidedOctober 18, 1951
Docket14262
StatusPublished
Cited by16 cases

This text of 191 F.2d 901 (Davis v. R.K.O. Radio Pictures, Inc.) is published on Counsel Stack Legal Research, covering Court of Appeals for the Eighth Circuit primary law. Counsel Stack provides free access to over 12 million legal documents including statutes, case law, regulations, and constitutions.

Bluebook
Davis v. R.K.O. Radio Pictures, Inc., 191 F.2d 901, 1951 U.S. App. LEXIS 2652 (8th Cir. 1951).

Opinion

GARDNER, Chief Judge.

This was an action brought by appellant against appellee to recover damages for distributing and exhibiting an allegedly libel *902 ous motion picture. The parties will be referred to as they appeared in the trial court. As only a fragment of the testimony is preserved in this record it seems important to consider what facts were admitted by the pleadings.

It was alleged in plaintiff’s complaint that the defendant in its course of business filmed, produced and exhibited a motion picture entitled “Fighting Father Dunne,” which it is still distributing and exhibiting throughout the United States and Canada, including the State of Missouri and the City of St. Louis; that the picture and the theme of the story depicted is based on the founding and maintenance of a newsboys’ home in the City of St. Louis, Missouri, by one Peter J. Dunne, a Catholic priest, and the scenes and locations are partrayed in the City of St. Louis; that plaintiff, usually known as Matt Davis, on or about December 29, 1906, when he was thirteen years of age and a newsboy in St. Louis, became a resident of the Father Dunne’s Newsboys’ Home, where he remained until about December 19, 1910, which was during the time portrayed in the picture; that while plaintiff was a resident in said home he presented no serious behavior problems and never violated the law; that in the story and the picture “Fighting Father Dunne”, one of the chief characters, is a boy known as Matt Davis, about thirteen years of age, an inmate of the Father Dunne’s Newsboys’ Home; that this boy is depicted as a juvenile delinquent, guilty of the commission of the crimes of malicious destruction of property ; larceny, burglary and finally the murder of a police officer; that’ due to the fact that plaintiff did reside in Father Dunne’s Newsboys’ Home at the time portrayed in the picture persons viewing and hearing the picture reasonably recognized and identified the character “Matt Davis” as representing and portraying plaintiff; that such por-, trayal was without the knowledge, consent or acquiescence of plaintiff; that defendant knew or by the exercise of reasonable care should have known that the plaintiff had resided in Father Dunne’s Newsboys’ Home when he was a boy between thirteen and fifteen years of age and at the time portrayed in said picture, but defendant in reckless disregard of the rights of plaintiff produced, distributed and exhibited the picture, falsely charging him with the crimes mentioned, whereas plaintiff has never been guilty of the commission of any crime. It was then charged that the acts of defendant in producing and exhibiting said picture were libelous and malicious, subjecting plaintiff to public notoriety, contempt and ridicule and depriving him of the benefits of public confidence and social stability. There were other allegations with reference to plaintiff’s damages which were alleged to be in the sum of $50,000.00, and he asked punitive damages in the sum of $250,000.00.

The defendant in its answer admitted diversity of citizenship between plaintiff and itself, admitted the production and distribution of the picture “Fighting Father Dunne,” admitted that the picture is still being exhibited as alleged in plaintiff’s complaint, admitted that the picture deals in part with some historical facts relating to the founding and maintenance of a newsboys’ home in the City of St. Louis, Missouri, by a Catholic priest named Peter J. Dunne. It specifically denied that the picture or any character portrayed therein depicts or in any way refers to or that it can reasonably be regarded as depicting or in any way referring to the plaintiff. It denied generally the other allegations of the complaint.

The case was tried to a jury resulting in a general verdict in favor of the defendant. The sufficiency of the evidence to sustain the verdict is not challenged and the record contains only the oral testimony of one witness. We gather from the instructions that there was other evidence produced but it is not preserved in the record before us. From the judgment of dismissal entered pursuant to the verdict plaintiff has appealed, assigning as error: (1) the ruling of the court sustaining defendant’s objection to the admission of certain testimony of the witness William F. Glynn offered on behalf of plaintiff, and (2) the giving of a certain instruction to the jury which will hereinafter be set forth.

The record shows that as a part of plaintiff’s evidence the film as shown and ex *903 hibited was prefaced with a statement to the effect that it was a R.K.O. production and gave the names of the cast and the various persons who participated in making the picture. The words, “Produced by Phil L. Ryan” and “Directed by Ted Tetzlauf,” appeared on the screen together with the names of others participating in making the film. Plaintiff contends that this testimony established the fact that Phil L. Ryan as producer was the agent for defendant. The witness William F. Glynn testified that he was superintendent of the Newsboys’ Home and had collaborated to a greater or lesser extent in the preparation of the picture and had conferred with Phil L. Ryan, the alleged producer. He testified that he had occasion to write Phil L. Ryan about Matt Davis after he had read an article appearing in the St. Louis Globe Democrat on April 26, 1947; that he received no answer to his letter but that he later saw Ryan in St. Louis at the time of the prevue of the picture, at which time Ryan admitted he had received the letter written by the witness but that the picture, however, had then been finished. The witness was then asked:

“Q. When "Mr. Phil Ryan came here, Father Glynn, before this prevue, did you discuss with him the use of the name ‘Matt Davis’ in this picture?
“Judge Finch: If the Court please, we object to that because his discussion with him wouldn’t have any relation at all to the merits of this case. It would be hearsay.
“The Court: Be overruled, the court will let him answer.
“A. Yes, I discussed that with him.
“Q. What was said by him and what was said by you ?
“Judge Finch: We renew our objection, your Honor.
“A. Well, I have to bring in — •
“The Court: Wait just a minute.”

Following this the jury was excused and after the jury was returned the following proceedings were had in the hearing and presence of the jury:

“The Court: You may proceed.
“Q. Father Glynn, did you have anything further to do with either the production or the showing of this picture? A. No.”

It is now here urged that the court erred in excluding testimony as to the conversation had between the witness Glynn and Phil Ryan as to the use of the name “Matt Davis.” It may first be observed that the record does not affirmatively show that this testimony was excluded. It was objected to. This was followed by the recess and what occurred during the recess does not appear. Following the recess the question was not again asked of the witness and no direct ruling was secured as to the admissibility of such testimony. But quite aside from this we think proper foundation was not laid for the admission of this testimony.

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Bluebook (online)
191 F.2d 901, 1951 U.S. App. LEXIS 2652, Counsel Stack Legal Research, https://law.counselstack.com/opinion/davis-v-rko-radio-pictures-inc-ca8-1951.